Introduction to Photographic Image Making |
1001 (001) |
Matthew C. Siber |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
This basic class, required for entry into all other photo classes, introduces contemporary technologies for producing photographic images. This course also introduces seeing, thinking and creating with a critical mind and eye to provide greater understanding of the construction and manipulation of photographic form and meaning. Approaching the medium in its current complex and pluralistic state, students explore a variety of photographic concepts and techniques. While various physical cameras are still in use today the fundamentals of using digital cameras, including manual exposure and lighting are stressed. Eclectic forms of output are explored in order to discover methods of presentation most suited to a particular idea.
'Knowledge of photography is just as important as that of the alphabet. The illiterate of the future will be a person ignorant of the use of the camera as well as the pen.' Laszlo Moholy-Nagy (1895-1946). This course will address the complex and continual shifting nature of photography; what influences our understanding of how a photograph functions while exploring a diverse array of photographic genres and applications.
Assignments will provide technical skills to use cameras, compose images and print digital photographs. Readings, screenings and discussions will provide a framework for critically analyzing the photographs we encounter every day, as well as our own photographs.
|
Class Number
1815
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Introduction to Photographic Image Making |
1001 (002) |
Catherine Gass |
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
Description
This basic class, required for entry into all other photo classes, introduces contemporary technologies for producing photographic images. This course also introduces seeing, thinking and creating with a critical mind and eye to provide greater understanding of the construction and manipulation of photographic form and meaning. Approaching the medium in its current complex and pluralistic state, students explore a variety of photographic concepts and techniques. While various physical cameras are still in use today the fundamentals of using digital cameras, including manual exposure and lighting are stressed. Eclectic forms of output are explored in order to discover methods of presentation most suited to a particular idea.
'Knowledge of photography is just as important as that of the alphabet. The illiterate of the future will be a person ignorant of the use of the camera as well as the pen.' Laszlo Moholy-Nagy (1895-1946). This course will address the complex and continual shifting nature of photography; what influences our understanding of how a photograph functions while exploring a diverse array of photographic genres and applications.
Assignments will provide technical skills to use cameras, compose images and print digital photographs. Readings, screenings and discussions will provide a framework for critically analyzing the photographs we encounter every day, as well as our own photographs.
|
Class Number
1798
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Introduction to Photographic Image Making |
1001 (003) |
Cecil McDonald, Jr. |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This basic class, required for entry into all other photo classes, introduces contemporary technologies for producing photographic images. This course also introduces seeing, thinking and creating with a critical mind and eye to provide greater understanding of the construction and manipulation of photographic form and meaning. Approaching the medium in its current complex and pluralistic state, students explore a variety of photographic concepts and techniques. While various physical cameras are still in use today the fundamentals of using digital cameras, including manual exposure and lighting are stressed. Eclectic forms of output are explored in order to discover methods of presentation most suited to a particular idea.
'Knowledge of photography is just as important as that of the alphabet. The illiterate of the future will be a person ignorant of the use of the camera as well as the pen.' Laszlo Moholy-Nagy (1895-1946). This course will address the complex and continual shifting nature of photography; what influences our understanding of how a photograph functions while exploring a diverse array of photographic genres and applications.
Assignments will provide technical skills to use cameras, compose images and print digital photographs. Readings, screenings and discussions will provide a framework for critically analyzing the photographs we encounter every day, as well as our own photographs.
|
Class Number
1799
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Introduction to Photographic Image Making |
1001 (004) |
Lali Khalid |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
This basic class, required for entry into all other photo classes, introduces contemporary technologies for producing photographic images. This course also introduces seeing, thinking and creating with a critical mind and eye to provide greater understanding of the construction and manipulation of photographic form and meaning. Approaching the medium in its current complex and pluralistic state, students explore a variety of photographic concepts and techniques. While various physical cameras are still in use today the fundamentals of using digital cameras, including manual exposure and lighting are stressed. Eclectic forms of output are explored in order to discover methods of presentation most suited to a particular idea.
'Knowledge of photography is just as important as that of the alphabet. The illiterate of the future will be a person ignorant of the use of the camera as well as the pen.' Laszlo Moholy-Nagy (1895-1946). This course will address the complex and continual shifting nature of photography; what influences our understanding of how a photograph functions while exploring a diverse array of photographic genres and applications.
