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Undergraduate Overview

Undergraduate Overview

As an undergraduate student in The Department of Photography at the School of the Art Institute of Chicago (SAIC), you will develop solid mastery over the technical and conceptual complexity that characterizes photography’s past and present while enhancing your ability to discuss your work and the work of others.

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Student holding up a colorful zine

Students concentrating on their Bachelor of Fine Arts (BFA) studies in Photography will:

  • Learn from distinguished, practicing artists with a variety of approaches to photography.
  • Collaborate with graduate students and peers to create an annual departmental catalog.
  • Participate in a 3-credit capstone spine class geared towards preparation for the senior Bachelor of Fine Arts thesis exhibition.

Undergraduate classes offer a natural progression for all students.

  • Beginning classes present basic practical skills and strategies for conceptual thinking. 
  • Intermediate classes are in-depth studies of specific conceptual issues or techniques. 
  • Advanced classes present opportunities for more self-directed projects, group seminars, and frequent private consultations with instructors.

Course titles and topics––over 30 offerings each semester––range from Intro to Photography to Lighting Fundamentals, Surrealism and Photography, Digital Light Projections, Fashion Photography, Advanced Post-Production, and more, allowing students to delve deeply into an area of interest, find synergies with departments and mediums across the school, or explore and master a wide range of techniques and equipment.

Scholarships

In addition to merit scholarships awarded at the time of admission, each year, a senior student working in the photography department is selected by the faculty for the Fred Endsley scholarship, an unrestricted one-time $1,000 cash award which can be used to create new work or prepare for the senior exhibition.

Undergraduate Admissions Requirements & Curriculum

  • To apply to the School of the Art Institute of Chicago (SAIC), you will need to fill out an application and submit your transcripts, artist's statement, and letters of recommendation. And most importantly, we require a portfolio of your best and most recent work—work that will give us a sense of you, your interests, and your willingness to explore, experiment, and think beyond technical art, design, and writing skills.

    In order to apply, please submit the following items:  

    Bachelor of Fine Arts in Studio Portfolio

    Submit 10–15 pieces of your best and most recent work. We will review your portfolio and application materials for merit scholarship once you have been admitted to SAIC.

    When compiling a portfolio, you may concentrate your work in a single discipline or show work in a breadth of media. The portfolio may include drawings, prints, photographs, paintings, film, video, audio recordings, sculpture, ceramics, fashion designs, graphic design, furniture, objects, architectural designs, websites, video games, sketchbooks, scripts, storyboards, screenplays, zines, or any combination of the above.

    Learn more about applying to SAIC's Bachelor of Fine Arts in Studio, or view our portfolio preparation guide for more information.

  • Studio69
    • CP 1010 Core Studio Practice I (3)
    • CP 1011 Core Studio Practice II (3)
    • CP 1020 Research Studio I (3)
    • CP 1022 Research Studio II (3)
    • SOPHSEM 2900 (3)
    • PROFPRAC 3900 (3)
    • CAPSTONE 4900 (3)
    • Studio Electives (48)
     
    Art History15
    • ARTHI 1001 World Cultures/Civilizations: Pre-History—19th Century Art and Architecture (3)
    • Art History Elective at 1000 level (3)
    • Art History Electives (9)
     
    Liberal Arts30
    • ENGLISH 1001 First Year Seminar I (3)
    • ENGLISH 1005 First Year Seminar II (3)
    • Natural Science (6)
    • Social Science (6)
    • Humanities (6)
    • Liberal Arts Electives (6)
     
    General Electives6
    • Studio, Art History, Liberal Arts, AAP, or EIS
     
    Total Credit Hours120

    * BFA students must complete at least 6 credit hours in a class designated as "off campus study." These credits can also fulfill any of the requirements listed above and be from any of the divisions (Art History, Studio, Liberal Arts, or General Electives).

    BFA With Distinction—SAIC Scholars Program: The SAIC Scholars program is a learning community of BFA students pursuing rigorous study in both their academic coursework and their studio pathways. There are two opportunities for interested students to apply to the SAIC Scholars Program: at the time of admission to the school, and after they have completed 30 credits of study at SAIC. Students pursuing the latter option are required to formally submit an application to the Undergraduate Division. Once admitted to the SAIC Scholars Program, students are required to successfully complete a minimum of six designated scholars courses. Students who complete the program will graduate with distinction.

    BFA in Studio with Thesis Option (Liberal Arts or Visual Critical Studies): BFA students may complete a nine-credit, research-based academic thesis as part of their studies within the 126 credits for the BFA in Studio degree. BFA with Thesis course sequences are offered over 3 semesters through the departments of Liberal Arts or Visual and Critical Studies (VCS). Students who are interested in one of the thesis options should follow the steps outlined below in the beginning of the junior year.

    Requirements for the BFA: Studio Art with Liberal Arts Thesis

    Step One: Students are required to meet with the Chair of the Liberal Arts department in the beginning of their junior year. 

    Step Two: With the Department Chair's approval, the student enrolls in the following courses beginning in the spring term of their junior year:

    • SOCSCI or HUMANITY 3900 Academic Research and Writing (3 credits)
    • LIBARTS 4800 Undergraduate Thesis: Research/Writing I (3 credits)
    • CAPSTONE 4900 Liberal Arts Undergraduate Thesis: Research/Writing II (3 credits)
       

    Step Three: The completed thesis must be approved by both the Thesis II instructor and the Chair of Liberal Arts. Students must make a formal presentation and participate in the Undergraduate Thesis Symposium in their senior year. 

