Curriculum & Courses
Curriculum Overview
The School of the Art Institute of Chicago's (SAIC) Department of Contemporary Practices combines skill-based instruction with studio-based methods of conceptual exploration and artistic research. All of the courses in Contemporary Practices combine meaning with making. Students are asked to problem-solve through engagement with materials and research methods. The curriculum is designed to:
- Immerse students in an environment in which studio practice is integrated with the history, theory, and criticism of art, architecture, and design
- Promote and enact diverse definitions of artists and designers such as maker, critic, writer, intellectual, educator, collaborator, and engaged citizen
- Integrate the development of each student’s individual voice with an awareness of the context in which that voice is expressed and heard
Coursework in this department is required for all of SAIC’s newest undergraduate students, and is taught by faculty who are practicing artists and designers internationally recognized in their fields.
Required Courses for First-Year Students
Core Studio I and II: Core Studio is a fast-paced, yearlong sequence of courses that introduces students to both disciplinary and interdisciplinary art and design practices. These team-taught classes explore the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students’ emerging practices as makers and thinkers.
Research Studio I: This studio course explores the themes, practices, contexts, and questions undertaken by contemporary artists and designers. While developing your own work, you will investigate a wide variety of research methods that facilitate artistic practice. You will also learn how to use the critique process to discuss your own work and the work of others.
Research Studio I helps connect you with your own practice, with other artists, the museum, the city of Chicago, and SAIC. Through this course, you will also be paired with an academic advisor, who will attend several classes and work with you one-on-one to help in the process of navigating SAIC's curriculum.
Research Studio II: This topic based studio course builds on Research Studio I and allows you to deepen your individual artistic inquiry. Students choose from a selection of more than 30 thematic offerings.
The thematic focus of the class connects you with other students and faculty who share similar interests. Through studio projects and additional research methods, you continue to develop your imaginative intellect as well as work on the creation, construction, and critique of your work.
Required Course for Transfer Students
Research Studio Transfer (RST) is a required course specifically designed for transfer students. Research Studio is a class that explores the themes, practices, and contexts of cultural inquiry and production undertaken by artists and designers. This particular class combines elements from Research Studio I and Sophomore Seminar, both required courses that transfer students do not take. RST includes an orientation to the culture of the SAIC community and Chicagoland and the development of artistic research skills for students already engaged in a practice. Students take this required course in order to experience and develop a variety of research methodologies, both conventional and alternative, which include utilizing collections and archives in the School and the extended community.
The goal of this course is to provide students with the tools to develop and connect their ideas and production, and to discover the pathways of study they can take at SAIC. Students are assigned an Academic Advisor who provides additional support to acclimate to SAIC and plan their future studies. In addition to studio production, students can expect to engage in some reading and short writing assignments for this class.
Available Course for Transfer Students: Core Studio: Transfer
In this fast-paced, interdisciplinary studio course students will be authorized to use school shops, materials and equipment: including the woodshop, CP digital lab, sewing machine, hand tools, printers, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class. Faculty present artists and content related to a particular toolkit or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each faculty. Students should expect a lively, studio environment. In Core Studio: Transfer students will complete short assignments as well as longer multi-week projects. Assignments are designed to introduce methods, and to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty.
Courses for Prior Degree Students
UG DIV Research Studio—Advanced is recommended and specifically designed for students who are new to SAIC coming from backgrounds with a previous degree or a substantial amount of college-level coursework under their belt. This particular class combines elements from Research I and II, which include an orientation to the culture of SAIC's community and Chicago at-large, with the more advanced developmental explorations to support and build an already engaged practice. Students take this class to engage with a variety of research methodologies, both traditional and experimental, utilizing SAIC archives and the extended community in response to studio-based work.
Courses
Title | Catalog | Instructor | Schedule |
---|---|---|---|
Core Studio Practice II | 1011 (001) | Kitty T Huffman, Alison Ruttan | Mon, Mon
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (001) | Kitty T Huffman, Alison Ruttan | Mon, Mon
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (002) | Sarah Jean Belknap, Joseph David Belknap | Mon, Mon
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (002) | Sarah Jean Belknap, Joseph David Belknap | Mon, Mon
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (003) | Lise Haller Baggesen, Michelle Bolinger | Mon, Mon
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (003) | Lise Haller Baggesen, Michelle Bolinger | Mon, Mon
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (004) | Elena Ailes, Anna Laure Kielman | Tues, Tues
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (004) | Elena Ailes, Anna Laure Kielman | Tues, Tues
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (005) | Rosalynn Gingerich, Maria Gaspar | Tues, Tues
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (005) | Rosalynn Gingerich, Maria Gaspar | Tues, Tues
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (006) | David Lozano, Mikey Peterson | Tues, Tues
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (006) | David Lozano, Mikey Peterson | Tues, Tues
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (007) | Eliza Fernand, Stacia Laura Yeapanis | Tues, Tues
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (007) | Eliza Fernand, Stacia Laura Yeapanis | Tues, Tues
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (008) | Tom Burtonwood, Burton Isenstein | Wed, Wed
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (008) | Tom Burtonwood, Burton Isenstein | Wed, Wed
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (009) | AJ McClenon, Susan Giles | Wed, Wed
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (009) | AJ McClenon, Susan Giles | Wed, Wed
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (010) | Benjamin Larose, Amy Vogel | Wed, Wed
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (010) | Benjamin Larose, Amy Vogel | Wed, Wed
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (011) | Anna Martine Whitehead, Christine Anne Shallenberg | Wed, Wed
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (011) | Anna Martine Whitehead, Christine Anne Shallenberg | Wed, Wed
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (012) | Joseph David Belknap, Sarah Jean Belknap | Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (012) | Joseph David Belknap, Sarah Jean Belknap | Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (013) | Claire Ashley, Benjamin Melamed Pearson | Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (013) | Claire Ashley, Benjamin Melamed Pearson | Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (014) | Troy Daniel Briggs, Assaf Evron | Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (014) | Troy Daniel Briggs, Assaf Evron | Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (015) | John Henley, Hope Roberts Esser | Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (015) | John Henley, Hope Roberts Esser | Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (016) | Hope Roberts Esser, John Henley | Fri, Fri
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (016) | Hope Roberts Esser, John Henley | Fri, Fri
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (017) | Troy Daniel Briggs, Loretta Bourque | Fri, Fri
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (017) | Troy Daniel Briggs, Loretta Bourque | Fri, Fri
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (018) | Nelly Agassi, Laleh Motlagh | Fri, Fri
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (018) | Nelly Agassi, Laleh Motlagh | Fri, Fri
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (019) | Caleb Michael Yono, Stevie Thomas Hanley | Tues, Tues
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (019) | Caleb Michael Yono, Stevie Thomas Hanley | Tues, Tues
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (020) | Maria Burundarena, Andrew Martin Roche | Tues, Tues
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (020) | Maria Burundarena, Andrew Martin Roche | Tues, Tues
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (021) | Kris Derek Hechevarria, S. Bailey Jacobson | Tues, Tues
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (021) | Kris Derek Hechevarria, S. Bailey Jacobson | Tues, Tues
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (022) | Delano Dunn, Steve Amos | Thurs, Thurs
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (022) | Delano Dunn, Steve Amos | Thurs, Thurs
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (023) | Claire Ashley, Rebecca Beachy | Thurs, Thurs
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (023) | Claire Ashley, Rebecca Beachy | Thurs, Thurs
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (024) | Kitty Rauth, Kelly Xi | Thurs, Thurs
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (024) | Kitty Rauth, Kelly Xi | Thurs, Thurs
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (025) | Zachary Hutchinson, Nancy Sanchez Tamayo | Thurs, Thurs
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II | 1011 (025) | Zachary Hutchinson, Nancy Sanchez Tamayo | Thurs, Thurs
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice I: Transfers | 1012 (001) | Claire Ashley | Tues
9:00 AM - 3:00 PM In Person |
Description
Core Studio is a year-long course that introduces students to both disciplinary and interdisciplinary art practice. Students learn about the methods, materials, tools and concepts in the areas of Surface (2-dimensional), Space (3-dimensional), and Time (4-dimensional), both independently and in relationship to one another. Students develop their own ideas in relation to the materials and themes being presented by faculty. Core Studio integrates the formal with the conceptual, historical with the contemporary, and makes visible the possibilities and variety of approaches in contemporary cultural production.
PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice I: Transfers | 1012 (002) | Julietta Cheung | Wed
9:00 AM - 3:00 PM In Person |
Description
Core Studio is a year-long course that introduces students to both disciplinary and interdisciplinary art practice. Students learn about the methods, materials, tools and concepts in the areas of Surface (2-dimensional), Space (3-dimensional), and Time (4-dimensional), both independently and in relationship to one another. Students develop their own ideas in relation to the materials and themes being presented by faculty. Core Studio integrates the formal with the conceptual, historical with the contemporary, and makes visible the possibilities and variety of approaches in contemporary cultural production.
PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice I: Intensive | 1014 (001) | Laura Davis, Olivia Lee | Mon, Mon
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
DescriptionCore Studio is a year-long course that introduces students to both disciplinary and interdisciplinary art practice. Students learn about the methods, materials, tools and concepts in the areas of Surface (2-dimensional), Space (3-dimensional), and Time (4-dimensional), both independently and in relationship to one another. Students develop their own ideas in relation to the materials and themes being presented by faculty. Core Studio integrates the formal with the conceptual, historical with the contemporary, and makes visible the possibilities and variety of approaches in contemporary cultural production. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice I: Intensive | 1014 (001) | Laura Davis, Olivia Lee | Mon, Mon
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
DescriptionCore Studio is a year-long course that introduces students to both disciplinary and interdisciplinary art practice. Students learn about the methods, materials, tools and concepts in the areas of Surface (2-dimensional), Space (3-dimensional), and Time (4-dimensional), both independently and in relationship to one another. Students develop their own ideas in relation to the materials and themes being presented by faculty. Core Studio integrates the formal with the conceptual, historical with the contemporary, and makes visible the possibilities and variety of approaches in contemporary cultural production. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II: Intensive | 1015 (001) | Laura Davis, Olivia Lee | Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
The continuation of Core Studio Practice I.
PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Core Studio Practice II: Intensive | 1015 (001) | Laura Davis, Olivia Lee | Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
The continuation of Core Studio Practice I.
PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Research Studio I | 1020 (001) | Peter Jorge Fagundo | Tues
9:00 AM - 3:00 PM In Person |
Description
This studio course focuses on themes, practices, contexts, and questions undertaken by contemporary artists and designers. Research Studio I is a course that asks students to begin to develop and connect their own work and ideas with a diverse range of artists, designers, and communities. This course engages with cultural institutions including: museums, galleries, libraries and archives as resources of critical engagement.
Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems. Assignments in this course are faculty directed, open-media, interdisciplinary and idea based. The projects are designed to help students recognize their work habits, biases, strengths, and weaknesses. Students will experience a wide range of research methods and making strategies. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Research Studio I | 1020 (002) | Amy Vogel | Thurs
9:00 AM - 3:00 PM In Person |
Description
This studio course focuses on themes, practices, contexts, and questions undertaken by contemporary artists and designers. Research Studio I is a course that asks students to begin to develop and connect their own work and ideas with a diverse range of artists, designers, and communities. This course engages with cultural institutions including: museums, galleries, libraries and archives as resources of critical engagement.
Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems. Assignments in this course are faculty directed, open-media, interdisciplinary and idea based. The projects are designed to help students recognize their work habits, biases, strengths, and weaknesses. Students will experience a wide range of research methods and making strategies. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Research Studio I | 1020 (003) | Kirsten Leenaars | Thurs
9:00 AM - 3:00 PM In Person |
Description
This studio course focuses on themes, practices, contexts, and questions undertaken by contemporary artists and designers. Research Studio I is a course that asks students to begin to develop and connect their own work and ideas with a diverse range of artists, designers, and communities. This course engages with cultural institutions including: museums, galleries, libraries and archives as resources of critical engagement.
Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems. Assignments in this course are faculty directed, open-media, interdisciplinary and idea based. The projects are designed to help students recognize their work habits, biases, strengths, and weaknesses. Students will experience a wide range of research methods and making strategies. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Research Studio I | 1020 (004) | Loretta Bourque | Wed
9:00 AM - 3:00 PM In Person |
Description
This studio course focuses on themes, practices, contexts, and questions undertaken by contemporary artists and designers. Research Studio I is a course that asks students to begin to develop and connect their own work and ideas with a diverse range of artists, designers, and communities. This course engages with cultural institutions including: museums, galleries, libraries and archives as resources of critical engagement.
Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems. Assignments in this course are faculty directed, open-media, interdisciplinary and idea based. The projects are designed to help students recognize their work habits, biases, strengths, and weaknesses. Students will experience a wide range of research methods and making strategies. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Research Studio I | 1020 (005) | Benjamin Melamed Pearson | Fri
9:00 AM - 3:00 PM In Person |
Description
This studio course focuses on themes, practices, contexts, and questions undertaken by contemporary artists and designers. Research Studio I is a course that asks students to begin to develop and connect their own work and ideas with a diverse range of artists, designers, and communities. This course engages with cultural institutions including: museums, galleries, libraries and archives as resources of critical engagement.
Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems. Assignments in this course are faculty directed, open-media, interdisciplinary and idea based. The projects are designed to help students recognize their work habits, biases, strengths, and weaknesses. Students will experience a wide range of research methods and making strategies. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
Research Studio I: Transfers | 1021 (001) | Benjamin Melamed Pearson | Mon
9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on the development of artistic research skills for students already engaged in a practice. Students take this required course in order to experience and develop a variety of research methodologies, both conventional and alternative, which include utilizing collections and archives in the School and the extended community.
Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems. Faculty directed, open-media, interdisciplinary, idea based assignments are designed to help students recognize work habits, biases, strengths, and weaknesses. Through this course work students will be able to identify the most productive research methods and making strategies to bolster their emerging studio practice. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others. PrerequisitesOpen to Incoming Transfer Students Only |
Class Number |
Credits |
DepartmentLocation |
Research Studio I: Transfers | 1021 (002) | Julietta Cheung | Tues
9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on the development of artistic research skills for students already engaged in a practice. Students take this required course in order to experience and develop a variety of research methodologies, both conventional and alternative, which include utilizing collections and archives in the School and the extended community.
Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems. Faculty directed, open-media, interdisciplinary, idea based assignments are designed to help students recognize work habits, biases, strengths, and weaknesses. Through this course work students will be able to identify the most productive research methods and making strategies to bolster their emerging studio practice. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others. PrerequisitesOpen to Incoming Transfer Students Only |
Class Number |
Credits |
DepartmentLocation |
Research Studio I: Transfers | 1021 (003) | Tom Burtonwood | Fri
9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on the development of artistic research skills for students already engaged in a practice. Students take this required course in order to experience and develop a variety of research methodologies, both conventional and alternative, which include utilizing collections and archives in the School and the extended community.
Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems. Faculty directed, open-media, interdisciplinary, idea based assignments are designed to help students recognize work habits, biases, strengths, and weaknesses. Through this course work students will be able to identify the most productive research methods and making strategies to bolster their emerging studio practice. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others. PrerequisitesOpen to Incoming Transfer Students Only |
Class Number |
Credits |
DepartmentLocation |
Research Studio I: Transfers | 1021 (004) | Markus Dohner | Thurs
3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on the development of artistic research skills for students already engaged in a practice. Students take this required course in order to experience and develop a variety of research methodologies, both conventional and alternative, which include utilizing collections and archives in the School and the extended community.
Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems. Faculty directed, open-media, interdisciplinary, idea based assignments are designed to help students recognize work habits, biases, strengths, and weaknesses. Through this course work students will be able to identify the most productive research methods and making strategies to bolster their emerging studio practice. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others. PrerequisitesOpen to Incoming Transfer Students Only |
Class Number |
Credits |
DepartmentLocation |
RS: Behind the Curtain | 1022 (001) | Jennifer Lobo | Mon
9:00 AM - 3:00 PM In Person |
Description
In this course, we will examine the relationship of the natural history institution as a means for shaping societal understanding of the natural world. How do we as artists engage in conversations relating to institutional construct and how might that drive content for art making¿particularly in this time of planetary crisis? We will discuss artists such as Mark Dion, Camille Henrot, Morehshin Allahyari, Claire Pentecost, and Denilson Baniwa. Through field trips, we will explore museum practices and collection methods, while confronting colonial history. What does our compulsion for collecting and sorting illustrate about human behavior? What do our collections reveal about what a society treasures? Classes will be a combination of lecture, discussion, studio, and multiple visits behind-the-scenes of the Field Museum. Students can expect to create 3-5 projects exploring topics.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
Class Number |
Credits |
DepartmentLocation |
RS: Artist/Curator: One Thing is Next to the Other | 1022 (002) | Troy Daniel Briggs | Mon
9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on the dynamic relationships between objects, audience, spaces, and the city itself. Our focus is on the interplay of art within its surroundings, exploring site-specificity and the expansive range of public and private art. By examining these concepts, you'll gain a deeper understanding of how art shapes and is shaped by the environments it inhabits. Readings, guest lecturers, tours and screenings will vary and will be responsive to students' needs, starting with a core set of Nina Katchadourian,Francis Alys, David Hammons, Susan Stewart, Duchamp and any of my curator friends I can get to join us. This is a class for people who get excited engaging in critical discourse and are ready to push boundaries.
There will be shorter assignments (readings, curatorial games, proposals and the such) up until midterm preparing students for the final project where you will research, direct and curate a show at the school. Art exists now and has always existed in a landscape far beyond the gallery walls. We will look at everything from your pocket to international art fairs. Curation is an act of care taking and we will look at it as a way of seeing, being and engaging. Throughout the semester we will step into both worlds of artist and curator and by the end of the semester your footing, your practice will be strengthened through it. PrerequisitesPrerequisite: CP/FIRYR 1020. |
Class Number |
Credits |
DepartmentLocation |
RS: Waste Not Want Not: Sustainable Art Practices | 1022 (003) | AJ McClenon | Mon
9:00 AM - 3:00 PM In Person |
Description
As humans what is our relationship to objects and the planet that we reside on? As artists is it our responsibility to have a sustainable practice and should we be actively aware of our material footprints? After breaking down the life and journey of objects and their material footprints and looking to nature and the city as ephemeral material we will intentionally approach materials, objects and our environments; engaging in recycling, exchanging and repurposing practices. We will get to know sustainable practices such as bio art, closed loop fashion, eco design, ecological art, land art, renewable energy sculpture and upcycling; looking at artists such as Chakaia Booker, Brian Jungen, Choi Jeong Hwa, Suzanne Anker, Patricia Johanson and many more. Students will read through the catalogue book for the 2005 exhibition : ''Beyond Green: toward a sustainable art,'' that was shown at the Smart Museum of Art. We will also visit relatable shows in the Chicago area. To seek more affordable and sustainable ways to art shop and find previously used materials we will be visiting Chicago locations such as The Wasteshed and Creative Chicago Reuse Exchange. Students will engage in a material/object study where they choose one material or one object to research and then create a final piece that represents this material or object: sculpture/installation, short film, fashion line, or another proposed medium approach.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
Class Number |
Credits |
DepartmentLocation |
RS: Now is the New Now | 1022 (004) | Steven Heyman | Mon
9:00 AM - 3:00 PM In Person |
Description
Time passes, things change. How do artists work with time, in kinetic and static mediums, in ways that deliver time sensitive materials and convey meaning and heightened understanding of the human condition? From time management to time travel and beyond, how does our past shape our present, what do we project for the future? What shall we make today? In this course, initial assignments are geared toward the development of independent studio projects, informed by student research, discussion and critique, with the emphasis on building a body of work, a sustained practice, one piece at a time. Looking at artists such as Kameelah Janan Rasheed, Vija Clemins, Nick Cave, Josef Koudelka, Roni Horn, Malcolm McLaren, Paul Pfeiffer, Miller & Shellabarger, Felix Gonzalez-Torres, Rodney Graham, Luc Tuymans, Pipilotti Rist, and Tehching Hsieh, we will explore, and put into practice process/concepts such as simultaneity, time loops, portraiture, slow motion, memento mori, time lapse, linier and non-linier narrative, eternal art, and cinematic time tropes. Selected reading from texts such as Einstein¿s Dreams by Alan Lightman, and Society of the Spectacle by Guy Debord. Over the course of the semester, students will produce 3 five week projects in the medium of their choice. Course work and activity will include studio time, prompts, readings, field trips, small group meetings, documentation of practice and critique.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
Class Number |
Credits |
DepartmentLocation |
RS: Making Words Things | 1022 (005) | Joshua Rios | Mon
9:00 AM - 3:00 PM In Person |
Description
Making Words Things is a research- and practice-driven course that examines the relationship between language and contemporary art production. We will consider the physicality of text and the many ways that words and writing have informed and influenced a range of artists using a range of media and media combinations. Beyond the basic framework of writing and text as materials to be explored, this course prioritizes artists that have been historically marginalized because of their social identities, which may include gender, race, ethnicity, able-bodiedness, sexual orientation, and more.
We will do research on and be inspired by such artists as, Cary Leibowitz (Candyass), Carrie Mae Weems, Glenn Ligon, Edgar Heap of Birds, Felix Gonzalez-Torres, Lorna Simpson, Sky Hopinka, Renee Green, and Park McArthur. Poets and writers we may read include, Joy Harjo (the first Native American US Poet Laureate), Claudia Rankine (Citizen), and Theresa Hak Kyung Cha (Dictee), among others. We will engage theories of writing, like semiotics, narrativity, and metaphor. Site visits may include the Poetry Foundation, Harold Washington Library, and exhibitions that have a strong link to the themes of the course. There are three major projects, which can include any media combination, as well as various exercises related to publishing as practice, public intervention, and translation. PrerequisitesPrerequisite: CP/FIRYR 1020. |
Class Number |
Credits |
DepartmentLocation |
RS: Monsters | 1022 (006) | Alison Ruttan | Tues
9:00 AM - 3:00 PM In Person |
Description
The book Monsters: A Fans Delemma' by Claire Dederer wrestles with the question ¿Can we separate artists own bad behavior from an appreciation of their art?¿ This book main question is a starting point to look at moral questions, to take aim at our monsters, to make parody of, or say your truth. In this course we will research and make art about the role of the monsters in life, politics, art, literature and film. Assignments may explore quasi-fictional narratives, the politics around difference and the psychology behind our enjoyment of horror. You may also wish to consider the monster as a tragic comic character worthy of your affection. I see this course as a meandering conversation around ethics and how you can frame your questions within an art practice. Artists Kara Walker, David Altmejd, Amy Cutler, Murikami, Cindy Sherman, Lee Bul, Alex Da Corte.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
Class Number |
Credits |
DepartmentLocation |
RS: Institutional / Critique | 1022 (007) | Anna Martine Whitehead | Tues
9:00 AM - 3:00 PM In Person |
Description
Institutional / Critique will further extend research methodologies introduced to students in Research Studio I. Students will study creative applications to institutional engagement and institutional critique via material, social, scholarly, and embodied/movement research. We will engage in rigorous discourse throughout the semester around the themes of Refusal, Feminist Interventions, Critiques of the State, and Tricksterisms, paying close attention to the ways troublesome artists and writers have consistently queered artmaking and arts institutions. Artists and writers whose work we will consider will include Helio Oiticica, Shirin Neshat, Doris Salcedo, David Hammons, jina valentine, Demian DineYazhi', Tehching Hsieh, Andrea Fraser, Pope.L, and Rafa Esparza. As we engage in our own practices of institutional engagement and critique, we will stay attuned to questions of safety and risk, engagements of various publics, and the differing implications of public and private space. Class meetings will include readings, viewings, written responses, off-site visits, and studio time, and students should be prepared to engage in all these practices outside of class as well. We will play throughout the semester with interpretations of work, production, and resolution, but students should be prepared to present and critique three works throughout the semester.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
