Introduction to Photographic Image Making |
1001 (001) |
Marzena Abrahamik |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.
|
Class Number
1510
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Introduction to Photographic Image Making |
1001 (002) |
Catherine Gass |
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
Description
This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.
|
Class Number
1511
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Introduction to Photographic Image Making |
1001 (003) |
Cecil McDonald, Jr. |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.
|
Class Number
1512
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Introduction to Photographic Image Making |
1001 (004) |
Nathan Miller |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.
|
Class Number
1513
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Introduction to Photographic Image Making |
1001 (005) |
Lali Khalid |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.
|
Class Number
1524
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Introduction to Photographic Image Making |
1001 (006) |
Rob Croll |
Tues
3:30 PM - 9:15 PM
In Person
|
Description
This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.
|
Class Number
1534
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 106
|
Slow Photo |
2003 (001) |
Monika Niwelinska |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
This course invites students with a foundational knowledge of photography to expand their image-making practices through hands-on, experimental techniques. Exploring cyanotype, van dyke brown, collage, reproduction, and transfer methods, students gain a working understanding of graphic arts and print films. The course encourages curiosity, independent research, and creative risk-taking, with opportunities to integrate text, installation, and performance. Emphasizing process and material exploration, Slow Photo fosters a deeper engagement with photography beyond the digital, embracing time-intensive approaches that challenge conventional image-making.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1519
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 216
|
Medium Format |
2009 (001) |
Nathan Miller |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
Explore the history, methods, and creative potential of medium format film photography. In this course, students will work with medium format cameras, experimenting with black-and-white and color film. Through guided instruction, they will learn film development techniques and both analog and digital printing methods. By combining traditional and experimental approaches, students will expand their photographic practice and deepen their understanding of the medium.
Prerequisites
Prerequisite: 3 credits of PHOTO 1000 level courses.
|
Class Number
1521
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging
Location
280 Building Rm 206
|
Color Concepts |
2010 (001) |
Matthew C. Siber |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
This course explores the intricate concepts and practices of color photography, integrating perception, science, and cultural significance. Students refine their ability to see and interpret color through hands-on projects, peer critique, and historical and theoretical discussions. Technical instruction includes image capture, color correction, light quality, printing across various scales and media, and presentation strategies. Through these explorations, students deepen their understanding of color¿s role in shaping meaning and photographic expression.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1514
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 215
|
Black and White |
2011 (001) |
Lali Khalid |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This course explores the techniques and aesthetics of black and white photography, from exposure to final prints. Students will develop skills in analog darkroom and inkjet printing, contrast control, lighting techniques, and the impact of scale, paper, and film choices. Hands-on projects and darkroom experimentation will deepen technical abilities and creative expression. An adjustable film camera is required.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1515
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 206
|
Black and White |
2011 (002) |
Dylan Yarbrough |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
This course explores the techniques and aesthetics of black and white photography, from exposure to final prints. Students will develop skills in analog darkroom and inkjet printing, contrast control, lighting techniques, and the impact of scale, paper, and film choices. Hands-on projects and darkroom experimentation will deepen technical abilities and creative expression. An adjustable film camera is required.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1516
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 206
|
Lighting Fundamentals |
2015 (001) |
Marzena Abrahamik |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
Light is a powerful tool for creative control. In this course, students learn to observe, measure, and manipulate light to enhance their photographic work. Through hands-on practice, they explore the interplay of natural, ambient, and artificial light sources¿including on-camera and hand-held flash¿within existing conditions. By understanding metering and light mixing techniques, students gain the skills to shape mood, depth, and atmosphere in their images. This course provides a strong foundation in lighting, equipping students with practical techniques to elevate their work with confidence and precision.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1522
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 207
|
Lighting Fundamentals |
2015 (002) |
Sonja Ruth Thomsen |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
Light is a powerful tool for creative control. In this course, students learn to observe, measure, and manipulate light to enhance their photographic work. Through hands-on practice, they explore the interplay of natural, ambient, and artificial light sources¿including on-camera and hand-held flash¿within existing conditions. By understanding metering and light mixing techniques, students gain the skills to shape mood, depth, and atmosphere in their images. This course provides a strong foundation in lighting, equipping students with practical techniques to elevate their work with confidence and precision.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1527
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 214
|
Theory Seminar |
2040 (001) |
Jan Tichy |
Tues
12:15 PM - 3:00 PM
In Person
|
Description
This 3 hour reading and discussion class is designed to familiarize students with historical and contemporary philosophy, critical analysis, and contemporary thought relevant to photography and the visual culture. The course's aim is to prepare students for a higher level of discourse in anticipation of either graduate school or life as an artist in the greater realm of the ?art world.? Discussions of contemporary work in this atmosphere are aimed at making clear the connection between theory, research and an artist's practice. Students are expected to do critical readings (generally one essay per week), complete short, informal writing assignments, participate in class discussion, and to engage in theoretical research as part of their own practice.