    Requirements for the BFA: Studio Art with Visual and Critical Studies (VCS) Thesis

    Step One: Students are required to meet with the Visual and Critical Studies Undergraduate Coordinator in or by the beginning of their junior year.

    Step Two: With the VCS Coordinator's approval, the student enrolls in the first of the three-course sequence beginning in the spring term of their junior year:

    • VCS 3010 Tutorial in Visual & Critical Studies (3 credits)
    • VCS 4800 Undergraduate Thesis Seminar: Research & Writing I (3 credits)
    • CAPSTONE 4900 VCS Undergraduate Thesis Seminar: Research & Writing II (3 credits)
       

    Step Three: Completion of thesis must be approved by both the Thesis II instructor and the VCS Undergraduate Coordinator. Students must make a formal presentation and participate in the Undergraduate VCS Thesis Symposium in the senior year.

    Total credits required for minimum residency60
    Minimum Studio credit42

Course Listing

Title Catalog Instructor Schedule

Description

In this class students will create photographic work inside and outside in the natural elements. This three-week course, Inside / Out, delves into both digital and analog using solar-printing techniques, with a unique focus on printing not only on paper but also on textiles and organic materials. Students will work with a variety of printing processes such as solar fast dye, cyanotypes to transform photographic imaging utilizing digital and analog methods. Students are encouraged to create sculptural contraptions to best capture the sun¿s rays to their preferred substrate of choice.

Students will investigate how artistic internal forces can influence the external changing sociopolitical landscape and vice versa. Class visits will include excursions to Chicago¿s parks and gardens. We will research historical scientific photography and local botany. Through digital printing, students will learn to work with inkjet printers to create negatives, while sun-printing techniques will allow them to create eco-friendly designs on cotton and other textiles. By the end of the course, students will develop a diverse portfolio that includes both traditional photographic prints and textile artwork, blending the technical precision of indoor printing with the organic, unpredictable results of outdoor sun printing to stitch together new photographic forms.

Prerequisites

Prerequisite: 6 credits of PHOTO 2000-level courses or PHOTO 3008 or by instructor consent.

Class Number

1189

Credits

3

Department

Photography

Location

280 Building Rm 206

Description

In this course, we'll delve into the intriguing intersection of photography and printmaking, acquiring light and pressure-based printing skills and conceptually integrating them into an art practice that approaches print as a site-responsive medium, sensitive to light, pressure, and context. The introductory section explores the material sensitivity of embossing and frottage, treating them as akin to documentary photography. The second section introduces light sensitivity through cyanotype and gelatin silver processes, engaging directly with objects and surfaces. The final segment employs digital fabrication to create laser-engraved linoleum blocks and printed photogravure plates, enabling relief and intaglio inking techniques and printing processes.
The course will introduce pivotal artists associated with taught printing techniques and their historical context. We'll explore the works of artists such as Anna Atkins and Albrecht Durer, who played significant roles in the development of their respective techniques. We'll also examine figures like Alfred Stieglitz and Robert Overby, who influenced the trajectory of their media, and contemporary artists like William Kentridge and Do Ho Suh, who have reshaped our perception of print. Additionally, we'll read and screen 'Contact: Art and the Pull of Print' by Jennifer Roberts from Harvard, and invite her for an online discussion with our students.
The coursework will adhere to a media and technique-based structure, with the creation of six bodies of work with separate critiques.

Class Number

1326

Credits

3

Department

Photography

Area of Study

Digital Imaging, Art and Science

Location

280 Building Rm 215, 280 Building Rm 203

Description

In this course, we'll delve into the intriguing intersection of photography and printmaking, acquiring light and pressure-based printing skills and conceptually integrating them into an art practice that approaches print as a site-responsive medium, sensitive to light, pressure, and context. The introductory section explores the material sensitivity of embossing and frottage, treating them as akin to documentary photography. The second section introduces light sensitivity through cyanotype and gelatin silver processes, engaging directly with objects and surfaces. The final segment employs digital fabrication to create laser-engraved linoleum blocks and printed photogravure plates, enabling relief and intaglio inking techniques and printing processes.
The course will introduce pivotal artists associated with taught printing techniques and their historical context. We'll explore the works of artists such as Anna Atkins and Albrecht Durer, who played significant roles in the development of their respective techniques. We'll also examine figures like Alfred Stieglitz and Robert Overby, who influenced the trajectory of their media, and contemporary artists like William Kentridge and Do Ho Suh, who have reshaped our perception of print. Additionally, we'll read and screen 'Contact: Art and the Pull of Print' by Jennifer Roberts from Harvard, and invite her for an online discussion with our students.
The coursework will adhere to a media and technique-based structure, with the creation of six bodies of work with separate critiques.

Class Number

1326

Credits

3

Department

Photography

Area of Study

Digital Imaging, Art and Science

Location

280 Building Rm 215, 280 Building Rm 203

Upcoming Admissions Events

Undergraduate Admissions Events

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