Introduction to Photographic Image Making |
1001 (001) |
Marzena Abrahamik |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
This basic class, required for entry into all other photo classes, introduces contemporary technologies for producing photographic images. This course also introduces seeing, thinking and creating with a critical mind and eye to provide greater understanding of the construction and manipulation of photographic form and meaning. Approaching the medium in its current complex and pluralistic state, students explore a variety of photographic concepts and techniques. While various physical cameras are still in use today the fundamentals of using digital cameras, including manual exposure and lighting are stressed. Eclectic forms of output are explored in order to discover methods of presentation most suited to a particular idea.
'Knowledge of photography is just as important as that of the alphabet. The illiterate of the future will be a person ignorant of the use of the camera as well as the pen.' Laszlo Moholy-Nagy (1895-1946). This course will address the complex and continual shifting nature of photography; what influences our understanding of how a photograph functions while exploring a diverse array of photographic genres and applications.
Assignments will provide technical skills to use cameras, compose images and print digital photographs. Readings, screenings and discussions will provide a framework for critically analyzing the photographs we encounter every day, as well as our own photographs.
|
Class Number
1510
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Introduction to Photographic Image Making |
1001 (002) |
Catherine Gass |
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
Description
This basic class, required for entry into all other photo classes, introduces contemporary technologies for producing photographic images. This course also introduces seeing, thinking and creating with a critical mind and eye to provide greater understanding of the construction and manipulation of photographic form and meaning. Approaching the medium in its current complex and pluralistic state, students explore a variety of photographic concepts and techniques. While various physical cameras are still in use today the fundamentals of using digital cameras, including manual exposure and lighting are stressed. Eclectic forms of output are explored in order to discover methods of presentation most suited to a particular idea.
'Knowledge of photography is just as important as that of the alphabet. The illiterate of the future will be a person ignorant of the use of the camera as well as the pen.' Laszlo Moholy-Nagy (1895-1946). This course will address the complex and continual shifting nature of photography; what influences our understanding of how a photograph functions while exploring a diverse array of photographic genres and applications.
Assignments will provide technical skills to use cameras, compose images and print digital photographs. Readings, screenings and discussions will provide a framework for critically analyzing the photographs we encounter every day, as well as our own photographs.
|
Class Number
1511
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Introduction to Photographic Image Making |
1001 (003) |
Cecil McDonald, Jr. |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This basic class, required for entry into all other photo classes, introduces contemporary technologies for producing photographic images. This course also introduces seeing, thinking and creating with a critical mind and eye to provide greater understanding of the construction and manipulation of photographic form and meaning. Approaching the medium in its current complex and pluralistic state, students explore a variety of photographic concepts and techniques. While various physical cameras are still in use today the fundamentals of using digital cameras, including manual exposure and lighting are stressed. Eclectic forms of output are explored in order to discover methods of presentation most suited to a particular idea.
'Knowledge of photography is just as important as that of the alphabet. The illiterate of the future will be a person ignorant of the use of the camera as well as the pen.' Laszlo Moholy-Nagy (1895-1946). This course will address the complex and continual shifting nature of photography; what influences our understanding of how a photograph functions while exploring a diverse array of photographic genres and applications.
Assignments will provide technical skills to use cameras, compose images and print digital photographs. Readings, screenings and discussions will provide a framework for critically analyzing the photographs we encounter every day, as well as our own photographs.
|
Class Number
1512
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Introduction to Photographic Image Making |
1001 (004) |
Nathan Miller |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
This basic class, required for entry into all other photo classes, introduces contemporary technologies for producing photographic images. This course also introduces seeing, thinking and creating with a critical mind and eye to provide greater understanding of the construction and manipulation of photographic form and meaning. Approaching the medium in its current complex and pluralistic state, students explore a variety of photographic concepts and techniques. While various physical cameras are still in use today the fundamentals of using digital cameras, including manual exposure and lighting are stressed. Eclectic forms of output are explored in order to discover methods of presentation most suited to a particular idea.
'Knowledge of photography is just as important as that of the alphabet. The illiterate of the future will be a person ignorant of the use of the camera as well as the pen.' Laszlo Moholy-Nagy (1895-1946). This course will address the complex and continual shifting nature of photography; what influences our understanding of how a photograph functions while exploring a diverse array of photographic genres and applications.
