| Introduction to Fashion, Body, and Garment |
1010 (001) |
Isaac Couch |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills
and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1395
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 702
|
| Introduction to Fashion, Body, and Garment |
1010 (002) |
|
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills
and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1396
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 727
|
| Introduction to Fashion, Body, and Garment |
1010 (003) |
Kylee Marisa Alexander |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills
and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1397
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 702
|
| Introduction to Fashion, Body, and Garment |
1010 (004) |
Kylee Marisa Alexander |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills
and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1398
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 702
|
| Introduction to Fashion, Body, and Garment |
1010 (005) |
Kristin Mariani |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills
and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1399
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 702
|
| Introduction to Fashion, Body, and Garment |
1010 (006) |
Isaac Couch |
Sat
10:00 AM - 4:00 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills
and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1425
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 702
|
| Introduction to Fashion, Body, and Garment |
1010 (007) |
|
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills
and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1436
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 702
|
| Fashion Construction I |
2001 (001) |
Jasper Alan Drummond |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This course offers foundational methods of draping, pattern drafting, and construction techniques to build garments. The students learn how to develop a set of slopers, consisting of bodice, sleeve and skirt, combining and integrating draping and pattern drafting methods. Through these methods, the students develop and construct design concepts, first in muslin, then in fabric; stressing the importance of proper fit and craftsmanship. No pre-req.
Prerequisites
Students must be a sophomore grade level or permission by instructor
|
Class Number
1426
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 704
|
| Fashion Construction I |
2001 (002) |
Janet Kang |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
This course offers foundational methods of draping, pattern drafting, and construction techniques to build garments. The students learn how to develop a set of slopers, consisting of bodice, sleeve and skirt, combining and integrating draping and pattern drafting methods. Through these methods, the students develop and construct design concepts, first in muslin, then in fabric; stressing the importance of proper fit and craftsmanship. No pre-req.
Prerequisites
Students must be a sophomore grade level or permission by instructor
|
Class Number
1427
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 703
|
| Fashion Construction I |
2001 (003) |
Agnes Hamerlik |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This course offers foundational methods of draping, pattern drafting, and construction techniques to build garments. The students learn how to develop a set of slopers, consisting of bodice, sleeve and skirt, combining and integrating draping and pattern drafting methods. Through these methods, the students develop and construct design concepts, first in muslin, then in fabric; stressing the importance of proper fit and craftsmanship. No pre-req.
Prerequisites
Students must be a sophomore grade level or permission by instructor
|
Class Number
1428
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 702
|
| Fashion Construction I |
2001 (004) |
Jasper Alan Drummond |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This course offers foundational methods of draping, pattern drafting, and construction techniques to build garments. The students learn how to develop a set of slopers, consisting of bodice, sleeve and skirt, combining and integrating draping and pattern drafting methods. Through these methods, the students develop and construct design concepts, first in muslin, then in fabric; stressing the importance of proper fit and craftsmanship. No pre-req.
Prerequisites
Students must be a sophomore grade level or permission by instructor
|
Class Number
1429
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 704
|
| Fashion Construction I |
2001 (005) |
|
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This course offers foundational methods of draping, pattern drafting, and construction techniques to build garments. The students learn how to develop a set of slopers, consisting of bodice, sleeve and skirt, combining and integrating draping and pattern drafting methods. Through these methods, the students develop and construct design concepts, first in muslin, then in fabric; stressing the importance of proper fit and craftsmanship. No pre-req.
Prerequisites
Students must be a sophomore grade level or permission by instructor
|
Class Number
1435
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 702
|
| Fashion Construction I |
2001 (006) |
Sharon Shoji |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This course offers foundational methods of draping, pattern drafting, and construction techniques to build garments. The students learn how to develop a set of slopers, consisting of bodice, sleeve and skirt, combining and integrating draping and pattern drafting methods. Through these methods, the students develop and construct design concepts, first in muslin, then in fabric; stressing the importance of proper fit and craftsmanship. No pre-req.
Prerequisites
Students must be a sophomore grade level or permission by instructor
|
Class Number
1437
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 703
|
| Fashion Design I |
2002 (001) |
|
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Fashion Design I builds the skills and talents required to achieve creative fashion. This class teaches the design fundamentals of the integrated core fashion design curriculum. Students will engage multiple skills to create individual, visionary, unconventional garments, and later, collections. Through a series of projects, students explore form, silhouette, volume, and research in design to arrive at a personal point-of-view in fashion. This course will specifically ask students to work conceptually and to develop research methodologies in their design work. Based on this inquiry, students generate sketches and surface treatments to refine their unique silhouettes and material manipulations. No prerequisite.