Assignments will provide technical skills to use cameras, compose images and print digital photographs. Readings, screenings and discussions will provide a framework for critically analyzing the photographs we encounter every day, as well as our own photographs.
|
Class Number
1800
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Introduction to Photographic Image Making |
1001 (005) |
Marzena Abrahamik |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
This basic class, required for entry into all other photo classes, introduces contemporary technologies for producing photographic images. This course also introduces seeing, thinking and creating with a critical mind and eye to provide greater understanding of the construction and manipulation of photographic form and meaning. Approaching the medium in its current complex and pluralistic state, students explore a variety of photographic concepts and techniques. While various physical cameras are still in use today the fundamentals of using digital cameras, including manual exposure and lighting are stressed. Eclectic forms of output are explored in order to discover methods of presentation most suited to a particular idea.
'Knowledge of photography is just as important as that of the alphabet. The illiterate of the future will be a person ignorant of the use of the camera as well as the pen.' Laszlo Moholy-Nagy (1895-1946). This course will address the complex and continual shifting nature of photography; what influences our understanding of how a photograph functions while exploring a diverse array of photographic genres and applications.
Assignments will provide technical skills to use cameras, compose images and print digital photographs. Readings, screenings and discussions will provide a framework for critically analyzing the photographs we encounter every day, as well as our own photographs.
|
Class Number
1801
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Introduction to Photographic Image Making |
1001 (006) |
Dylan Yarbrough |
Thurs
3:30 PM - 9:15 PM
In Person
|
Description
This basic class, required for entry into all other photo classes, introduces contemporary technologies for producing photographic images. This course also introduces seeing, thinking and creating with a critical mind and eye to provide greater understanding of the construction and manipulation of photographic form and meaning. Approaching the medium in its current complex and pluralistic state, students explore a variety of photographic concepts and techniques. While various physical cameras are still in use today the fundamentals of using digital cameras, including manual exposure and lighting are stressed. Eclectic forms of output are explored in order to discover methods of presentation most suited to a particular idea.
'Knowledge of photography is just as important as that of the alphabet. The illiterate of the future will be a person ignorant of the use of the camera as well as the pen.' Laszlo Moholy-Nagy (1895-1946). This course will address the complex and continual shifting nature of photography; what influences our understanding of how a photograph functions while exploring a diverse array of photographic genres and applications.
Assignments will provide technical skills to use cameras, compose images and print digital photographs. Readings, screenings and discussions will provide a framework for critically analyzing the photographs we encounter every day, as well as our own photographs.
|
Class Number
1802
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 214
|
Introduction to Photographic Image Making |
1001 (007) |
Rachel Herman |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
This basic class, required for entry into all other photo classes, introduces contemporary technologies for producing photographic images. This course also introduces seeing, thinking and creating with a critical mind and eye to provide greater understanding of the construction and manipulation of photographic form and meaning. Approaching the medium in its current complex and pluralistic state, students explore a variety of photographic concepts and techniques. While various physical cameras are still in use today the fundamentals of using digital cameras, including manual exposure and lighting are stressed. Eclectic forms of output are explored in order to discover methods of presentation most suited to a particular idea.
'Knowledge of photography is just as important as that of the alphabet. The illiterate of the future will be a person ignorant of the use of the camera as well as the pen.' Laszlo Moholy-Nagy (1895-1946). This course will address the complex and continual shifting nature of photography; what influences our understanding of how a photograph functions while exploring a diverse array of photographic genres and applications.
Assignments will provide technical skills to use cameras, compose images and print digital photographs. Readings, screenings and discussions will provide a framework for critically analyzing the photographs we encounter every day, as well as our own photographs.
|
Class Number
1818
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Introduction to Photographic Image Making |
1001 (008) |
Nathan Miller |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
This basic class, required for entry into all other photo classes, introduces contemporary technologies for producing photographic images. This course also introduces seeing, thinking and creating with a critical mind and eye to provide greater understanding of the construction and manipulation of photographic form and meaning. Approaching the medium in its current complex and pluralistic state, students explore a variety of photographic concepts and techniques. While various physical cameras are still in use today the fundamentals of using digital cameras, including manual exposure and lighting are stressed. Eclectic forms of output are explored in order to discover methods of presentation most suited to a particular idea.