Assignments will provide technical skills to use cameras, compose images and print digital photographs. Readings, screenings and discussions will provide a framework for critically analyzing the photographs we encounter every day, as well as our own photographs.
|
Class Number
1513
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Introduction to Photographic Image Making |
1001 (005) |
Lali Khalid |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
This basic class, required for entry into all other photo classes, introduces contemporary technologies for producing photographic images. This course also introduces seeing, thinking and creating with a critical mind and eye to provide greater understanding of the construction and manipulation of photographic form and meaning. Approaching the medium in its current complex and pluralistic state, students explore a variety of photographic concepts and techniques. While various physical cameras are still in use today the fundamentals of using digital cameras, including manual exposure and lighting are stressed. Eclectic forms of output are explored in order to discover methods of presentation most suited to a particular idea.
'Knowledge of photography is just as important as that of the alphabet. The illiterate of the future will be a person ignorant of the use of the camera as well as the pen.' Laszlo Moholy-Nagy (1895-1946). This course will address the complex and continual shifting nature of photography; what influences our understanding of how a photograph functions while exploring a diverse array of photographic genres and applications.
Assignments will provide technical skills to use cameras, compose images and print digital photographs. Readings, screenings and discussions will provide a framework for critically analyzing the photographs we encounter every day, as well as our own photographs.
|
Class Number
1524
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Introduction to Photographic Image Making |
1001 (006) |
|
Tues
3:30 PM - 9:15 PM
In Person
|
Description
This basic class, required for entry into all other photo classes, introduces contemporary technologies for producing photographic images. This course also introduces seeing, thinking and creating with a critical mind and eye to provide greater understanding of the construction and manipulation of photographic form and meaning. Approaching the medium in its current complex and pluralistic state, students explore a variety of photographic concepts and techniques. While various physical cameras are still in use today the fundamentals of using digital cameras, including manual exposure and lighting are stressed. Eclectic forms of output are explored in order to discover methods of presentation most suited to a particular idea.
'Knowledge of photography is just as important as that of the alphabet. The illiterate of the future will be a person ignorant of the use of the camera as well as the pen.' Laszlo Moholy-Nagy (1895-1946). This course will address the complex and continual shifting nature of photography; what influences our understanding of how a photograph functions while exploring a diverse array of photographic genres and applications.
Assignments will provide technical skills to use cameras, compose images and print digital photographs. Readings, screenings and discussions will provide a framework for critically analyzing the photographs we encounter every day, as well as our own photographs.
|
Class Number
1534
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 207
|
Slow Photo |
2003 (001) |
Monika Niwelinska |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
This course is designed for students who have a basic knowledge of photography and its materials and an interest in the use of the photo image as part of a broad vocabulary of image-making processes. Students explore cyanotype, van dyke brown, gum bichromate printing, collage, reproduction, and transfer techniques, and are given a basic working knowledge of the graphic arts films and print films. Also covered: Polaroid materials, copy machines, computer graphics, and applied color. Ideas related to text, installation, and performance may also be explored. Each student is encouraged to experiment in both silver and non-silver processes and to conduct research independently.
Prerequisites
Prerequisite: PHOTO 1001.
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Class Number
1519
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 216
|
Medium Format |
2009 (001) |
Nathan Miller |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
This course will explore the methods, history and potential of medium format film photography. Students will learn to use a wide variety of medium format cameras including the Mamiya 7, Mamiya RZ 67, Mamiya 645, Pentax 67, Holga and various Hasselblad systems. Using a wide variety of black and white and color medium format films, students will become familiar with several film development techniques, and both analog and digital printing methods to create traditional and experimental photographic work.
Prerequisites
Prerequisite: 3 credits of PHOTO 1000 level courses.
|
Class Number
1521
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging
Location
280 Building Rm 214
|
Color Concepts |
2010 (001) |
Matthew C. Siber |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
Color Concepts introduces complex ideas and processes associated with the various applications of color in photography. Emphasis is on conceptual, theoretical, cultural, and perceptual aspects of color related to both vision and photographic image-making. The class explores all aspects of color photography. It traces the roots of analog three-color photographic processes first theorized in 1855, less than 30 years after the advent of black and white photography, and explores the successes and the limitations of color film (for example, the racial bias of color film.) Lastly, the class examines contemporary color dominant popularity amongst artists since the 1970s, through the context of a color constructed digital future.
Through a variety of exercises and assignments students will develop a keen eye to seeing color in the world and on the screen, use peer discussion and collaboration to advance critique skills, and build aptitude for visual literacy. Technical skills learned, include image capture, color correction, qualities of light, color corrected printing on varying scales and media, digital camera and medium format film camera authorizations, strategies of presentation while expanding on digital skills introduced in PHOTO 1001.