Prerequisites
Prerequisite: 3 credits of PHOTO 2000 level courses.
|
Class Number
1540
|
Credits
3
|
Department
Photography
Area of Study
Theory
Location
280 Building Rm 216
|
Sophomore Seminar: Interdisciplinary |
2900 (056) |
Rachel Herman |
Thurs
3:30 PM - 6:15 PM
In Person
|
Description
What are the concerns that drive one's creative practice? How does one set the terms for its future development? Sophomore Seminar offers strategies for students to explore, reflect upon, and connect common themes and interests in the development of an emerging creative practice that will serve as the basis of their ongoing studies at SAIC and beyond. Students will examine historical and contemporary influences and contextualize their work in relation to the diverse art-worlds of the 21st Century. Readings, screenings, and field trips will vary each semester. Presentations by visiting artists and guest speakers will provide the opportunity for students to hear unique perspectives on sustaining a creative practice. One-on-one meetings with faculty will provide students with individualized mentorship throughout the semester. During interdisciplinary critiques, students will explore a variety of formats and tools to analyze work and provide peer feedback. The class mid-term project asks students to imagine a plan for their creative life and devise a self-directed course of study for their time at school. The course concludes with an assignment asking students to develop and document a project or body of work demonstrating how the interplay of ideas, technical skills, and formal concerns evolve through iteration, experimentation and revision.
Prerequisite: Must be a sophomore to enroll.
Prerequisites
Prerequisite: Must be a sophomore to enroll.
|
Class Number
2127
|
Credits
3
|
Department
Photography
Location
280 Building Rm 214
|
Large-Format Camera |
3002 (001) |
Robert Clarke-Davis |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
Large Format Photography introduces students to the concepts and aesthetics of working with a large-format view camera. Students will learn pre-visualization, camera movements, perspective control, large-format optics, and sheet film handling. Through flexible assignments, they are encouraged to develop a personal style while exploring traditional genres such as portraiture, landscape, studio, and architecture. Technical skills include view camera setup, the zone system, large-format scanning, and both analog and digital printing. Each student is assigned a 4x5 studio camera and has access to 8x10 and 4x5 field cameras, along with various optics and accessories.
Prerequisites
Prerequisite: 3 credits of PHOTO 2000 level courses.
|
Class Number
1518
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 206
|
Intermediate Individual Projects |
3004 (001) |
Sonja Ruth Thomsen |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
This course fosters the development of self-directed, research-driven projects, challenging students to push beyond traditional photographic approaches and explore interdisciplinary practices. Emphasizing experimentation, students refine their conceptual depth and technical skills while advancing a sustained body of work. Through critiques, discussions, collaborations, workshops, and individual mentoring, the course supports ambitious project development and strategies for exhibition, publication, and public engagement. Designed to complement Senior Capstone projects, it prepares students for the BFA exhibition and professional creative practices. May be repeated for credit.
