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Graduate Curriculum & Courses

Graduate Curriculum & Courses

The Master of Fine Arts (MFA) program is designed to offer maximum flexibility in addressing the needs of each individual student. Following admission through a department, students design their two-year plan of study based on optimizing the offerings and opportunities available throughout SAIC. 

Course titles and topics—over 30 offerings each semester—range from Intro to Photography to Lighting Fundamentals, Surrealism and Photography, Digital Light Projections, Fashion Photography, Advanced Post-Production, and more, allowing students to delve deeply into an area of interest, find synergies with departments and mediums across the school, or explore and master a wide range of techniques and equipment.

AreaCredit Hours

Studio

  • MFA 6009 Graduate Projects (21)
  • MFA 6009 Exhibition (3)

24

 

Seminar

  • Graduate Level Seminar
12

Art History

  • ARTHI 5002 OR ARTHI 5120 (3)
  • Art History Courses, 4000-level or above (9)
12

Electives—any course in any area at 3000-level or above 

  • Additional Graduate Projects sections used as electives must be approved by the Graduate Program Advisor
  • Students interested in writing a thesis must take a research methodologies course elective
12
Participation in four graduate critiques 
Participation in ONE of the following as appropriate to artistic practice: Graduate Exhibition, Graduate Performance Event, Graduate Screenings. Students who wish to use an alternative venue or presentation outside of these options must receive permission from the dean of graduate studies. 
Total Credit Hours60

* Students who wish to use an alternative venue or presentation outside of these options must receive permission from the Dean of Graduate Studies. The AIADO Department encourages students in their MFA design programs to participate in the AIADO and Fashion Graduate Exhibition.

Degree Requirements & Specifications

  • Completion schedule: You have a maximum of four years to complete your MFA in Studio degree. This includes time off for leaves of absence. Students will have access to studios for four semesters only.
  • Transfer credits: You must complete a minimum of 45 credit hours in residence at SAIC. You can request up to 15 transfer credits at the time of application for admission, which are subject to approval at that time. No transfer credits are permitted after a student is admitted.
  • Art History requirement: MFA students are required to take ARTHII 5002 Graduate Survey of Modern and Contemporary Art OR ARTHI 5120 Survey of Modern and Contemporary Architecture and Design. Art History courses must be at the 4000-level and above.
  • Undergraduate studio courses: Graduate students are permitted no more than one undergraduate studio course (3000-level and above) per semester without permission of the dean of Graduate Studies. Courses at the 1000 and 2000-level are allowed only with permission.
  • Full-Time Status Minimum Requirement: 12 credit hours

MFA 6009 Graduate Projects

MFA 6009 Graduate Projects advising, an ongoing individual dialogue with a wide range of faculty advisors, is at the heart of the MFA program at SAIC, encouraging interdisciplinary study across the curriculum. Standard enrollment consists of two MFA 6009 Graduate Projects advisors, one graduate-level seminar, and an art history course each semester. The remainder of credits required for the full-time 15-credit hour load may include academic or studio electives. All MFA students must register for a minimum of one and no more than two MFA 6009 sections each semester. Students may request permission from the Graduate Program Advisor to take a third MFA 6009 section after priority registration. 

In their final year, students must take one MFA 6009 Exhibitions section. The advising and grade for this course will be tied to the final exhibition. When taking undergraduate studio coursework, the student is responsible for understanding the faculty member’s expectations about completion of assignments, attendance, and any other criteria for earning credit. MFA students interested in completing a written thesis must take a research course and MFA 6009 Research section and obtain approval from the Associate Dean of Graduate Studies.

Graduate Critiques

As one of the principle means of assessment each semester, you will be required to participate in Critique Week, a week-long schedule of critiques during which classes are suspended.

Fall semester critiques are organized by department with panels representing the discipline. This provides you with an opportunity to understand the department’s expectations, have your work reviewed from a disciplinary point of view, and to reiterate the expectations for graduate study.