Class Number |
Credits |
DepartmentLocation |
RS: Killing Joke: Humor and the 'Modern' | 1022 (008) | Benjamin Melamed Pearson | Tues
9:00 AM - 3:00 PM In Person |
Description
There's something funny about Humor, but what is it, really? Humor has served as an indispensable lens through which to view (and laugh at) Modern life. This class aims to look very seriously at unseriousness. If humor is something that was previously used to set the boundaries between Human and Non-Human, what would humor mean in a Modern world where the binaries of Human/Machine, Human/Other and Human/Animal, are always in crisis? This class looks at artists who use humor in their work and asks why they use it, what does it do, what are its limits and possibilities? As points of departure and inspiration, we look to the critical irreverence of Fluxus, the anxious object-ness of Concrete Comedy, the subversive refusal of Carrie Mae Weems and the Queer metaphysics of Robert Gober (just a very small sampling of artists covered) as an invitation to laugh towards liberation. Course work consists of readings, screenings, guest speakers and discussions, centered around 3 major projects. The body of art work a student produces in this class encourages a diversity of approaches, mediums and interests, rooted in an attuned sens(es) of humor. Readings include excerpts from: Henri Bergson, Simon Critchley, Tina Post, Sigmund Freud, Eve Sedgwick, Stuart Hall, Sianne Ngai, Lauren Berlant, Todd Mcgowan.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS:Yes, and... | 1022 (009) | Susan Giles | Tues
9:00 AM - 3:00 PM In Person |
Description
How do the rules and concepts in improvisation relate to broader social themes and histories? How can they inform your work in visual art and design? This class provides you with the opportunity to develop a series of works in response to our exploration of Yes, and¿ improvisational practices.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: Generative Systems | 1022 (010) | Tom Burtonwood | Tues
9:00 AM - 3:00 PM In Person |
Description
Do you like to play games or make art based upon rules? If so, 'Generative Systems' is for you. Over the course of the semester we will explore and research many systems based methods for producing creative outcomes in a variety of media. Course activities will center on your own personal research and consider ways to pull systems thinking out of it.
In 1969 professor Sonia Landy founded Generative Systems here at SAIC. Generative Systems went on to become what is known today as the Art and Technology / Sound Practices Department. Through this lens 'Generative Systems' (2025) will take a long look back to Dada games, Surrealist strategies, Fluxus Poetry, early Computer made art, New Media Practices, Sports and Art and everyday routines. Familiarity with making new media art is not required but a willingness to engage with technology is helpful. The course will be divided into three modules. The first will introduce historical systems and games in art. The second will introduce computational thinking and algorithmic practices and the third will ask students to develop their own systems thinking based on their research interests. Each module will culminate with a final outcome presentation and critique. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: At The Movies! | 1022 (011) | Delano Dunn | Wed
9:00 AM - 3:00 PM In Person |
Description
'Movies can communicate concepts, ideas and stories. They allow us to be cognitively transported to a different time or a place, and experience life through different eyes- gaining new perspectives, inspiration and understanding - Tom Sherak, President of the Academy of Motion Picture Arts and Sciences
How can film, popular films, affect the way we view the world? Yes, we are in an art institution where 'art' films perhaps are seen as the gold standard, but before you knew what an 'art' film was you knew and were exposed to popular movies/films. And that exposure, whether conscious or subconscious, has affected the way you view the world and communicate. This class gives students the opportunity to explore, process, and create works that take a deep dive into how moving images can impact the way an artist approaches and creates works that are, you might say, static. To be clear this class is not a film appreciation class, film making class, film history class, or an 'art' film class. This class is an investigation into the popular movie/film experience. Films such as Alien, Kids, Weekend At Bernie's, Halloween, and The Breakfast Club, amongst others will be shown. Project Example: Reflecting on the Birth of A Nation, Song of The South, Paris Is Burning and Philadelphia, create a new work reflecting on Othering; how that action can play out, whether it is being Othered or Othering. Consider exploring the experience of different marginalized groups as fact based research, conversation, and openess on the experiences of others leads to empathy. Note: Student will watch films with, violence, racist depictions, sexual assault, trans and homophobia, and very harsh language. Trigger warnings will be given prior to watching the films. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: Shelter from the Storm | 1022 (012) | Brian Sikes | Wed
9:00 AM - 3:00 PM In Person |
Description
Concepts of home and place are often thought of as providing refuge from the turbulence of the outside world. They speak a visual and spatial language of belonging and centeredness, but the comfort that language offers can be used for widely differing purposes. It can justify withdrawal from, or support engagement with, the uncertainties that lie just outside our front door. Most often though, it helps us shuffle between those extremes in the messy and necessary choices of everyday life. This class explores what home and place mean to us, and how that is expressed symbolically and metaphorically in the structures and spaces that we imagine, construct, occupy, and leave.
We will consider examples ranging from Thoreau's cabin on Walden Pond to Levittown; from Arcadian ruins to utopian urban visions; from Little House on the Prairie to Rachel Whiteread's House; from Bentham's Panopticon to Phillip Johnson's Glass House; and from Disney's urban planning in Celebration, Florida to Tonika Lewis Johnson' Folded Map Projects. These examples and others will help us to explore the archetypes and conventions that inform our experience and understanding of the places and spaces we call our own. Course work will vary, but typically requires 3-5 studio assignments and projects, as well as readings, discussions, written responses, and field trips to view relevant works. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: The Aftermarket | 1022 (013) | Laura Davis | Wed
9:00 AM - 3:00 PM In Person |
Description
How is it that art can be one of the most valued things on earth and yet totally common? In this course we will explore ways that art objects move through capitalism and can command value in ways that often question or contradict this very system. Some of the scholars/artists we will study in this course include Rose Salane, Liz Magor, Nina Katchadourian, Rashid Johnson, and Do Ho-Suh. This course will have 3 projects. The first will explore the legacy of the readymade, the second will focus on art as a form of exchange, and the third will be the creation of value through time, repetition, skilling, accumulation, time-lapse, craft, and/or mastery.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: Repeat, Rewind, Recycle, Redux | 1022 (014) | Michelle Bolinger | Wed
9:00 AM - 3:00 PM In Person |
Description
Why do some artists use the same imagery over and over again? How does it change or stay the same? Why do some artists produce multiples? How does quantity and multiplicity impart meaning? How can repetition be used to reinvent or edit an idea? In this class, we will ask these questions and more as we explore the ways artists revisit certain ideas and techniques. We will look at work by Yayoi Kusama, Allan McCollum, Joyce Pensato, Andy Warhol, Judy Ledgerwood and Agnes Martin among many, many others. You will complete two independent projects and contribute to one group project in this class. Studio work will be supplemented with several field trips, readings, presentations and group discussions.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS:The Trouble with Wilderness | 1022 (015) | Lora Lode | Wed
9:00 AM - 3:00 PM In Person |
Description
Wilderness is the place where, symbolically at least, we try to withhold our power to dominate.¿ This is a quote from an essay by William Cronon, which is an inquiry into human relationships to concepts of wilderness and nature, and how they change over time. In this class we will examine the complexity of these concepts. What is our current understanding of living things within earth¿s biome and their relationships to each other? We will explore the relationship between environment, human/animal/plant life and `vibrant matter¿ (for philosopher Jane Bennett: our experience of things) through the lenses of social and environmental justice. Students will be introduced to expanded concepts of nature, ecological systems, land reparations, and regenerative practices that address anthropogenic environmental changes. Artists and writers have long worked with nature as material and as subject -- whether image, representation, a construct or an environmental reality -- at times to imagine fantastically and at times to transform. To support creative research, we will delve into works drawn from literature, poetry and many forms of art making via readings, film screenings, podcasts and field trips. Starting with Cronon¿s essay, weaving through Romanticism, Transcendentalism, the environmental movement, climate crisis, and land reparations. We will engage with many artists, designers, architects and scientists on these subjects (earthworks, Fritz Haeg, Future Farmers, Mel Chin, Clarissa Tossin, Sky Hopinka, Meredith Leich, Kelly Jazvac, Eve Mosher, Kathy Jetñil-Kijiner and Aka Niviâna, Allison Janae Hamilton + more). The media you work in will be defined by your ideas/content. An iterative process beginning with researching, brainstorming and feedback on preliminary sketches, prototypes or models, culminates in three major projects with group discussion exploring different forms for critique.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: NIGHTMOVES | 1022 (016) | Elena Ailes | Wed
9:00 AM - 3:00 PM In Person |
Description
