A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Laura Davis

Professor, Adjunct

Bio

BFA, 1996, Cleveland Institute of Art; MFA, 2004, University of Chicago. Exhibitions: Chicago Cultural Center, The Luminary, St. Louis, Wright Museum of Art, Beloit College, WI, Elmhurst Art Museum, IL; Monique Meloche Gallery, Chicago; Museum of Contemporary Art, Chicago; EXPO Chicago, Chicago Artists Coalition; threewalls, Chicago; Hyde Park Art Center, Chicago; Evanston Art Center, Evanston IL; Gallery 400, Chicago; Aron Packer Gallery, Chicago; SPACES, Cleveland, OH; The Dairy Center for the Arts, Boulder; Urban Institute for Contemporary Art, Grand Rapids, MI. Publications: Chicago Tribune, Chicago Sun-Times, Rhizome.org, Artwrit. Awards: 2017 Ginsberg Family Artist-In-Residence, Beloit College, Artadia Award, 2015; 2013 Breakout Artist, New City.

Personal Statement

Laura Davis creates sculpture, drawing and installation in order to disrupt notions of value at the intersections of art, design and craft. Her interest lies in the endgame of material goods and how manipulating context can alter that narrative.

Courses

Title Department Catalog Term

Description

Core Studio is a year-long course that introduces students to both disciplinary and interdisciplinary art practice. Students learn about the methods, materials, tools and concepts in the areas of Surface (2-dimensional), Space (3-dimensional), and Time (4-dimensional), both independently and in relationship to one another. Students develop their own ideas in relation to the materials and themes being presented by faculty. Core Studio integrates the formal with the conceptual, historical with the contemporary, and makes visible the possibilities and variety of approaches in contemporary cultural production.

Class Number

1362

Credits

3

Description

Core Studio is a year-long course that introduces students to both disciplinary and interdisciplinary art practice. Students learn about the methods, materials, tools and concepts in the areas of Surface (2-dimensional), Space (3-dimensional), and Time (4-dimensional), both independently and in relationship to one another. Students develop their own ideas in relation to the materials and themes being presented by faculty. Core Studio integrates the formal with the conceptual, historical with the contemporary, and makes visible the possibilities and variety of approaches in contemporary cultural production.

Class Number

1250

Credits

3

Description

The continuation of Core Studio Practice I.

Class Number

1251

Credits

3

Description

The course Research Studio II builds on the learning outcomes from Research Studio I, asking students to continue to develop and connect their own work and ideas with a diverse range of artists, designers, and communities.

This spring the entire Contemporary Practice department will have a shared umbrella topic for our RSII courses: Contemporary Now. All RSII classes will engage with the present and what is happening right now. With the world moving so fast - a pandemic, fires burning across the US west, people marching in the streets across the globe, and the storms that seem to keep coming, it is critical we ask questions of ourselves as artists, designers, educators and cultural producers: What responsibility do we have at any moment in history? How can the diversity of our practices: research, study, making and actions, address the present and design the future we want to see?

In RSII courses students will investigate this shared departmental thematic through the intersection of their own practice and the pedagogical practices of their faculty. All RSII classes are interdisciplinary, faculty have provided a subtitle, and a short description to describe the lens through which their class will explore the theme of Contemporary Now.

Class Number

1286

Credits

3

Description

How is it that art can be one of the most valued things on earth and yet totally common? In this course we will explore ways that art objects move through capitalism and can command value in ways that often question or contradict this very system. Some of the scholars/artists we will study in this course include Rose Salane, Liz Magor, Nina Katchadourian, Rashid Johnson, and Do Ho-Suh. This course will have 3 projects. The first will explore the legacy of the readymade, the second will focus on art as a form of exchange, and the third will be the creation of value through time, repetition, skilling, accumulation, time-lapse, craft, and/or mastery.

Class Number

1190

Credits

3