Prerequisites
Prerequisite: PHOTO 1001.
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Class Number
1514
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 215
|
Black and White |
2011 (001) |
Lali Khalid |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This course introduces black-and-white printing techniques including darkroom and inkjet printing, contrast control through development, the zone system, scale of images, graphic arts film, studio lighting, different darkroom techniques, alternative cameras, and different papers and films.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1515
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 206
|
Black and White |
2011 (002) |
Dylan Yarbrough |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
This course introduces black-and-white printing techniques including darkroom and inkjet printing, contrast control through development, the zone system, scale of images, graphic arts film, studio lighting, different darkroom techniques, alternative cameras, and different papers and films.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1516
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 206
|
Lighting Fundamentals |
2015 (001) |
Marzena Abrahamik |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
Students are introduced to using light as a means for creative control. By studying the light around us, we are able to better serve our work through specific choices with regard to existing or ambient light and light augmented by other sources of illumination. Students learn the rudiments of metering, mixing light sources, including the use of on-camera or hand-held electronic flash within existing lighting conditions. This is a practical course that enables students to better control and use light and lighting in their work.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1522
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 206
|
Lighting Fundamentals |
2015 (002) |
Sonja Ruth Thomsen |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
Students are introduced to using light as a means for creative control. By studying the light around us, we are able to better serve our work through specific choices with regard to existing or ambient light and light augmented by other sources of illumination. Students learn the rudiments of metering, mixing light sources, including the use of on-camera or hand-held electronic flash within existing lighting conditions. This is a practical course that enables students to better control and use light and lighting in their work.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1527
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 207
|
Theory Seminar |
2040 (001) |
Jan Tichy |
Tues
12:15 PM - 3:00 PM
In Person
|
Description
This 3 hour reading and discussion class is designed to familiarize students with historical and contemporary philosophy, critical analysis, and contemporary thought relevant to photography and the visual culture. The course's aim is to prepare students for a higher level of discourse in anticipation of either graduate school or life as an artist in the greater realm of the ?art world.? Discussions of contemporary work in this atmosphere are aimed at making clear the connection between theory, research and an artist's practice. Students are expected to do critical readings (generally one essay per week), complete short, informal writing assignments, participate in class discussion, and to engage in theoretical research as part of their own practice.
Prerequisites
Prerequisite: 3 credits of PHOTO 2000 level courses.
|
Class Number
1540
|
Credits
3
|
Department
Photography
Area of Study
Theory
Location
280 Building Rm 216
|
Sophomore Seminar: Interdisciplinary |
2900 (056) |
Rachel Herman |
Thurs
3:30 PM - 6:15 PM
In Person
|
Description
What are the concerns that drive one's creative practice? How does one set the terms for its future development? Sophomore Seminar offers strategies for students to explore, reflect upon, and connect common themes and interests in the development of an emerging creative practice that will serve as the basis of their ongoing studies at SAIC and beyond. Students will examine historical and contemporary influences and contextualize their work in relation to the diverse art-worlds of the 21st Century. Readings, screenings, and field trips will vary each semester. Presentations by visiting artists and guest speakers will provide the opportunity for students to hear unique perspectives on sustaining a creative practice. One-on-one meetings with faculty will provide students with individualized mentorship throughout the semester. During interdisciplinary critiques, students will explore a variety of formats and tools to analyze work and provide peer feedback. The class mid-term project asks students to imagine a plan for their creative life and devise a self-directed course of study for their time at school. The course concludes with an assignment asking students to develop and document a project or body of work demonstrating how the interplay of ideas, technical skills, and formal concerns evolve through iteration, experimentation and revision.
Prerequisite: Must be a sophomore to enroll.
Prerequisites
Prerequisite: Must be a sophomore to enroll.
|
Class Number
2127
|
Credits
3
|
Department
Photography
Location
280 Building Rm 106
|
Large-Format Camera |
3002 (001) |
Robert Clarke-Davis |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
Large Format Photography introduces students to the ideas and aesthetics associated with a large-format view camera. Students will learn pre-visualization, camera movements, perspective control, large-format optics, and how to handle large format sheet film. Assignments focus on portraiture, landscape, studio, and architecture. Students are encouraged to develop a personal style via flexible assignments. Technical skills acquired include view camera setup and control, experience with sheet film, the zone system, large format scanning, and analog and digital printing. All enrolled students are assigned a 4x5 studio camera and will have access to an 8x10 and 4x5 field cameras, along with a variety of optics and accessories.