Spring semester critiques are interdisciplinary, with panel members and students from across SAIC disciplines. Interdisciplinary critiques allow for a broad range of responses to your work, and are intended to assess the success of your work for a more general, albeit highly informed audience. Critique panels include faculty, visiting artists, and fellow graduate students.

Graduate Exhibition or Equivalent

At the conclusion of your studies, you will present work in the SAIC Graduate Thesis Exhibition, other end-of-year events at SAIC, or the Gene Siskel Film Center—or arrange with the graduate dean or division chair for an alternative thesis of equal professional quality. Each year more than 200 graduate students exhibit work, screen videos and films, and present time-based works, writings, and performance to a collective audience of 30,000 people.

Students wishing to install work around prevalent themes, strategies or stylistic affinities can participate in a juried and curated section of the SAIC Graduate Thesis Exhibition. A faculty and staff committee conducts extensive studio visits and, as a collaborative project with student participants, organizes and installs the show in designated space at the exhibition.

Undergraduate Courses

MFA students are advised to understand the expectations of their faculty when enrolled in undergraduate studio classes. Although graduate students are an asset to the group dynamic, faculty requirements for graduate students in undergraduate classes are variable. The student is responsible for understanding the faculty member's expectations about completion of assignments, attendance, and any other criteria for earning credit. To assure that graduate students are working at degree level, they are permitted no more than one undergraduate studio course (3000 level and above) per semester without permission of the dean of graduate studies. Courses at the 1000 and 2000 level are allowed only with permission.

Course Listing

Title Catalog Instructor Schedule

Description

This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.

Class Number

1586

Credits

3

Department

Photography

Area of Study

Digital Imaging, Books and Publishing

Location

280 Building Rm 106

Description

This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.

Class Number

1569

Credits

3

Department

Photography

Area of Study

Digital Imaging, Books and Publishing

Location

280 Building Rm 106

Description

This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.

Class Number

1570

Credits

3

Department

Photography

Area of Study

Digital Imaging, Books and Publishing

Location

280 Building Rm 106

Description

This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.

Class Number

1571

Credits

3

Department

Photography

Area of Study

Digital Imaging, Books and Publishing

Location

280 Building Rm 106

Description

This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.

Class Number

1572

Credits

3

Department

Photography

Area of Study

Digital Imaging, Books and Publishing

Location

280 Building Rm 106

Description

This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.

Class Number

1573

Credits

3

Department

Photography

Area of Study

Digital Imaging, Books and Publishing

Location

280 Building Rm 106

Description

This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.

Class Number

1589

Credits

3

Department

Photography

Area of Study

Digital Imaging, Books and Publishing

Location

280 Building Rm 106

Description

This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.

Class Number

1591

Credits

3

Department

Photography

Area of Study

Digital Imaging, Books and Publishing

Location

280 Building Rm 207

Description

This course invites students with a foundational knowledge of photography to expand their image-making practices through hands-on, experimental techniques. Exploring cyanotype, van dyke brown, collage, reproduction, and transfer methods, students gain a working understanding of graphic arts and print films. The course encourages curiosity, independent research, and creative risk-taking, with opportunities to integrate text, installation, and performance. Emphasizing process and material exploration, Slow Photo fosters a deeper engagement with photography beyond the digital, embracing time-intensive approaches that challenge conventional image-making.

Prerequisites

Prerequisite: PHOTO 1001.

Class Number

1574

Credits

3

Department

Photography

Area of Study

Digital Imaging, Books and Publishing

Location

280 Building Rm 206

Description

'The Anthropocene' is the name of the new geological epoch, proposing that the human species has become the single most dominant agent of change affecting the Earth's ecosystems. Photography plays in this context a pivotal role and goal of this class is to promote different photographic experiences on land- and cityscapes of the Anthropocene. Collaborative work and access to different material forms, laboratories, analog and digital photographic media as well as scholarship and first-person testimony on health, race, politics and aesthetics, will help generate diverse perspectives on the entangled realities of the world and the complex human-natural systems. Questions of environmental justice and environmental ethics will take center stage in this class.