'Knowledge of photography is just as important as that of the alphabet. The illiterate of the future will be a person ignorant of the use of the camera as well as the pen.' Laszlo Moholy-Nagy (1895-1946). This course will address the complex and continual shifting nature of photography; what influences our understanding of how a photograph functions while exploring a diverse array of photographic genres and applications.
Assignments will provide technical skills to use cameras, compose images and print digital photographs. Readings, screenings and discussions will provide a framework for critically analyzing the photographs we encounter every day, as well as our own photographs.
|
Class Number
1821
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 214
|
Slow Photo |
2003 (001) |
Monika Niwelinska |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
This course is designed for students who have a basic knowledge of photography and its materials and an interest in the use of the photo image as part of a broad vocabulary of image-making processes. Students explore cyanotype, van dyke brown, gum bichromate printing, collage, reproduction, and transfer techniques, and are given a basic working knowledge of the graphic arts films and print films. Also covered: Polaroid materials, copy machines, computer graphics, and applied color. Ideas related to text, installation, and performance may also be explored. Each student is encouraged to experiment in both silver and non-silver processes and to conduct research independently.
Prerequisites
Prerequisite: PHOTO 1001.
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Class Number
1803
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 206
|
The Anthropocene |
2006 (001) |
Oliver Sann |
Wed
8:30 AM - 11:15 AM
In Person
|
Description
'The Anthropocene' is the name of the new geological epoch, first proposed by atmospheric chemist Paul Crutzen and marine biologist Eugene F. Stroemer in 2000, with the proposal that human species has become the single prominent agent of change affecting the earths geology and ecosystems. Since then, the conversations on the Anthropocene, climate change, sustainability and the planetary ecological crisis have proven that the extremely complex problems the Earth is facing can only be addressed by new forms of collaboration and innovative knowledge production. Photography plays in this context a pivotal role and goal of this class is to promote empirical and forensic work on landscapes of the Anthropocene, the degraded and damaged ecologies of the planet Earth. Collaborative work and access to different material forms, laboratories, analog and digital photographic media as well as scholarship and first-person testimony on health, race, politics and aesthetics, will help generate diverse perspectives on the entangled realities of the world and the complex human-natural systems. Questions of environmental justice and environmental ethics will take center stage in this class.
|
Class Number
2197
|
Credits
3
|
Department
Photography
Area of Study
Economic Inequality & Class, Digital Imaging, Art and Science
Location
280 Building Rm 216
|
Medium Format |
2009 (001) |
Sonja Ruth Thomsen |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
This course will explore the methods, history and potential of medium format film photography. Students will learn to use a wide variety of medium format cameras including the Mamiya 7, Mamiya RZ 67, Mamiya 645, Pentax 67, Holga and various Hasselblad systems. Using a wide variety of black and white and color medium format films, students will become familiar with several film development techniques, and both analog and digital printing methods to create traditional and experimental photographic work.
Prerequisites
Prerequisite: 3 credits of PHOTO 1000 level courses.
|
Class Number
1819
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging
Location
280 Building Rm 206
|
Color Concepts |
2010 (001) |
Dylan Yarbrough |
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
Description
Color Concepts introduces complex ideas and processes associated with the various applications of color in photography. Emphasis is on conceptual, theoretical, cultural, and perceptual aspects of color related to both vision and photographic image-making. The class explores all aspects of color photography. It traces the roots of analog three-color photographic processes first theorized in 1855, less than 30 years after the advent of black and white photography, and explores the successes and the limitations of color film (for example, the racial bias of color film.) Lastly, the class examines contemporary color dominant popularity amongst artists since the 1970s, through the context of a color constructed digital future.
Through a variety of exercises and assignments students will develop a keen eye to seeing color in the world and on the screen, use peer discussion and collaboration to advance critique skills, and build aptitude for visual literacy. Technical skills learned, include image capture, color correction, qualities of light, color corrected printing on varying scales and media, digital camera and medium format film camera authorizations, strategies of presentation while expanding on digital skills introduced in PHOTO 1001.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1804
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 216
|
Color Concepts |
2010 (002) |
Cecil McDonald, Jr. |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
Color Concepts introduces complex ideas and processes associated with the various applications of color in photography. Emphasis is on conceptual, theoretical, cultural, and perceptual aspects of color related to both vision and photographic image-making. The class explores all aspects of color photography. It traces the roots of analog three-color photographic processes first theorized in 1855, less than 30 years after the advent of black and white photography, and explores the successes and the limitations of color film (for example, the racial bias of color film.) Lastly, the class examines contemporary color dominant popularity amongst artists since the 1970s, through the context of a color constructed digital future.