In this course, we will ground our creative research and production through the very broad lens of `the night¿. Nighttime and darkness will be approached both metaphorically and literally and will be used as the starting point for collective and individual inquiry, contemplation, and creative work. Some of the themes this class will explore include: the night sky, vision and lack thereof, dreams and hallucinations, stories you tell in the dark, horror, surveillance, secrecy, night work, night parties, grief (personal and ecological), and `the unknown¿. Through writing exercises, readings, site visits, group discussions, long form research processes, and critique, members of this class will be supported in the production their own work alongside the production of new, hopefully generative, questions. Some of the writers included in the course syllabus are the poets CA Conrad and their (Som)atic Rituals for a Future Wilderness, Can Xue and Layli Long Solider, as well as essays by Eugene Thacker, Hanif Abdurraquib and Ursula Le Guin. We will look at many artists from around the world that span multiple generations of thinking and making, including Tuan Andrew Nguyen, Wu Tsang, Louise Bourgeois, Pierre Huyghe, Lygia Clark, Vaginal Davis and many, many more. This course is non-medium specific, and open to students working in all media. Though coursework will vary, students can expect to create 3 projects for critique, as well as one semester-long, practice-based research project.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: Beauty and the Sublime | 1022 (017) | David Lozano | Thurs
9:00 AM - 3:00 PM In Person |
Description
Can the sublime be relevant in art today? Do you love things that are ravishingly crafted or made simply beautiful? The beginning of this course will focus on exploring the everyday or mundane with emphasis on meaning through craft or aesthetics. Note that this course does not celebrate the ideal found in commercial beauty standards when related to the human body. In other words we will investigate beauty that is overlooked, unexpected or possibly marginalized. 'If it is truly awesome then it is probably sublime'- this second unit of the course will crystalize notions of the sublime through an installation-based project inspired by the original philosophies on the sublime. The final unit of the course will culminate with an in-depth exploration of dichotomies found in beauty and/or the sublime. Among the writings discussed in the course will be Edmund Burke's famous writing on aesthetics, essays by Crispin Sartwell, Peter Schjedahl and a David Batchelor essay from his book Chromophobia. Students will also be responsible for: creating work for 3 separate critiques; for all readings; writings; presentations; participation in discussions; and canvas postings.
The projects can be interdisciplinary with a focus on building, crafting, and constructing objects or images whether they are static or time based. The following are some of the artists that will be discussed and relate to one or more of the units: Doris Salcedo, Vija Celmins, Andy Goldswothy, Felix Gonzales-Torres, Mickalene Thomas, James Turrell, Jeffrey Gibson, Sarah Sze, Rachel Rose PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS:Embodied | 1022 (018) | Ginger Krebs | Thurs
9:00 AM - 3:00 PM In Person |
Description
In this course we'll consider bodily phenomena, including the psychology of pain, meat production, and water treatment infrastructure. We'll reflect on metaphysical phenomena that arise from the enigma of living as bodies, like avatars and spiritual iconography, the uncanny, and cuteness. And we'll direct our research 'inward', notating sensory phenomena, tracking habits and experimenting with different modes of perception. We perceive the world through the filter of our bodies, and project them - not only their shape but also the feelings and myths that accompany them - onto everything we see. Among other things this makes bodies a rich source of metaphor for art making. How might the physiology of a nerve impulse suggest an editing structure for an animation? What would a vertigo-inspired drawing look like? We'll direct our research toward both art and science, reading case studies of neurologic disorders by Oliver Sacks, and looking at artworks by Tracey Emin, Chen Zhen, Juliana Huxtable, Mika Rottenberg, Wim Delvoye and more. Students will be supported to pursue their individual interests through regular observational assignments, a research presentation and two large-scale projects.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: Reciprocal Structure | 1022 (019) | Julietta Cheung | Thurs
9:00 AM - 3:00 PM In Person |
Description
In this open genre studio course, students take the concept of 'structure' as a lens through which to examine their artistic practice and topical interests. In lectures, readings, and discussions, contemporary questions surrounding the body, identity, shelter, ecology, institutions, and community will be explored. The works of artists, such as Lawrence Abu Hamdan, Jumana Manna, B. Ingrid Olson, Sarah Sze, Tauba Auerbach, Abraham Cruzvillegas, Alvin Lucier, and more will serve as entry points to our explorations. There will be three major studio assignments and several in-class studio experiments. Students will be encouraged to explore interdisciplinary forms of making and there will be opportunities for collaborative approaches.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS:Paracosms:Imaginary Worlds | 1022 (020) | Amy Vogel | Fri
9:00 AM - 3:00 PM In Person |
Description
Developmental psychologists who study child behavior have a term that refers to the companions who inhabit the play world of children, they are called 'Imaginary Companions.' These companions, or friends, are entirely real to a child. Sometimes, as children get older these imaginary friends develop into entire imaginary worlds, what psychiatrists call 'paracosms'. The Bronte sisters had a paracosm complete with its own language.
Many artists create their own worlds as a way of reimagining or coping with this one. Henry Darger and Adolf Wolfli; both struggled with mental illness and participating in the real world and therefore created their own, complete with invented histories, nations, flags, and, in the case of Wolfli, his own language and musical scores. Other artists have fully developed paracosms of their own as a way of understanding the possibilities this world for themselves and others such as Trenton Doyle Hancock. Along with developing your own paracosm we will question what role imagined worlds have played in the past and can play in our current world where reality is constantly blurred with AI, social media, reality tv and deep fakes. This class is open to all but recommended for students who already have, or begun (even if only in their mind!) an existing paracosm. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: Digital Craft. | 1022 (021) | Burton Isenstein | Fri
9:00 AM - 3:00 PM In Person |
Description
How are emerging technologies enabling artists and craftspeople to redefine the meaning and scope of the field of craft? How are long established techniques and materials merging with new materials and ways of making? How has new technology historically been integrated with traditional ways of making before the digital revolution? We'll explore the contemporary handmade market and research brands like Etsy, as well as observe how the DIY and Maker movement is influencing the field. We'll research how social media and online marketing have changed the way artists/producers connect with their audience. We'll research individuals who make a living as independent artists, crafters, designers, as well as explore how the school's resources can be utilized to build a toolset for inventive means of production post SAIC. We'll also examine branding, product packaging and research practical use of software and digital tools including Rhino for creating 2-dimensional designs output by the plotter cutter, and modeling 3D objects. We'll use 3D printing and various tools available in the CP Digital Lab while considering the use of these tools in combination with traditional processes such as mold making. Students should expect to complete 3-5 projects which include conceptualizing a solution to a problem and creating a prototype that describes this solution.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: Are we in a Simulation? | 1022 (022) | Joseph David Belknap | Fri
9:00 AM - 3:00 PM In Person |
Description
Do you ever feel detached from reality? (Deja Vu, Glitches, Dreams, Futurism, the Quantum)
Is the Earth a living being? (Gaia Hypothesis, Symbiotic Earth) If the smallest things we know can be coded, is it possible everything is a program powered by the Sun? Does consciousness extend beyond humans? Could everything be conscious? Has any civilization throughout time and the universe ever made a simulation to the fidelity of our experienced reality? Are we in base reality? Are we in a black hole watching our past lives? Over this semester-long RS2 we will read, discuss, and create around the expansive question 'Are we in a Simulation?' Our primary method for making in this class will be 3D animation and modeling. We will learn Blender and utilize other software to build environments, characters, and scans to be output as animations and interactive environments. We will be covering many ideas and training quickly. You will be using in Blender every week so expect to work 3-5 hours outside of class. The content of this course will be in video, podcast, articles, films, and book excerpts - all of which will be accessible with varying learning pathways. Some folks we will be reading or discussing include Neil Degrass Tyson, Carl Sagan, Annie Dillard, James Bridle, Octavia Butler, Jean Painleve, Lynn Margulus, Deleuze and Guattari, Rebecca Solnit, Sara Ahmed, Jean Baudrillard, Hito Steryel, Walter Benjamin, Susan Sontag, Daowoud Bey and more. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: I Want to Believe | 1022 (023) | Sarah Jean Belknap | Fri
9:00 AM - 3:00 PM In Person |
Description
How do we place ourselves in the universe? How did our planet, the only one we know that contains life as we know it, come to be? How big is our universe? For millennia, people have sought to understand the origin of the heavens, and the stars in the sky. Myths, religion, conspiracy theories, and science have pondered, explored, and hypothesized these questions and continue to do so. This class will explore wonder and curiosity in relationship to our universe and how we as humans fit into it.