Class Number

1595

Credits

3

Department

Photography

Area of Study

Economic Inequality & Class, Digital Imaging, Art and Science

Location

280 Building Rm 216

Description

Explore the history, methods, and creative potential of medium format film photography. In this course, students will work with medium format cameras, experimenting with black-and-white and color film. Through guided instruction, they will learn film development techniques and both analog and digital printing methods. By combining traditional and experimental approaches, students will expand their photographic practice and deepen their understanding of the medium.

Prerequisites

Prerequisite: 3 credits of PHOTO 1000 level courses.

Class Number

1590

Credits

3

Department

Photography

Area of Study

Digital Imaging

Location

280 Building Rm 207

Description

This course explores the intricate concepts and practices of color photography, integrating perception, science, and cultural significance. Students refine their ability to see and interpret color through hands-on projects, peer critique, and historical and theoretical discussions. Technical instruction includes image capture, color correction, light quality, printing across various scales and media, and presentation strategies. Through these explorations, students deepen their understanding of color¿s role in shaping meaning and photographic expression.

Prerequisites

Prerequisite: PHOTO 1001.

Class Number

1575

Credits

3

Department

Photography

Area of Study

Digital Imaging, Books and Publishing

Location

280 Building Rm 215

Description

This course explores the intricate concepts and practices of color photography, integrating perception, science, and cultural significance. Students refine their ability to see and interpret color through hands-on projects, peer critique, and historical and theoretical discussions. Technical instruction includes image capture, color correction, light quality, printing across various scales and media, and presentation strategies. Through these explorations, students deepen their understanding of color¿s role in shaping meaning and photographic expression.

Prerequisites

Prerequisite: PHOTO 1001.

Class Number

1576

Credits

3

Department

Photography

Area of Study

Digital Imaging, Books and Publishing

Location

280 Building Rm 216

Description

This course explores the techniques and aesthetics of black and white photography, from exposure to final prints. Students will develop skills in analog darkroom and inkjet printing, contrast control, lighting techniques, and the impact of scale, paper, and film choices. Hands-on projects and darkroom experimentation will deepen technical abilities and creative expression. An adjustable film camera is required.

Prerequisites

Prerequisite: PHOTO 1001.

Class Number

1577

Credits

3

Department

Photography

Area of Study

Digital Imaging, Books and Publishing

Location

280 Building Rm 206

Description

This course explores the techniques and aesthetics of black and white photography, from exposure to final prints. Students will develop skills in analog darkroom and inkjet printing, contrast control, lighting techniques, and the impact of scale, paper, and film choices. Hands-on projects and darkroom experimentation will deepen technical abilities and creative expression. An adjustable film camera is required.

Prerequisites

Prerequisite: PHOTO 1001.

Class Number

1578

Credits

3

Department

Photography

Area of Study

Digital Imaging, Books and Publishing

Location

280 Building Rm 206

Description

This course explores the techniques and aesthetics of black and white photography, from exposure to final prints. Students will develop skills in analog darkroom and inkjet printing, contrast control, lighting techniques, and the impact of scale, paper, and film choices. Hands-on projects and darkroom experimentation will deepen technical abilities and creative expression. An adjustable film camera is required.

Prerequisites

Prerequisite: PHOTO 1001.

Class Number

1587

Credits

3

Department

Photography

Area of Study

Digital Imaging, Books and Publishing

Location

280 Building Rm 207

Description

Light is a powerful tool for creative control. In this course, students learn to observe, measure, and manipulate light to enhance their photographic work. Through hands-on practice, they explore the interplay of natural, ambient, and artificial light sources¿including on-camera and hand-held flash¿within existing conditions. By understanding metering and light mixing techniques, students gain the skills to shape mood, depth, and atmosphere in their images. This course provides a strong foundation in lighting, equipping students with practical techniques to elevate their work with confidence and precision.

Prerequisites

Prerequisite: PHOTO 1001.

