A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
Alison Ruttan

Alison Ruttan

Associate Professor

Bio

Alison Ruttan’s is a project-based artist whose work focuses on topical investigations. At present she is involved with a long-term ceramic sculpture series that is following the conflicts in the Middle East. Her work has been exhibited at Minneapolis Institute of Art, Minneapolis, MN, The Chicago Cultural Center, Chicago, IL, Crystal Bridges Art Museum, Bentonville, AR, The Museum of Contemporary Photography, Chicago, IL, Elmhurst Art Museum, Elmhurst, IL, Kent State University Art Museum, Kent, OH, The Frist Museum, Nashville, TN, Sweeney Art Gallery, Riverside, CA, Hyde Park Art Center, Chicago, IL, Document Gallery, Chicago, IL, Galerie Wit, Wageningen, Netherlands, Rocket Gallery, London, England, The Drawing Center, New York City, NY, Her work has been written about in Art In America, Flash Art, Chicago Tribune, Art Papers, Chicago Magazine, New Art Examiner. Awards include The Illinois Arts Council, Jerome Foundation, Art & Technology Residency; Wexner Museum, Artists Residency; Wild Animal Park.

Courses

Title Department Catalog Term

Description

In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.

In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership.

Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty.

Class Number

1224

Credits

3

Description

The book Monsters: A Fans Delemma' by Claire Dederer wrestles with the question ¿Can we separate artists own bad behavior from an appreciation of their art?¿ This book main question is a starting point to look at moral questions, to take aim at our monsters, to make parody of, or say your truth. In this course we will research and make art about the role of the monsters in life, politics, art, literature and film. Assignments may explore quasi-fictional narratives, the politics around difference and the psychology behind our enjoyment of horror. You may also wish to consider the monster as a tragic comic character worthy of your affection. I see this course as a meandering conversation around ethics and how you can frame your questions within an art practice. Artists Kara Walker, David Altmejd, Amy Cutler, Murikami, Cindy Sherman, Lee Bul, Alex Da Corte.

Class Number

1183

Credits

3