A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
Aimee Beaubien wears a black shirt and stands in front of a multi-color jungle scene

Aimee Beaubien

Associate Professor

Bio

Associate Professor, Photography (1997). BFA, 1989, and MFA, 1993, SAIC. Exhibitions: Museum of Contemporary Photography, IL; SF Camerawork, CA; Gillespie Gallery, VA; Newport Art Museum, RI; Art Institute of Chicago, IL; Marvelli Gallery, NY; Houston Center for Photography, TX; Lubeznik Center for the Arts, IN; The Pitch Project, WI; Box 13 Artspace, TX; TWIN KITTENS, GA; Antenna Gallery, LA; UCRC Museum of Photography, CA; Galerie oqbo, Germany; Virus Art Gallery, Italy; Carl Hammer Gallery, IL; Temple Gallery, PA; Rhona Hoffman Gallery, IL. Bibliography: Art in America; Art On Paper; New Art Examiner; Newcity Art, Chicago Magazine; ArtPapers.

Courses

Title Department Catalog Term

Description

Photographic information permeates our daily lives. PHOTO MATTER explores the materiality of photographic image-making by delving into the realms of appropriation, montage, and collage to strategies interwoven with the sculptural and installation. Through a dynamic combination of creative exploration and critical inquiry, students will craft a compelling body of work in their chosen form that resonates with their line of inquiry. Our course activities will revolve around the cultivation of individual artistic production, embrace the tangible nature of photographs while analyzing the works of influential artists, and noteworthy exhibitions. As artists and creators, we will experiment with innovative approaches to presentation methods, venturing into alternative spaces and exhibition making. By seamlessly fusing research, materials and techniques, we will create surface tensions and expand the capacities of photographic meanings.

Class Number

1523

Credits

3

Description

Photography is everywhere. Sequences and series are the ubiquitous ways we most often see photographic images. Photographic meanings are pliable in shifting contexts from published sequences online and in print, to images in photobooks, exhibitions and installations. This class critically examines how series of images are structured and the significance those structures hold.

?That photography resists being shaped by any single set of imperatives or standards ? as it literally permeates our public and private and our rational and fantasy lives ? renders it, by its very nature unruly and hard to define.? Marvin Heiferman. This course will address the complex and continual shifting nature of photography; what influences our understanding of how a photograph functions while exploring a diverse array of photographic genres and applications.

Assignments develop skillful use and understanding of serial imagery by engaging narrative and non-narrative strategies in a variety of sequences, books, zines, portfolios, web-based projects, installations, videos, and projected presentations.

Class Number

1811

Credits

3

Description

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.

Class Number

1970

Credits

3 - 6

Description

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.

Class Number

1756

Credits

3