Class Number

1579

Credits

3

Department

Photography

Area of Study

Digital Imaging, Books and Publishing

Location

280 Building Rm 207

Description

Light is a powerful tool for creative control. In this course, students learn to observe, measure, and manipulate light to enhance their photographic work. Through hands-on practice, they explore the interplay of natural, ambient, and artificial light sources¿including on-camera and hand-held flash¿within existing conditions. By understanding metering and light mixing techniques, students gain the skills to shape mood, depth, and atmosphere in their images. This course provides a strong foundation in lighting, equipping students with practical techniques to elevate their work with confidence and precision.

Prerequisites

Prerequisite: PHOTO 1001.

Class Number

1580

Credits

3

Department

Photography

Area of Study

Digital Imaging, Books and Publishing

Location

280 Building Rm 214

Description

This course explores the power, ethics, and evolving role of documentary photography. Students will critically examine the medium¿s historical claims to truth and objectivity while confronting contemporary debates on identity, representation, and agency¿who tells which stories, and how context shapes meaning? Readings from photography theory, sociology, and popular media provide diverse perspectives, fueling critical discussion. Through hands-on assignments and a culminating project, students will bridge theory and practice, refining their documentary approach while navigating the ethical and creative complexities of visual storytelling.

Prerequisites

Prerequisite: 3 credits of PHOTO 1000 level courses.

Class Number

2169

Credits

3

Department

Photography

Area of Study

Theory

Location

280 Building Rm 214

Description

Large Format Photography introduces students to the concepts and aesthetics of working with a large-format view camera. Students will learn pre-visualization, camera movements, perspective control, large-format optics, and sheet film handling. Through flexible assignments, they are encouraged to develop a personal style while exploring traditional genres such as portraiture, landscape, studio, and architecture. Technical skills include view camera setup, the zone system, large-format scanning, and both analog and digital printing. Each student is assigned a 4x5 studio camera and has access to 8x10 and 4x5 field cameras, along with various optics and accessories.

Prerequisites

Prerequisite: 3 credits of PHOTO 2000 level courses.

Class Number

1581

Credits

3

Department

Photography

Area of Study

Digital Imaging, Books and Publishing

Location

280 Building Rm 206

Description

This course fosters the development of self-directed, research-driven projects, challenging students to push beyond traditional photographic approaches and explore interdisciplinary practices. Emphasizing experimentation, students refine their conceptual depth and technical skills while advancing a sustained body of work. Through critiques, discussions, collaborations, workshops, and individual mentoring, the course supports ambitious project development and strategies for exhibition, publication, and public engagement. Designed to complement Senior Capstone projects, it prepares students for the BFA exhibition and professional creative practices. May be repeated for credit.

Prerequisites

Prerequisite: 3 credits of PHOTO 2000 level courses.

Class Number

1588

Credits

3

Department

Photography

Location

280 Building Rm 215

Description

This course explores image-making through unconventional cameras, alternative processes, and creative interventions. From plastic lenses to pinhole photography, from cross-processing to digital manipulation, we will embrace and elevate the discarded, the imperfect, and the forgotten in an AI free zone. Using cameras like the Recesky twin-lens reflex, Konstruktor, Big Shot, Sunpet, and key ring cameras, as well as techniques such as zone plate and pinhole photography, students will push the limits of photographic perception. Inspired by figures like Henry Beck, we will champion low-tech and hybrid approaches, finding beauty in limitation and innovation in constraint. Through hands-on experimentation with both analog and digital tools, students will develop a personal approach to image-making that celebrates the unexpected.

Prerequisites

Prerequisite: PHOTO 1001.

Class Number

1585

Credits

3

Department

Photography

Location

280 Building Rm 207

Description

This course explores the integration of analog and digital techniques in photography, focusing on previsualization, exposure, and composition. Students will use advanced digital and analog tools, including perspective control, 3D imaging, and AI, fostering an innovative approach to contemporary photographic practice while challenging students to think critically about the intersections of traditional and emerging photographic practices.

Prerequisites

Prerequisite: 6 credits of PHOTO 2000-level courses or PHOTO 3008 or by instructor consent.