The works of Artists Wengechi Mutu, Katie Paterson, Vija Celmins, Alma Thomas, and Trevor Paglan will act as primary points of departure for our exploration in this course. We will ponder these questions through readings and art-making using various materials and mediums. Students should expect to create a body of work consisting of 3-5 finished pieces during the semester that explore our environment, space and the awe it creates deep in our hearts. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: You Have Many Teachers / Companion Species | 1022 (024) | Kayla Anderson | Fri
9:00 AM - 3:00 PM In Person |
Description
Botanist Robin Wall Kimmerer states ''We Americans are reluctant to learn a foreign language of our own species, let alone another species. But imagine the possibilities¿the access we would have to different perspectives, the things we might see through other eyes, the wisdom that surrounds us. There are intelligences other than our own, teachers all around us. Imagine how much less lonely the world would be.¿ In this course, we will look to non-human teachers to guide us in the creation of artworks, gaining new perspectives on our own human culture, and the wider world around us. Each student will choose one or more companions (plant, animal, etc.) to make work in conversation with throughout the semester. We will look to the work of artists including Aki Inomata, Ellie Irons, Wawi Navarroza, Jumana Manna, Duy Hoang, Zheng Bo, Dao Nguyen, Jenny Kendler, Lindsey French, Joiri Minaya, Otobong Nkanga, Carolina Caycedo, Cathy Hsaio, Rosana Paulino, Joscelyn Gardner, and Karolina Sobecka; and writers including Octavia Butler, Jamaica Kincaid, Robin Wall Kimmerer, Donna Haraway, Janice Lee, Heather Davis, JD Pluecker, Jessica Hernandez, and CA Conrad. Students should expect to produce a body of work consisting of 3-5 finished pieces during the semester, along with generative reading and writing exercises. Students may choose to work on a collaborative project / body of work with one or more classmates.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: Play and Belonging | 1022 (026) | Alex Cohen | Fri
9:00 AM - 3:00 PM In Person |
Description
1) In this course we will look into the ways that play shapes our everyday lives and it's use in language development. Play is self chosen and self directed. Students will be encouraged to turn the classroom into a place of experimentation where they will engage in self-directed acts where they will be asked; ''can we foster new forms of play that will lead us to develop new structures of belonging?''. 2) We will look at the bodies of work by artists Jacob Lawrence, Faith Ringgold, Chris Johnson, Thomas Hirschorn, Louise Bourgeois, Diane Thater among others and how they have used art to construct and develop imaginative worlds that represent community through experimentation and exploration of form. We will also engage with the play theories of Peter Gray, Brian Sutton Smith, Johan Huzinga, and Michael J Ellis. As well as ''belonging'' by bell hooks. We will bring as many things together to look at the ways that play shapes us and is essential for the development of ''worlds''. 3) True in Play form students will engage in self-directed projects where I as Faculty will serve as Facilitator of all experimentations in the name of Play and Learning. There will be three prompts throughout the semester where students will be asked to generate self directed projects that address these specific issues. The three prompts are: How Do You Move, Whats the best way to organize that?, and These are my intentions.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS:Our Bodies are the Battlegroun | 1022 (027) | Peter Jorge Fagundo | Fri
9:00 AM - 3:00 PM In Person |
Description
After decades of marginalized positioning, the figure/human body has come back to the center of contemporary art, but its return is characterized by foible, specificity and doubt. Issues of race, gender and identity have called for new narratives, empathy and instruction. We are redefining the way we see ourselves. We will look at the body in art from pre-history through it's problematic past in the western tradition and how it's being used now to correct and reflect our varied reality. Students should expect to produce a body of work consisting of 3-5 finished pieces which we will critique throughout the semester.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: Queer Color | 1022 (028) | Stevie Thomas Hanley | Mon
9:00 AM - 3:00 PM In Person |
Description
In this course students explore color theory through independent projects with the aid of faculty and various research methods. Color theory is studied psychologically, spiritually, aesthetically, and politically. This course pulls from a diverse range of color theorists and methodologies such as: Josef Albers Interaction of Color, Coloraid, AfriCOBRA, Gilbert Baker, Betty Edwards, and more. Traditional color theory is unpacked and expanded to account for how color has been weaponized and venerated in participation to power, suppression, race, cultural difference, gender, sexuality, and queer peoples.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: Maximalism: You are too much | 1022 (029) | Sarah Bastress | Tues
3:30 PM - 9:15 PM In Person |
Description
This class is about being EXTRA. It is about adding all of the sequins and showing all the warts and having all of the feelings. Our editing process will be to add MORE. We will look at work that is maximalist in aesthetics and maximalist in content. This class will explore how notions of simplicity, purity, and perfection have been used to uphold a cis white male status quo in the art world. Using the idea that taking up space and time is a form of agency, this class will join in with the abundance and lushness of maximalist artists who have come before us to find ourselves messy alternatives. Occasionally, this work will be explicit, with care taken to talk about our needs and boundaries. This class will help us engage with different strategies to discuss and (only if you want to) make work with difficult content.
We will be too loud, too angry, too big, too pretty, too dramatic, too raunchy, too ornate, too much. Over the course of the semester, students will search for their own gluttonous icons, develop their own over-the-top persona, create an alternate Western art history where minimalism became maximalism, create one semester-long piece they work on every class, create a drawing a day (we hope!), and build a grotto, among many other artworks. Ideas of STUFF, Immigrant Maximalism, excess, the radicality of doubt, duration, decoration, the pornographic sublime, the explicit, shock value, the grotesque, sustainability, and how to make work with an abundance of 'trash' will also be discussed. Field trips will include The Leather Archives, the Roger Brown House, and Tweet/Big Chicks. Other artists and art movements included in discussion will be Persian Miniatures, Caitlin Cherry, Kerry James Marshall, Dynasty Handbags, Nick Cave, Lari Pittman, Sun Ra, Yvette Mayorga, Agnes Martin, Horace Pippin, Ivan Albright, Danez Smith, Julie Mehretu, Virginia Woolf, Howard Finster, Florine Stettheimer, James Ensor, Gravy Train!!!!, and John Waters. We will also eat cake in class. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: Breathing Bodies in Digital Worlds | 1022 (030) | Claire Fleming Staples | Tues
3:30 PM - 9:15 PM In Person |
Description
In this class we will be learning about and making works that are both somatically engaging and virtually transportive. How can we remain in our bodies while also traveling into different worlds? How can we create portals into a desired reality that we can actually step into?
