Introduction to Photographic Image Making |
1001 (001) |
Marzena Abrahamik |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.
|
Class Number
1510
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Introduction to Photographic Image Making |
1001 (002) |
Catherine Gass |
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
Description
This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.
|
Class Number
1511
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Introduction to Photographic Image Making |
1001 (003) |
Cecil McDonald, Jr. |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.
|
Class Number
1512
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Introduction to Photographic Image Making |
1001 (004) |
Nathan Miller |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.
|
Class Number
1513
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Introduction to Photographic Image Making |
1001 (005) |
Lali Khalid |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.
|
Class Number
1524
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Introduction to Photographic Image Making |
1001 (006) |
Rob Croll |
Tues
3:30 PM - 9:15 PM
In Person
|
Description
This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.
|
Class Number
1534
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Slow Photo |
2003 (001) |
Monika Niwelinska |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
This course invites students with a foundational knowledge of photography to expand their image-making practices through hands-on, experimental techniques. Exploring cyanotype, van dyke brown, collage, reproduction, and transfer methods, students gain a working understanding of graphic arts and print films. The course encourages curiosity, independent research, and creative risk-taking, with opportunities to integrate text, installation, and performance. Emphasizing process and material exploration, Slow Photo fosters a deeper engagement with photography beyond the digital, embracing time-intensive approaches that challenge conventional image-making.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1519
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 216
|
Medium Format |
2009 (001) |
Nathan Miller |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
Explore the history, methods, and creative potential of medium format film photography. In this course, students will work with medium format cameras, experimenting with black-and-white and color film. Through guided instruction, they will learn film development techniques and both analog and digital printing methods. By combining traditional and experimental approaches, students will expand their photographic practice and deepen their understanding of the medium.
Prerequisites
Prerequisite: 3 credits of PHOTO 1000 level courses.
|
Class Number
1521
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging
Location
280 Building Rm 206
|
Color Concepts |
2010 (001) |
Matthew C. Siber |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
This course explores the intricate concepts and practices of color photography, integrating perception, science, and cultural significance. Students refine their ability to see and interpret color through hands-on projects, peer critique, and historical and theoretical discussions. Technical instruction includes image capture, color correction, light quality, printing across various scales and media, and presentation strategies. Through these explorations, students deepen their understanding of color¿s role in shaping meaning and photographic expression.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1514
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 215
|
Black and White |
2011 (001) |
Lali Khalid |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This course explores the techniques and aesthetics of black and white photography, from exposure to final prints. Students will develop skills in analog darkroom and inkjet printing, contrast control, lighting techniques, and the impact of scale, paper, and film choices. Hands-on projects and darkroom experimentation will deepen technical abilities and creative expression. An adjustable film camera is required.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1515
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 206
|
Black and White |
2011 (002) |
Dylan Yarbrough |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
This course explores the techniques and aesthetics of black and white photography, from exposure to final prints. Students will develop skills in analog darkroom and inkjet printing, contrast control, lighting techniques, and the impact of scale, paper, and film choices. Hands-on projects and darkroom experimentation will deepen technical abilities and creative expression. An adjustable film camera is required.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1516
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 206
|
Lighting Fundamentals |
2015 (001) |
Marzena Abrahamik |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
Light is a powerful tool for creative control. In this course, students learn to observe, measure, and manipulate light to enhance their photographic work. Through hands-on practice, they explore the interplay of natural, ambient, and artificial light sources¿including on-camera and hand-held flash¿within existing conditions. By understanding metering and light mixing techniques, students gain the skills to shape mood, depth, and atmosphere in their images. This course provides a strong foundation in lighting, equipping students with practical techniques to elevate their work with confidence and precision.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1522
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 207
|
Lighting Fundamentals |
2015 (002) |
Sonja Ruth Thomsen |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
Light is a powerful tool for creative control. In this course, students learn to observe, measure, and manipulate light to enhance their photographic work. Through hands-on practice, they explore the interplay of natural, ambient, and artificial light sources¿including on-camera and hand-held flash¿within existing conditions. By understanding metering and light mixing techniques, students gain the skills to shape mood, depth, and atmosphere in their images. This course provides a strong foundation in lighting, equipping students with practical techniques to elevate their work with confidence and precision.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1527
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 214
|
Theory Seminar |
2040 (001) |
Jan Tichy |
Tues
12:15 PM - 3:00 PM
In Person
|
Description
This 3 hour reading and discussion class is designed to familiarize students with historical and contemporary philosophy, critical analysis, and contemporary thought relevant to photography and the visual culture. The course's aim is to prepare students for a higher level of discourse in anticipation of either graduate school or life as an artist in the greater realm of the ?art world.? Discussions of contemporary work in this atmosphere are aimed at making clear the connection between theory, research and an artist's practice. Students are expected to do critical readings (generally one essay per week), complete short, informal writing assignments, participate in class discussion, and to engage in theoretical research as part of their own practice.