Through a variety of exercises and assignments students will develop a keen eye to seeing color in the world and on the screen, use peer discussion and collaboration to advance critique skills, and build aptitude for visual literacy. Technical skills learned, include image capture, color correction, qualities of light, color corrected printing on varying scales and media, digital camera and medium format film camera authorizations, strategies of presentation while expanding on digital skills introduced in PHOTO 1001.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1805
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 216
|
Black and White |
2011 (001) |
Galit Julia Aloni |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
This course introduces black-and-white printing techniques including darkroom and inkjet printing, contrast control through development, the zone system, scale of images, graphic arts film, studio lighting, different darkroom techniques, alternative cameras, and different papers and films.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1806
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 206
|
Black and White |
2011 (002) |
Robert Clarke-Davis |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
This course introduces black-and-white printing techniques including darkroom and inkjet printing, contrast control through development, the zone system, scale of images, graphic arts film, studio lighting, different darkroom techniques, alternative cameras, and different papers and films.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1807
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 206
|
Black and White |
2011 (003) |
Nathan Miller |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
This course introduces black-and-white printing techniques including darkroom and inkjet printing, contrast control through development, the zone system, scale of images, graphic arts film, studio lighting, different darkroom techniques, alternative cameras, and different papers and films.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1816
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 214
|
Lighting Fundamentals |
2015 (001) |
Marzena Abrahamik |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
Students are introduced to using light as a means for creative control. By studying the light around us, we are able to better serve our work through specific choices with regard to existing or ambient light and light augmented by other sources of illumination. Students learn the rudiments of metering, mixing light sources, including the use of on-camera or hand-held electronic flash within existing lighting conditions. This is a practical course that enables students to better control and use light and lighting in their work.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1808
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 207
|
Lighting Fundamentals |
2015 (002) |
Mayumi Lake |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
Students are introduced to using light as a means for creative control. By studying the light around us, we are able to better serve our work through specific choices with regard to existing or ambient light and light augmented by other sources of illumination. Students learn the rudiments of metering, mixing light sources, including the use of on-camera or hand-held electronic flash within existing lighting conditions. This is a practical course that enables students to better control and use light and lighting in their work.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1809
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 214
|
Large-Format Camera |
3002 (001) |
Alan Labb |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
Large Format Photography introduces students to the ideas and aesthetics associated with a large-format view camera. Students will learn pre-visualization, camera movements, perspective control, large-format optics, and how to handle large format sheet film. Assignments focus on portraiture, landscape, studio, and architecture. Students are encouraged to develop a personal style via flexible assignments. Technical skills acquired include view camera setup and control, experience with sheet film, the zone system, large format scanning, and analog and digital printing. All enrolled students are assigned a 4x5 studio camera and will have access to an 8x10 and 4x5 field cameras, along with a variety of optics and accessories.
A variety of technical readings from multiple sources will help students understand perspective control, camera setup, lens choice, bellows extension, available film choices, exposure, and reciprocity compensation associated with large format photography. Additional readings and screenings will provide examples of historical and contemporary work created utilizing large format photography, and highlight the cameras meditative qualities and excellent resolution and control.
Prerequisites
Prerequisite: 3 credits of PHOTO 2000 level courses.
|
Class Number
1810
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 206
|
Intermediate Individual Projects |
3004 (001) |
Sonja Ruth Thomsen |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
Every idea has a medium most suited to its execution, but often not the one in which the artist is working. This class considers new ways of translating ideas into other media to develop a sense of possibilities beyond the straight photograph. Conceptual art has given us an understanding of the triggers that might provoke an investigation of layers of meaning within the simplest of ideas. Assignment encourage students to think beyond the usual way they work and include the use of collaboration, installation, audio, video, live feed, the internet, performance, and performative uses of photography.
Prerequisites
Prerequisite: 3 credits of PHOTO 2000 level courses.
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Class Number
1817
|
Credits
3
|
Department
Photography
Location
280 Building Rm 207
|