Class Number

1596

Credits

3

Department

Photography

Location

280 Building Rm 216

Description

This course explores performance practices for the camera, including video, photo-based performance, new media, and expanded cinema. We¿ll examine how performing for a camera differs from live performance and how presenting this imagery can become a performative act. Students will develop technical skills and conceptual frameworks through readings, assignments, and three main projects. Topics include visual haptics, virtuality, and the philosophy of self, with artists like Adrian Piper, Mona Hatoum, and Ana Mendieta. Classes feature lectures, discussions, creative exercises, and field trips. A laptop with Adobe Creative Cloud is required.

Prerequisites

Prerequisite: 6 credits of PHOTO 2000-level courses or PHOTO 3008 or by instructor consent.

Class Number

2168

Credits

3

Department

Photography

Location

280 Building Rm 214, 280 Building Rm 012

Description

Image Editing & Output refines digital imaging skills with a focus on post-production and high-quality printing. Students refine workflows, develop expertise in advanced editing techniques like color management, masking, and compositing, and explore creative post-production methods using Photoshop and other software. Technical assignments and self-directed projects reinforce these skills. Readings and discussions address contemporary issues in digital imaging and evolving output technologies. As digital tools constantly change, students develop research and problem-solving strategies to adapt their workflows and stay current with new advancements. This course balances technical precision with creative exploration, preparing students for the ever-evolving world of digital imaging.

Prerequisites

Prerequisite: PHOTO 1001 and PHOTO 2010.

Class Number

1584

Credits

3

Department

Photography

Area of Study

Digital Imaging, Books and Publishing

Location

280 Building Rm 215

Description

Structuring, Sequencing, Series explores how photographic meaning is shaped through sequences and series¿fundamental ways we encounter images in books, exhibitions, installations, and digital spaces. This course examines how structure influences interpretation, considering both narrative and non-narrative approaches across diverse genres. Through hands-on assignments, students will experiment with serial imagery in photobooks, zines, portfolios, web-based projects, installations, video, and projection. By analyzing historical and contemporary examples, students will develop a deeper understanding of photography¿s evolving role and refine their ability to construct compelling visual narratives.

Prerequisites

Prerequisite: 3 credits of PHOTO 2000 level courses.

Class Number

1582

Credits

3

Department

Photography

Area of Study

Digital Imaging, Comics and Graphic Novels, Books and Publishing

Location

280 Building Rm 215

Description

Capturing Time explores the relationship between cinematic and photographic images through historical, theoretical, and artistic practices. Students will investigate the elusive concept of time and its presence across disciplines, forming the foundation for creating and experiencing time-based art. Weekly readings, screenings, and research will examine time, temporality, and the boundaries of still and moving images. Historical and contemporary resources will inform studio work, including visual exercises and a final project, culminating in a substantial body of work in each student¿s chosen medium.

Prerequisites

3 Credits of 2000-level Photo course

Class Number

1594

Credits

3

Department

Photography

Area of Study

Digital Imaging

Location

Online

Description

In this course, we'll delve into the intriguing intersection of photography and printmaking, acquiring light and pressure-based printing skills and conceptually integrating them into an art practice that approaches print as a site-responsive medium, sensitive to light, pressure, and context. The introductory section explores the material sensitivity of embossing and frottage, treating them as akin to documentary photography. The second section introduces light sensitivity through cyanotype and gelatin silver processes, engaging directly with objects and surfaces. The final segment employs digital fabrication to create laser-engraved linoleum blocks and printed photogravure plates, enabling relief and intaglio inking techniques and printing processes.
The course will introduce pivotal artists associated with taught printing techniques and their historical context. We'll explore the works of artists such as Anna Atkins and Albrecht Durer, who played significant roles in the development of their respective techniques. We'll also examine figures like Alfred Stieglitz and Robert Overby, who influenced the trajectory of their media, and contemporary artists like William Kentridge and Do Ho Suh, who have reshaped our perception of print. Additionally, we'll read and screen 'Contact: Art and the Pull of Print' by Jennifer Roberts from Harvard, and invite her for an online discussion with our students.
The coursework will adhere to a media and technique-based structure, with the creation of six bodies of work with separate critiques.