Prerequisites
Prerequisite: 3 credits of PHOTO 2000 level courses.
|
Class Number
1540
|
Credits
3
|
Department
Photography
Area of Study
Theory
Location
280 Building Rm 216
|
Sophomore Seminar: Interdisciplinary |
2900 (056) |
Rachel Herman |
Thurs
3:30 PM - 6:15 PM
In Person
|
Description
What are the concerns that drive one's creative practice? How does one set the terms for its future development? Sophomore Seminar offers strategies for students to explore, reflect upon, and connect common themes and interests in the development of an emerging creative practice that will serve as the basis of their ongoing studies at SAIC and beyond. Students will examine historical and contemporary influences and contextualize their work in relation to the diverse art-worlds of the 21st Century. Readings, screenings, and field trips will vary each semester. Presentations by visiting artists and guest speakers will provide the opportunity for students to hear unique perspectives on sustaining a creative practice. One-on-one meetings with faculty will provide students with individualized mentorship throughout the semester. During interdisciplinary critiques, students will explore a variety of formats and tools to analyze work and provide peer feedback. The class mid-term project asks students to imagine a plan for their creative life and devise a self-directed course of study for their time at school. The course concludes with an assignment asking students to develop and document a project or body of work demonstrating how the interplay of ideas, technical skills, and formal concerns evolve through iteration, experimentation and revision.
Prerequisite: Must be a sophomore to enroll.
Prerequisites
Prerequisite: Must be a sophomore to enroll.
|
Class Number
2127
|
Credits
3
|
Department
Photography
Location
280 Building Rm 214
|
Large-Format Camera |
3002 (001) |
Robert Clarke-Davis |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
Large Format Photography introduces students to the concepts and aesthetics of working with a large-format view camera. Students will learn pre-visualization, camera movements, perspective control, large-format optics, and sheet film handling. Through flexible assignments, they are encouraged to develop a personal style while exploring traditional genres such as portraiture, landscape, studio, and architecture. Technical skills include view camera setup, the zone system, large-format scanning, and both analog and digital printing. Each student is assigned a 4x5 studio camera and has access to 8x10 and 4x5 field cameras, along with various optics and accessories.
Prerequisites
Prerequisite: 3 credits of PHOTO 2000 level courses.
|
Class Number
1518
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 206
|
Intermediate Individual Projects |
3004 (001) |
Sonja Ruth Thomsen |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
This course fosters the development of self-directed, research-driven projects, challenging students to push beyond traditional photographic approaches and explore interdisciplinary practices. Emphasizing experimentation, students refine their conceptual depth and technical skills while advancing a sustained body of work. Through critiques, discussions, collaborations, workshops, and individual mentoring, the course supports ambitious project development and strategies for exhibition, publication, and public engagement. Designed to complement Senior Capstone projects, it prepares students for the BFA exhibition and professional creative practices. May be repeated for credit.
Prerequisites
Prerequisite: 3 credits of PHOTO 2000 level courses.
|
Class Number
1531
|
Credits
3
|
Department
Photography
Location
280 Building Rm 216
|
Top: Photo Matter |
3005 (001) |
Aimee Beaubien |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
Photographic information permeates our daily lives. PHOTO MATTER explores the materiality of photographic image-making by delving into the realms of appropriation, montage, and collage to strategies interwoven with the sculptural and installation. Through a dynamic combination of creative exploration and critical inquiry, students will craft a compelling body of work in their chosen form that resonates with their line of inquiry. Our course activities will revolve around the cultivation of individual artistic production, embrace the tangible nature of photographs while analyzing the works of influential artists, and noteworthy exhibitions. As artists and creators, we will experiment with innovative approaches to presentation methods, venturing into alternative spaces and exhibition making. By seamlessly fusing research, materials and techniques, we will create surface tensions and expand the capacities of photographic meanings.
Prerequisites
Prerequisite: 6 credits of PHOTO 2000-level courses or PHOTO 3008 or by instructor consent.
|
Class Number
1523
|
Credits
3
|
Department
Photography
Location
280 Building Rm 215
|
Top:Fashion Photography |
3005 (002) |
Mayumi Lake, Donald Yoshida |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
Class objectives are to provide students with an opportunity to work through the process of concept development, pre-production, fashion Styling, hair & markup, set design, location scouting, studio & natural lighting techniques, digital post production, and how to capture the essence of the fashion theme through tested photography techniques. Garment silhouette, cut & construction, color, pattern and texture are key elements given consideration to clearly communicate the fashion design idea using the most up-to-date and effective photographic techniques. Editorial Photography themes are used in collaboration with Fashion students¿ garments and class photo shoots are used throughout the Fashion Department¿s annal award-winning ¿the Book¿ publication. Visits to professional fashion photographer studios, exhibition visits, and in-class lectures give students additional opportunities to discuss create and technical topics being used today in fashion photography. Application is required for consideration.
Prerequisites
Prerequisite: 6 credits of PHOTO 2000-level courses or PHOTO 3008 or by instructor consent.
|
Class Number
1529
|
Credits
3
|
Department
Photography
Location
280 Building Rm 207
|
Top:Fashion Photography |
3005 (002) |
Mayumi Lake, Donald Yoshida |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
Class objectives are to provide students with an opportunity to work through the process of concept development, pre-production, fashion Styling, hair & markup, set design, location scouting, studio & natural lighting techniques, digital post production, and how to capture the essence of the fashion theme through tested photography techniques. Garment silhouette, cut & construction, color, pattern and texture are key elements given consideration to clearly communicate the fashion design idea using the most up-to-date and effective photographic techniques. Editorial Photography themes are used in collaboration with Fashion students¿ garments and class photo shoots are used throughout the Fashion Department¿s annal award-winning ¿the Book¿ publication. Visits to professional fashion photographer studios, exhibition visits, and in-class lectures give students additional opportunities to discuss create and technical topics being used today in fashion photography. Application is required for consideration.
Prerequisites
Prerequisite: 6 credits of PHOTO 2000-level courses or PHOTO 3008 or by instructor consent.
|
Class Number
1529
|
Credits
3
|
Department
Photography
Location
280 Building Rm 207
|