Prerequisites
Prerequisite: 3 credits of PHOTO 2000 level courses.
|
Class Number
1531
|
Credits
3
|
Department
Photography
Location
280 Building Rm 216
|
Top: Photo Matter |
3005 (001) |
Aimee Beaubien |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
Photographic information permeates our daily lives. PHOTO MATTER explores the materiality of photographic image-making by delving into the realms of appropriation, montage, and collage to strategies interwoven with the sculptural and installation. Through a dynamic combination of creative exploration and critical inquiry, students will craft a compelling body of work in their chosen form that resonates with their line of inquiry. Our course activities will revolve around the cultivation of individual artistic production, embrace the tangible nature of photographs while analyzing the works of influential artists, and noteworthy exhibitions. As artists and creators, we will experiment with innovative approaches to presentation methods, venturing into alternative spaces and exhibition making. By seamlessly fusing research, materials and techniques, we will create surface tensions and expand the capacities of photographic meanings.
Prerequisites
Prerequisite: 6 credits of PHOTO 2000-level courses or PHOTO 3008 or by instructor consent.
|
Class Number
1523
|
Credits
3
|
Department
Photography
Location
280 Building Rm 215
|
Top:Fashion Photography |
3005 (002) |
Mayumi Lake, Donald Yoshida |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
Class objectives are to provide students with an opportunity to work through the process of concept development, pre-production, fashion Styling, hair & markup, set design, location scouting, studio & natural lighting techniques, digital post production, and how to capture the essence of the fashion theme through tested photography techniques. Garment silhouette, cut & construction, color, pattern and texture are key elements given consideration to clearly communicate the fashion design idea using the most up-to-date and effective photographic techniques. Editorial Photography themes are used in collaboration with Fashion students¿ garments and class photo shoots are used throughout the Fashion Department¿s annal award-winning ¿the Book¿ publication. Visits to professional fashion photographer studios, exhibition visits, and in-class lectures give students additional opportunities to discuss create and technical topics being used today in fashion photography. Application is required for consideration.
Prerequisites
Prerequisite: 6 credits of PHOTO 2000-level courses or PHOTO 3008 or by instructor consent.
|
Class Number
1529
|
Credits
3
|
Department
Photography
Location
280 Building Rm 207
|
Top:Fashion Photography |
3005 (002) |
Mayumi Lake, Donald Yoshida |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
Class objectives are to provide students with an opportunity to work through the process of concept development, pre-production, fashion Styling, hair & markup, set design, location scouting, studio & natural lighting techniques, digital post production, and how to capture the essence of the fashion theme through tested photography techniques. Garment silhouette, cut & construction, color, pattern and texture are key elements given consideration to clearly communicate the fashion design idea using the most up-to-date and effective photographic techniques. Editorial Photography themes are used in collaboration with Fashion students¿ garments and class photo shoots are used throughout the Fashion Department¿s annal award-winning ¿the Book¿ publication. Visits to professional fashion photographer studios, exhibition visits, and in-class lectures give students additional opportunities to discuss create and technical topics being used today in fashion photography. Application is required for consideration.
Prerequisites
Prerequisite: 6 credits of PHOTO 2000-level courses or PHOTO 3008 or by instructor consent.
|
Class Number
1529
|
Credits
3
|
Department
Photography
Location
280 Building Rm 207
|
Top: Memory, Place, and Trauma |
3005 (003) |
Monika Niwelinska |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
This course examines the relationships between photography and place, with a focus on post-traumatic sites and their visual representations. We will explore how we perceive and represent space ¿ also, how we read and sense an existing physical place. We will consider the possibilities and limitations of a photosensitive record of a place: a passage from the experience of a place to a visual representation of that experience. Relation between memory, place and time; memory image of a place; tracing the Invisible. Texts, films and videos will focus on specific sites: places of myth and history marked by memory and trauma. Nuclear sites and radioactive landscapes. Camera Atomica: nuclear sublime.Geography of Shoah: concentration camps and post- Holocaust spaces. (Post)memory and hidden presence of the past. Discourse of the Unrepresentable. Based on strong theoretical and visual research, this course emphasizes a research-based art practice. The studio component encourages students to experiment and develop skills in a variety of mediums, resulting in visual and theoretical research presentations, followed by the realization of two independent long-term projects throughout the course of the semester.
