A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
Rachel stands before a grey background wearing a navy jacket that has a ruffled placket.

Rachel Herman

Lecturer

Bio

Education: BA, 1990, University of Michigan, Ann Arbor; MFA pursued, 2006, University of Chicago. Exhibitions: University Galleries, Illinois State University, Bloomington; Light Work, Syracuse, NY, Nelson-Atkins Museum of Art, Kansas City, MO; Hyde Park Art Center, Chicago; Links Hall, Chicago; Daniel Cooney Fine Art, New York; Humble Arts Foundation, New York; Photoville, New York; Dolphin Gallery, Kansas City, MO. Publications: Contact Sheet 155, LightWork. Bibliography: Gary Cannone: Forever Now; MIT Press; The New Yorker. Collections: Nelson-Atkins Museum of Art, Kansas City; Light Work. Awards: Individual Artists Program, DCASE, Chicago; Illinois Arts Council Professional Development Grant.

Courses

Title Department Catalog Term

Description

This course explores the intricate concepts and practices of color photography, integrating perception, science, and cultural significance. Students refine their ability to see and interpret color through hands-on projects, peer critique, and historical and theoretical discussions. Technical instruction includes image capture, color correction, light quality, printing across various scales and media, and presentation strategies. Through these explorations, students deepen their understanding of color¿s role in shaping meaning and photographic expression.

Class Number

1575

Credits

3

Description

What are the concerns that drive one's creative practice? How does one set the terms for its future development? Sophomore Seminar offers strategies for students to explore, reflect upon, and connect common themes and interests in the development of an emerging creative practice that will serve as the basis of their ongoing studies at SAIC and beyond. Students will examine historical and contemporary influences and contextualize their work in relation to the diverse art-worlds of the 21st Century. Readings, screenings, and field trips will vary each semester. Presentations by visiting artists and guest speakers will provide the opportunity for students to hear unique perspectives on sustaining a creative practice. One-on-one meetings with faculty will provide students with individualized mentorship throughout the semester. During interdisciplinary critiques, students will explore a variety of formats and tools to analyze work and provide peer feedback. The class mid-term project asks students to imagine a plan for their creative life and devise a self-directed course of study for their time at school. The course concludes with an assignment asking students to develop and document a project or body of work demonstrating how the interplay of ideas, technical skills, and formal concerns evolve through iteration, experimentation and revision.

Prerequisite: Must be a sophomore to enroll.

Class Number

2127

Credits

3

Description

Junior Seminar helps students build essential professional skills for life after graduation, focusing on developing a sustainable practice based on their strengths and working style. This five-hour studio seminar offers flexible time for individual mentoring, guest speakers, field trips, extended critiques, and dedicated work time, fostering both professional growth and creative community. Through hands-on projects, students create websites, CVs, grant proposals, and artist statements while learning how to tailor these materials for different opportunities. As one of SAIC¿s four required Junior Seminars, this course provides structure and support within the school¿s open, interdisciplinary curriculum, helping students confidently navigate their future careers.

Class Number

1572

Credits

3