A variety of technical readings from multiple sources will help students understand perspective control, camera setup, lens choice, bellows extension, available film choices, exposure, and reciprocity compensation associated with large format photography. Additional readings and screenings will provide examples of historical and contemporary work created utilizing large format photography, and highlight the cameras meditative qualities and excellent resolution and control.
Prerequisites
Prerequisite: 3 credits of PHOTO 2000 level courses.
|
Class Number
1518
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 207
|
Intermediate Individual Projects |
3004 (001) |
Sonja Ruth Thomsen |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
Every idea has a medium most suited to its execution, but often not the one in which the artist is working. This class considers new ways of translating ideas into other media to develop a sense of possibilities beyond the straight photograph. Conceptual art has given us an understanding of the triggers that might provoke an investigation of layers of meaning within the simplest of ideas. Assignment encourage students to think beyond the usual way they work and include the use of collaboration, installation, audio, video, live feed, the internet, performance, and performative uses of photography.
Prerequisites
Prerequisite: 3 credits of PHOTO 2000 level courses.
|
Class Number
1531
|
Credits
3
|
Department
Photography
Location
280 Building Rm 216
|
Top: Photo Matter |
3005 (001) |
Aimee Beaubien |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
Photographic information permeates our daily lives. PHOTO MATTER explores the materiality of photographic image-making by delving into the realms of appropriation, montage, and collage to strategies interwoven with the sculptural and installation. Through a dynamic combination of creative exploration and critical inquiry, students will craft a compelling body of work in their chosen form that resonates with their line of inquiry. Our course activities will revolve around the cultivation of individual artistic production, embrace the tangible nature of photographs while analyzing the works of influential artists, and noteworthy exhibitions. As artists and creators, we will experiment with innovative approaches to presentation methods, venturing into alternative spaces and exhibition making. By seamlessly fusing research, materials and techniques, we will create surface tensions and expand the capacities of photographic meanings.
Prerequisites
Prerequisite: 6 credits of PHOTO 2000-level courses or PHOTO 3008 or by instructor consent.
|
Class Number
1523
|
Credits
3
|
Department
Photography
Location
280 Building Rm 215
|
Top:Fashion Photography |
3005 (002) |
Mayumi Lake, Donald Yoshida |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
Class objectives are to provide students with an opportunity to work through the process of concept development, pre-production, fashion Styling, hair & markup, set design, location scouting, studio & natural lighting techniques, digital post production, and how to capture the essence of the fashion theme through tested photography techniques. Garment silhouette, cut & construction, color, pattern and texture are key elements given consideration to clearly communicate the fashion design idea using the most up-to-date and effective photographic techniques. Editorial Photography themes are used in collaboration with Fashion students¿ garments and class photo shoots are used throughout the Fashion Department¿s annal award-winning ¿the Book¿ publication. Visits to professional fashion photographer studios, exhibition visits, and in-class lectures give students additional opportunities to discuss create and technical topics being used today in fashion photography. Application is required for consideration.
Prerequisites
Prerequisite: 6 credits of PHOTO 2000-level courses or PHOTO 3008 or by instructor consent.
|
Class Number
1529
|
Credits
3
|
Department
Photography
Location
280 Building Rm 207
|
Top:Fashion Photography |
3005 (002) |
Mayumi Lake, Donald Yoshida |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
Class objectives are to provide students with an opportunity to work through the process of concept development, pre-production, fashion Styling, hair & markup, set design, location scouting, studio & natural lighting techniques, digital post production, and how to capture the essence of the fashion theme through tested photography techniques. Garment silhouette, cut & construction, color, pattern and texture are key elements given consideration to clearly communicate the fashion design idea using the most up-to-date and effective photographic techniques. Editorial Photography themes are used in collaboration with Fashion students¿ garments and class photo shoots are used throughout the Fashion Department¿s annal award-winning ¿the Book¿ publication. Visits to professional fashion photographer studios, exhibition visits, and in-class lectures give students additional opportunities to discuss create and technical topics being used today in fashion photography. Application is required for consideration.
Prerequisites
Prerequisite: 6 credits of PHOTO 2000-level courses or PHOTO 3008 or by instructor consent.
|
Class Number
1529
|
Credits
3
|
Department
Photography
Location
280 Building Rm 207
|