Prerequisites
Prerequisite: 6 credits of PHOTO 2000-level courses or PHOTO 3008 or by instructor consent.
|
Class Number
1536
|
Credits
3
|
Department
Photography
Location
280 Building Rm 216
|
Top: Self Portraiture - Race, Representation & Ide |
3005 (004) |
Lali Khalid |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
This course introduces students to self-portraiture and complex intersections of race, representation, and identity in contemporary photography. Students will be analyzing the impact of historical visual narratives on contemporary perspectives while developing critical skills to deconstruct visual representations, specifically examining how different media constructs, and portrays race and identity, through a stereotypical, myopic lens. Students will be introduced to artists from all over the world, particularly photographers from marginalized communities who challenge stereotypes and amplify underrepresented voices.
Prerequisites
Prerequisite: 6 credits of PHOTO 2000-level courses or PHOTO 3008 or by instructor consent.
|
Class Number
1539
|
Credits
3
|
Department
Photography
Location
280 Building Rm 214
|
Advanced Post-Production and Fine Printing |
3007 (001) |
Matthew C. Siber |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
Image Editing & Output refines digital imaging skills with a focus on post-production and high-quality printing. Students refine workflows, develop expertise in advanced editing techniques like color management, masking, and compositing, and explore creative post-production methods using Photoshop and other software. Technical assignments and self-directed projects reinforce these skills. Readings and discussions address contemporary issues in digital imaging and evolving output technologies. As digital tools constantly change, students develop research and problem-solving strategies to adapt their workflows and stay current with new advancements. This course balances technical precision with creative exploration, preparing students for the ever-evolving world of digital imaging.
Prerequisites
Prerequisite: PHOTO 1001 and PHOTO 2010.
|
Class Number
1537
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Books and Publishing
Location
280 Building Rm 215
|
Structuring, Sequencing and Series |
3010 (001) |
Colleen Plumb |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
Structuring, Sequencing, Series explores how photographic meaning is shaped through sequences and series¿fundamental ways we encounter images in books, exhibitions, installations, and digital spaces. This course examines how structure influences interpretation, considering both narrative and non-narrative approaches across diverse genres. Through hands-on assignments, students will experiment with serial imagery in photobooks, zines, portfolios, web-based projects, installations, video, and projection. By analyzing historical and contemporary examples, students will develop a deeper understanding of photography¿s evolving role and refine their ability to construct compelling visual narratives.
Prerequisites
Prerequisite: 3 credits of PHOTO 2000 level courses.
|
Class Number
1528
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 215
|
Capturing Time: The Intersection of the Cinematic and Photographic Image |
3032 (001) |
Monika Niwelinska |
Tues
6:45 PM - 9:30 PM
All Online
|
Description
Capturing Time explores the relationship between cinematic and photographic images through historical, theoretical, and artistic practices. Students will investigate the elusive concept of time and its presence across disciplines, forming the foundation for creating and experiencing time-based art. Weekly readings, screenings, and research will examine time, temporality, and the boundaries of still and moving images. Historical and contemporary resources will inform studio work, including visual exercises and a final project, culminating in a substantial body of work in each student¿s chosen medium.