The course will cover methods of immersive installation including sound, projections, and working in the digital environment New Art City, with 3-D and video elements. We will be looking at artists like Jacolby Satterwhite, Morehshin Allahyari, Pippoloti Rist, Yayoi Kusama, Tabita Rezaire, D. Denenge Duyst-Akpem, Anti-Body Corporation, Heesoo Leymusoom Kwon, & Peter Burr, and reading texts by Octavia Butler, Robin Wall Kimmerer, Laura Marks, Resmma Menakem , hannah baer and Deborah Kapchan. Class work will include reading discussions, somatic exercises, and world-building workshops as well as technical demonstrations. Students will work in groups and individually on two major video installation projects, one smaller project, and lead a reading discussion. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: Perception and Its Discontents | 1022 (031) | Maryam Taghavi | Tues
3:30 PM - 9:15 PM In Person |
Description
In this course, we will explore the intricate relationship between perception and art, focusing on the boundaries between the visible and the imperceptible. Using the eye both as a sensory tool and a metaphor, we will examine how culture, technology, and context influence what we perceive and what remains unseen. By analyzing the limitations of human perception, we will investigate how art can expand or distort our understanding of reality, prompting a reconsideration of what it means to 'see.'
We will study the works of artists such as Zoe Leonard, Olafur Eliasson, Ann Hamilton, and James Turrell, whose manipulation of light, space, and sensory experience interrogates the limits of perception. Course texts will include James Elkins' The Object Stares Back, Maurice Merleau-Ponty's Phenomenology of Perception, and Susan Sontag's On Photography, providing critical frameworks for understanding the act of seeing. The course will also consider how technologies--from smartphones to telescopes--alter our perception, revealing what lies beyond the everyday and reshaping our relationship to the unseen, whether in microscopic or cosmic scales. Students will undertake research-driven projects involving the collection and archiving of materials from both personal and public histories, recontextualizing these sources to expose the invisible dimensions of culture and memory. Field research using digital tools such as smartphones and surveillance technologies will further examine how modern devices mediate our interaction with the visible world. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: The Shape of Punk to Come: Rebellion & Dissent | 1022 (032) | Alan Strathmann | Tues
3:30 PM - 9:15 PM In Person |
Description
The Punk subculture began in the 1970s as a reaction to social norms and to political systems, and to give voice to the dissatisfaction that resulted. Since then the word has been commodified, re-actualized, monetized and marginalized - but no matter - the ethos of and the distinct need for rebellion has remained.
'(Punk rock is) lunging after some glimpse of a new and better world.' - Lester Bangs. We look inward, we look outward, we look around, and we find these actions, great and small that defy expectations and 'question anything and everything'. What drives you to see change in the world? Change in 'art-making'? What is an act of rebellion? What is an experiment if not at its heart a questioning of the things around us? We will be reading, watching, listening, and communicating in the service of exploring acts of rebellion and moments that defy normalcy, that break from tradition, that disturb and provoke us. Of course we will listen to some of the pioneers - to both their words and to the sound of what they do and say. And we will witness who and what is happening around you this very day, by delving deep into today's emerging art-forms and ephemeralities. Throughout the course we will engage in ideation, discussion, and prototyping/iteration, with no less than 3 completed projects built on these ideation and research phases. What mediums you ask? What do you do? What do you want to do? What can you imagine doing? You may discover that the message dictates the medium and that what you want to say may have an impact on what you use to say it. Weekly coursework will vary but will include reading responses, listening responses, colloquium/discussion, sketching and prototyping and studio workdays followed by group critiques. Alongside sonic and visual media that we will investigate, a few texts excerpted will give us points of departure, and these will or will not include: Hold it Against Me - Jennifer Doyle Monolithic Undertow - Harry Sword Another Aesthetics is Possible - Jennifer Ponce De Leon The Aesthetics of Noise - Torben Sangild The Art of Noises - Luigi Russolo For fans or investigators of: Punk, Noise, Hacking, Spoken & Written Word, Institutional Critique, No Input Mixing, Drone, Underground Comix, zines, DIY, Body Modification, Cybernetics, BioArt, Radical Care... It probably won't be easy the whole time. I hope that you hope that it won't be easy the whole time. 'Punk rock will never die, until something more dangerous replaces it.' - Jello Biafra. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: Storytelling Alchemy | 1022 (033) | Pablo Enrique Monterrubio-Benet | Thurs
3:30 PM - 9:15 PM In Person |
Description
In this course, students will immerse themselves in the transformative power of storytelling across various mediums. Storytelling Alchemy invites students to explore and push the limits of narrative through hybrid forms and interdisciplinary techniques. We will delve into how storytelling serves as a powerful vehicle for personal expression, enabling artists to investigate and communicate personal identities, emotions, and experiences, as well as for cultural exploration, allowing the examination of histories, social dynamics, and collective memory. Additionally, we will look into how storytelling acts as a portal to speculative futures, offering possibilities for imagining new worlds, alternative realities, and future trajectories. Drawing inspiration from the surreal worlds of Alejandro Jodorowsky, Jan Svankmajer, and Frida Kahlo, the dreamlike atmospheres of Maya Deren and David Lynch, and the poetic essay films of Chris Marker and Agnes Varda, students will encounter pioneering artists who have expanded the boundaries of storytelling. Students will be inspired to make work that challenges conventions, creating transformative experiences that captivate, disrupt, and ignite new ways of seeing and understanding the world. Throughout the course, students will develop their own narrative approaches, creating work that reflects their unique voice and vision. Students will work on 3 class assignments and one final project.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: True Hallucinations: Documentary and World-Bui | 1022 (034) | Andrew Martin Roche | Thurs
3:30 PM - 9:15 PM In Person |
Description
Documentary and world-building aren¿t opposites. They¿re both ways artists get at the `big picture¿ by getting involved in the details. This course isn¿t so much interested in finding the line between fact and fiction, but the line that connects description and creation. When an artist makes a work rooted in documentary practices, no matter in what medium, they are as much inventing a world as they are making a critical analysis. And when an artist pursues a project involved in world-building, they assert a way of understanding our reality even as they indulge in fantasy. Some of the scholars/artists we will study in this course include Hito Steyerl, Sun Ra, Camille Henrot, Thomas Hirschhorn, Lauren Halsey, Juliana Huxtable, Cannupa Hanska Luger, Adam Curtis, Harun Farocki, Jacolby Satterwhite, and more¿ This course is NOT medium-specific. Artists will be encouraged to experiment with new forms and challenge their existing skills. Over the semester artists will produce 2 pieces, the first, an experimental documentary work that aims to create a new world in the minds of its viewers, the second, a world-building artwork that aims to assert a new critical idea. Throughout both projects, artists will produce research materials, sketches, and studies; engage with readings, screenings, and visits; and develop as artists, scholars, collaborators, and colleagues.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: Infinite Pocket Studio | 1022 (035) | Alberto Aguilar | Thurs
3:30 PM - 9:15 PM In Person |
Description
Do you feel confined by the walls of the studio and the institution? Are you a wanderlust with an urgency to roam and explore? Do you like to walk and think and make wherever you are? Are you interested in learning how to create a self-imposed artist residency? Are you tired of the cost of purchasing material within the confines of the art store? In this class we will conduct research out on the streets, also known as field research. We will create strategies for researching, making, activating and documenting work while being outside of the studio. Field trips may include Rebuilding Exchange, Centro Romero, the Urban Canopy, a tour of 16th street murals, Compound Yellow, Stony Island Arts Bank, The Chicago Pedway. We will do readings by and study artist such as: The Situationists, Asco, Allan Kaprow, Miranda July, Tehching Hsieh, The Fluxus, Gabriel Orozco, Sophie Calle, Francis Alÿs, Richard Long, Pope L, Janet Cardiff and George Bures Miller, Azikiwe Mohammed among others Visiting artist include: Devin T Mays, Hui Min Tsen and Miguel Aguilar aka Kane One Assignments may include: making a sound work while walking, street collage, public interventions, the Dérive as research, reinventing children¿s street games, create a performance that may or may not have happened.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: To Whisper | 1022 (036) | Isra Rene | Thurs