Class Number

1597

Credits

3

Department

Photography

Area of Study

Digital Imaging, Art and Science

Location

280 Building Rm 203

Description

This course embraces the concept of projection as a broad field of art practice. Starting with the magic lantern, the course investigates the history of projection related practices that shape the parameters of visual perception and communication. Deconstructing the concept of the screen, the course focuses on projection in sculptural and installation contexts.

Microcontrollers and Adobe software is used in unorthodox ways to shape visual elements for digital light projection. History of visual, technical and conceptual use of light is accessed to investigate the interactions of projections with objects and space.

Class Number

1592

Credits

3

Department

Photography

Area of Study

Public Space, Site, Landscape

Location

MacLean 414

Description

Junior Seminar helps students build essential professional skills for life after graduation, focusing on developing a sustainable practice based on their strengths and working style. This five-hour studio seminar offers flexible time for individual mentoring, guest speakers, field trips, extended critiques, and dedicated work time, fostering both professional growth and creative community. Through hands-on projects, students create websites, CVs, grant proposals, and artist statements while learning how to tailor these materials for different opportunities. As one of SAIC¿s four required Junior Seminars, this course provides structure and support within the school¿s open, interdisciplinary curriculum, helping students confidently navigate their future careers.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1628

Credits

3

Department

Photography

Area of Study

Digital Imaging

Location

280 Building Rm 215

Description

This interdisciplinary capstone, with an emphasis on contemporary photography and visual culture, is structured as an intensive critique and mentoring class focused on the development and presentation of culminating work at the end of the BFA and the continued progression of studio work beyond the BFA exhibition. The course supports the production of self-initiated work, a successful BFA show and a road map for a sustainable art practice after graduation. Preparations for the BFA exhibition include workshopping project proposals, budgets, production schedules, the development of new work and an array of possible final presentation forms.

Readings, screenings and discussions will examine useful models of participation in cultural production and a critical framework for analyzing a range of platforms to share work online, in print and exhibition. Studio visits will provide insight into the day-to-day life of artists at various stages in their career ranging from current SAIC grad students to working professionals.

Online and printed portfolios utilizing an ever-evolving archive of work will be refined along with professional supporting materials such as statements, CVs and artist talks necessary for a professional practice beyond graduation.

Prerequisites

Prerequisite: Professional practice course

Class Number

1167

Credits

3

Department

Photography

Area of Study

Books and Publishing, Social Media and the Web

Location

280 Building Rm 215

Description

This graduate-level course provides an in-depth exploration of the technical and conceptual aspects of photography. Students will gain certifications to use department equipment and facilities, while learning about workflow, acquisition, and output capabilities. The course emphasizes both technical skill development and individual project work, allowing students to troubleshoot and resolve challenges while producing work for critique. With a focus on both analog and digital processes, the course accommodates students with diverse technical backgrounds, offering advanced training in photographic methods and tools.

Class Number

2117

Credits

3

Department

Photography

Location

280 Building Rm 215

Description

This graduate level studio seminar course is a hybrid of reading, discussion, making and critique, designed to pursue positions in historical and contemporary philosophy, critical analysis, and current thought relevant to photography and visual literacy. Throughout the semester, the course aims to explore the past and future of visual media and to look at its discourse in relation to life as an artist in the greater realm of culture, society and politics. Course programming includes critical readings, short and informal writing assignments, work and research presentations.

Class Number

2004

Credits

3

Department

Photography

Location

280 Building Rm 214

Description

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.

Prerequisites

Open to MFA, MFAW and MAVCS students only

Class Number

2345

Credits

3 - 6

Department

Photography

Location

Description

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.

Prerequisites

Open to MFA, MFAW and MAVCS students only

Class Number

2346

Credits

3 - 6

Department

Photography

Location

Description

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.

Prerequisites

Open to MFA, MFAW and MAVCS students only

Class Number

2347

Credits

3 - 6

Department

Photography

Location

Take the Next Step

Visit the graduate admissions website or contact the graduate admissions office at 800.232.7242 or gradmiss@saic.edu.