Prerequisites
3 Credits of 2000-level Photo course
|
Class Number
1532
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging
Location
Online
|
Ghost in the Chamber: Surrealism and Photography |
3098 (001) |
Holly Murkerson, Jeremy Biles |
Fri
9:00 AM - 11:15 AM
In Person
|
Description
This interdisciplinary studio symposium course introduces students to key principles and practices of surrealism with particular focus on theories of photography and strategies of photographic image-making. Treating surrealism not only as an art-historical moment but a living body of attitudes, theories, and possibilities for thinking, art-making, and action, students will develop their own ideas and a body of work in formulating a surrealist praxis. Students will read texts by and about surrealists/surrealism, querying into the poetics, politics, and possibilities of photographic surrealism. The class will treat ideas including: erotic desire, pleasure, gender, chance, dreams/unconscious, walking, play/games, politics, race, anticolonial thought, freedom.
Students will study work by surrealist thinkers including Andre Breton, Louis Aragon, Aime Cesaire, Georges Bataille, Maya Deren, and Claude Cahun; modern surrealist potes including Juliana Huxtable and Billy-Ray Belcourt; and contemporary theorists such as Rosalind Kruass, Susan Laxton, Angela Carter, and Tina Campt. Artists of special focus will include: Hans Bellmer, Claude Cahun, Lee Miller, Dora Maar, Man Ray, Jacques-Andre Boiffard, Pierre Molinier, Maya Deren, John Akomfrah, and Aruther Jafa. Students will also engage contemporary Afrosurrealism based in photography and film, e.g. Beyonce's ?Lemonade,' Donald Glover's ?Atlanta,' Boots Riley's 'Sorry to Bother You,' and Jordan Peele's ?Get Out.?
Students write two short analytic essays and a cumlinating research essay synthesizing ideas from across the semester. Students will also engage in generative photographic exercises designed to break habitual attitudes toward seeing and staging, as they build a focused body of personal work. Research, writing, and studio practice unfold in conjunction with one another, providing students with a working model for synthesizing art history and theory, political engagement, and making.
Prerequisites
Studio Symposia - Students must enroll in both PHOTO 3098 and HUMANITY 3098
|
Class Number
1538
|
Credits
3
|
Department
Photography
Area of Study
Class, Race, Ethnicity, Art/Design and Politics, Gender and Sexuality
Location
280 Building Rm 214
|
Ghost in the Chamber: Surrealism and Photography |
3098 (001) |
Holly Murkerson, Jeremy Biles |
Fri
9:00 AM - 11:15 AM
In Person
|
Description
This interdisciplinary studio symposium course introduces students to key principles and practices of surrealism with particular focus on theories of photography and strategies of photographic image-making. Treating surrealism not only as an art-historical moment but a living body of attitudes, theories, and possibilities for thinking, art-making, and action, students will develop their own ideas and a body of work in formulating a surrealist praxis. Students will read texts by and about surrealists/surrealism, querying into the poetics, politics, and possibilities of photographic surrealism. The class will treat ideas including: erotic desire, pleasure, gender, chance, dreams/unconscious, walking, play/games, politics, race, anticolonial thought, freedom.
Students will study work by surrealist thinkers including Andre Breton, Louis Aragon, Aime Cesaire, Georges Bataille, Maya Deren, and Claude Cahun; modern surrealist potes including Juliana Huxtable and Billy-Ray Belcourt; and contemporary theorists such as Rosalind Kruass, Susan Laxton, Angela Carter, and Tina Campt. Artists of special focus will include: Hans Bellmer, Claude Cahun, Lee Miller, Dora Maar, Man Ray, Jacques-Andre Boiffard, Pierre Molinier, Maya Deren, John Akomfrah, and Aruther Jafa. Students will also engage contemporary Afrosurrealism based in photography and film, e.g. Beyonce's ?Lemonade,' Donald Glover's ?Atlanta,' Boots Riley's 'Sorry to Bother You,' and Jordan Peele's ?Get Out.?
Students write two short analytic essays and a cumlinating research essay synthesizing ideas from across the semester. Students will also engage in generative photographic exercises designed to break habitual attitudes toward seeing and staging, as they build a focused body of personal work. Research, writing, and studio practice unfold in conjunction with one another, providing students with a working model for synthesizing art history and theory, political engagement, and making.