3:30 PM - 9:15 PM In Person |
Description
To Whisper is a course about the residuals. It is about the murmurs that nurture the cyclical nature of research and delves into the inherent reverberations found in the micro and macro. A whisper is a theoretical framework, a poetic device, a gesture, and a boomerang that ricochets through time and space. It is sentient and inanimate at the same time. In this course, locating the whispers that extend into our practices is the central theme and driving force. We will draw inspiration and guidance from the contributions of Senga Nengudi, Eva Husse, Julius Eastman, Martin Puryear, Aria Dean, Ruth Duckworth, Dawn Lundy Martin, Suzanne Jackson, Emmer Sewell, Tina Campt and many others. Alongside weekly field note recordings and observations, three milestone studio projects will help to chronicle each individuals engagement with their own devised methodology and iteration of ¿whispers¿ in their practice. The goal of the field notes in conjunction with studio projects will challenge the development of students creative practice and to support pathways to form and give shape to how their own research methodologies inform their practice.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: use your words | 1022 (037) | Nia Easley | Thurs
3:30 PM - 9:15 PM In Person |
Description
Students will develop a working knowledge of typography and layout with the goal of working towards creating a design language sensibility in support of their artistic practice. We will look at textual approaches to art-making - both in the sense of making work with language/text and using a written approach to generate ideas for work. We will consider how artists and designers utilize various typographic, print and distribution methods. We will look at both manual and digital composing and printing processes including: screenprinting, risograph, graffiti, Adobe Illustrator, and Adobe InDesign. We will complete exercises in class and engage in research that generates knowledge around how type and layout can be manipulated to affect the reading of a work. Readings and screenings will vary but some artists and designers we will look to include: Experimental Jetset, Kameelah Janan Rasheed, Barbara Stauffacher Solomon, Errol Morris, Emory Douglas, Amos Kennedy, Barbara Kruger, Basquiat, Gloe One (Gloria Talamantes), Angela Davis Fegan, Gravillis Design, etc. Students should expect to produce a body of work consisting of 3-5 finished pieces during the semester, to be presented in a culminating course critique.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS:Interventions and Transgressions | 1022 (038) | Mathew Wilson | Mon/Wed
6:45 PM - 9:15 PM In Person |
Description
This course invites students to occupy and invigorate public spaces, both physical and virtual. Through site-specific gestures, installed objects, posters, projections and other interventions, students will take their work into places where accidental audiences can be found. Additionally, transgressive art more generally will be examined and discussed. Readings and discussions will focus on Situationism, Social Sculpture and Guerrilla Art, as well as the controversies surrounded the work of Burden, Buren, Kapoor, Serra, The Guerrilla Girls, Act Up, Theaster Gates and others. The class will visit local public works and also become familiar with the challenged status of `public space¿ in the city. Students would explore through assigned projects the various social contracts that we all experience in our daily and creative lives. For example, the first project would examine the social contracts that exist between the individual and the people and institutions around them. The students would be asked to consider how these contracts and assumptions, so often invisible and unconscious, might be gently subverted.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS:Truth Adjacent | 1022 (039) | Paola Cabal | Mon/Wed
6:45 PM - 9:15 PM In Person |
Description
What is ¿True¿ and how can we tell? Where is the line between uncanny and unreal? What does it mean when we can¿t distinguish fact from fiction? To the extent that our understanding of ¿authenticity¿ is built on previous, verified experiences, the Truth ¿adjacent¿ research studio explores known, well understood, everyday references to generate a sense of doubt and unease. We will read Sigmund Freud¿s original essay on the uncanny, and look at artists who leverage recognizable tropes to create unsettling experiences, such as Ron Mueck, Valerie Hegarty, and Robert Gober. We will also explore emerging discussions on AI, considering the implications of these new technologies for our evolving understanding of what truth is. Four studio projects will afford us the opportunity to explore well known, richly referential subjects: The ¿truth¿ of objects, the ¿truth¿ of spaces/sites, the ¿truth¿ of time and memory, and the ¿truth¿ of people.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: El Futuro Latino or The Latino Future | 1022 (040) | Armando Román | Mon/Wed
6:45 PM - 9:15 PM In Person |
Description
Who has the privilege to narrate our lives? What names to we call each other? Who possesses the authority to define our futures? Together, we shall embark on a journey to disentangle, unfurl, and decipher the intricate methods by which Latino artists traverse across mediums and cultures, transcending the complex intersections of class, indigeneity, gender, race, ability, and beyond. Through personal and communal introspection, students will question their own relationship to identity, language, and authorship within their own work. We will research artists across different eras and forms. Drawing inspiration from Martine Gutierrez, Guillermo Gomez Peña, Juana Valdez, David Antonio Cruz, Elia Alba, and others, we will collectively dissect, interrogate, revere, and amplify the themes across their practices. Using these artists as a foundation to our research-based practices, we will posit new and unique ways to describe ourselves, our practices, and our futures in relation to our hybridized identities. Students will be tasked with creating 3 finished pieces during the semester, melding their artistic interests through a research-driven lens fueled by class dialogues, artist presentations, and beyond.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: I Give You My Word | 1022 (041) | Larry Lee | Mon/Wed
6:45 PM - 9:15 PM In Person |
Description
In this course we will explore, employ, and experiment with text, to reference, translate and/or connect to your sense of self and larger community within or without the mainstream. We will consider words in any language as image, object or action, moving or static, to confront or maybe reconcile difference, originating from street as the raw energy of spoken word to the supposed lawless power of graffiti. Voices that are often marginalized seeking to incorporate the concreteness of the written and/or spoken in relationship to the visual.
Some of the scholar/artists who will serve as inspiration, if not role models for this course, include Yoko Ono, Cy Twombly, Lawrence Steiner, Joseph Kosuth, Sol Lewitt, Xu Bing, Wenda Gu, I was Born With Two Tongues, Edgar Heap of Birds, Edward Ruscha, Christopher Wool, to name a few. Students should expect to produce a body of work consisting of 3-5 finished pieces during the semester, to be presented in a culminating course critique. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: Seeing Through Cinema | 1022 (042) | Emily Eddy | Mon/Wed
6:45 PM - 9:15 PM In Person |
Description
In this course, we will look through the lens of cinema to consider art making and storytelling. We will also study the contemporary landscape of film and video artwork. In class, we will watch films together and explore how films can inspire our art practices in every medium. We will learn from filmmakers and moving image artists, unpacking the complex relationships between sound and image, the viewer and the screen, and more. We will read cinema theory, analyze films, and explore moving image history together, along with attending film screenings and events. By the end of this course, you can expect to have an introduction to contemporary film, video art, and cinema theory, as well as a working knowledge of film history and groundbreaking filmmakers from the last century. Assignments may include: making artworks inspired by films and videos, writing shot-by-shot analyses, reenacting films, reinventing ways to experience moving images, performing for the camera, and reading film and media theory.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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RS: Architecture and the Self | 1022 (043) | Shir Ende | Mon/Wed
6:45 PM - 9:15 PM In Person |
Description
In this class we will look into the relationship between the body and architecture. Through different exercises, readings and field trips we will explore those relationships from the intimacy of the room to the public realm of the city. We will experiment in collecting observations on the built environment and will use them as research. Students will engage with different artistic practices and will use the city of Chicago as their field of operation. Students will work on weekly exercises that will be used as research for 3 assignments: intervene and respond, translate, and reimagine architecture through different modes of making.
We will look at artists such as Amanda Williams, Edra Soto, Julia Fish, Do Ho Suh, Rachel Whiteread, Deb Sokolow, Valie Export, Francesca Woodman, James Turrell. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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