Prerequisites
Studio Symposia - Students must enroll in both PHOTO 3098 and HUMANITY 3098
|
Class Number
1538
|
Credits
3
|
Department
Photography
Area of Study
Class, Race, Ethnicity, Art/Design and Politics, Gender and Sexuality
Location
280 Building Rm 214
|
Advanced Black and White Photography |
3511 (001) |
Galit Julia Aloni |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
This studio course refines and expands Black and White skills learned in previous classes. It is geared towards students, who seek to deepen a conceptualized approach to b/w photographic imagery for their work. It is covering a wide gamut of analogue and digital techniques, regarding b/w images as contemporary means of artistic expression and engagement with our world. The course is designed to allow a rigorous focus on individual narratives in an advanced production pace and surrounding. The amalgamation of conceptual inquiry and aesthetic outcome is the very center of this class, seeking to synthesize meaning and making on the backdrop of the historical ballast and beauty of this field.
Prerequisites
PHOTO 1001 and PHOTO 2011
|
Class Number
1525
|
Credits
3
|
Department
Photography
Area of Study
Art and Science, Books and Publishing
Location
280 Building Rm 206
|
Junior Seminar: Professional Practice |
3900 (001) |
Rachel Herman |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
Junior Seminar helps students build essential professional skills for life after graduation, focusing on developing a sustainable practice based on their strengths and working style. This five-hour studio seminar offers flexible time for individual mentoring, guest speakers, field trips, extended critiques, and dedicated work time, fostering both professional growth and creative community. Through hands-on projects, students create websites, CVs, grant proposals, and artist statements while learning how to tailor these materials for different opportunities. As one of SAIC¿s four required Junior Seminars, this course provides structure and support within the school¿s open, interdisciplinary curriculum, helping students confidently navigate their future careers.
Prerequisites
Prerequisite: Sophomore seminar course
|
Class Number
1572
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging
Location
280 Building Rm 207
|
Public Light and Space |
4032 (001) |
Jan Tichy |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
Public Light and Space examines concepts and develops plans for art projects based on light, space and public interaction. The projects are conceptualized and planned in response to the opportunities afforded by specific locations around the city of Chicago. Particular attention is focused on elements such as digital light projection, controlled light sources, and light-responsive materials.
The course investigates concepts and understandings of public space and the history of art in these spaces. The class offers a critical examination of the active role played by light and its dynamics in selected art movements.
A series of technical workshops builds proficiency to lend support to the development of the final, publicly exhibited project. Visiting artists, critics and Chicagoans assist in refining the project ideas, as they are being chosen and developed.
|
Class Number
1533
|
Credits
3
|
Department
Photography
Area of Study
Costume Design, Community & Social Engagement, Art and Science
Location
MacLean 414
|
Senior Photo Studio Seminar |
4900 (001) |
Oliver Sann |
Wed
9:00 AM - 3:00 PM
In Person
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Description
This interdisciplinary capstone, with an emphasis on contemporary photography and visual culture, is structured as an intensive critique and mentoring class focused on the development and presentation of culminating work at the end of the BFA and the continued progression of studio work beyond the BFA exhibition. The course supports the production of self-initiated work, a successful BFA show and a road map for a sustainable art practice after graduation. Preparations for the BFA exhibition include workshopping project proposals, budgets, production schedules, the development of new work and an array of possible final presentation forms.
Readings, screenings and discussions will examine useful models of participation in cultural production and a critical framework for analyzing a range of platforms to share work online, in print and exhibition. Studio visits will provide insight into the day-to-day life of artists at various stages in their career ranging from current SAIC grad students to working professionals.
Online and printed portfolios utilizing an ever-evolving archive of work will be refined along with professional supporting materials such as statements, CVs and artist talks necessary for a professional practice beyond graduation.
Prerequisites
Prerequisite: Professional practice course
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Class Number
1142
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Credits
3
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Department
Photography
Area of Study
Books and Publishing, Social Media and the Web
Location
280 Building Rm 215
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