Prerequisites
Students must be a sophomore grade level or permission by instructor
|
Class Number
1430
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 703
|
| Fashion Design I |
2002 (002) |
Anke Loh |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Fashion Design I builds the skills and talents required to achieve creative fashion. This class teaches the design fundamentals of the integrated core fashion design curriculum. Students will engage multiple skills to create individual, visionary, unconventional garments, and later, collections. Through a series of projects, students explore form, silhouette, volume, and research in design to arrive at a personal point-of-view in fashion. This course will specifically ask students to work conceptually and to develop research methodologies in their design work. Based on this inquiry, students generate sketches and surface treatments to refine their unique silhouettes and material manipulations. No prerequisite.
Prerequisites
Students must be a sophomore grade level or permission by instructor
|
Class Number
1431
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 705
|
| Fashion Design I |
2002 (003) |
Anke Loh |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Fashion Design I builds the skills and talents required to achieve creative fashion. This class teaches the design fundamentals of the integrated core fashion design curriculum. Students will engage multiple skills to create individual, visionary, unconventional garments, and later, collections. Through a series of projects, students explore form, silhouette, volume, and research in design to arrive at a personal point-of-view in fashion. This course will specifically ask students to work conceptually and to develop research methodologies in their design work. Based on this inquiry, students generate sketches and surface treatments to refine their unique silhouettes and material manipulations. No prerequisite.
Prerequisites
Students must be a sophomore grade level or permission by instructor
|
Class Number
1432
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 701
|
| Fashion Design I |
2002 (004) |
Kristin Mariani |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Fashion Design I builds the skills and talents required to achieve creative fashion. This class teaches the design fundamentals of the integrated core fashion design curriculum. Students will engage multiple skills to create individual, visionary, unconventional garments, and later, collections. Through a series of projects, students explore form, silhouette, volume, and research in design to arrive at a personal point-of-view in fashion. This course will specifically ask students to work conceptually and to develop research methodologies in their design work. Based on this inquiry, students generate sketches and surface treatments to refine their unique silhouettes and material manipulations. No prerequisite.
Prerequisites
Students must be a sophomore grade level or permission by instructor
|
Class Number
1433
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 703
|
| Shape And Theory In Garments |
2005 (001) |
Benjamin Larose |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Explorations in the design of 'experimental' garments using the basic elements of mass, volume, form and motion. Rather than concerning themselves with current design trends or regular fashion problems, students emphasize bodies as forms in motion or as moving sculpture.
|
Class Number
1414
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design, Community & Social Engagement
Location
Sullivan Center 723
|
| Accessory Design |
2006 (001) |
William Walton |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
In this workshop, students create various accessories from original ideas. This program is divided into projects such as the design and construction of embellished evening bags, summer totes, gloves, costume jewelry, and millinery. Emphasis is placed on references to history of individual accessories and developing collections of illustrations in color.
|
Class Number
1400
|
Credits
3
|
Department
Fashion Design
Area of Study
Product Design
Location
Sullivan Center 727
|
| Beginning Fashion Illustration |
2007 (001) |
Dijana Granov |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This course develops drawing skills with an emphasis on figure gesture and proportion along with a wide range of media. Students are taught to sketch from a live model while communicating design concepts in clothing with style and expression.
|
Class Number
1401
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design, Illustration
Location
Sullivan Center 734
|
| Beginning Fashion Illustration |
2007 (002) |
Donald Yoshida |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This course develops drawing skills with an emphasis on figure gesture and proportion along with a wide range of media. Students are taught to sketch from a live model while communicating design concepts in clothing with style and expression.
|
Class Number
1402
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design, Illustration
Location
Sullivan Center 734
|
| Sculptural Headwear |
2013 (001) |
Eia Radosavljevic |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
The human head as a moving and turning pedestal presents continually changing views of sculptural headwear and millinery. Students reconsider the relationship of hat to head, and the potential of traditional and alternative materials. Straw sculpting, block carving, felt blocking, and couture sewing are used in exploration of 'the hat' as a sculptural form.
|
Class Number
1411
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 727
|
| Form in Fabric |
2014 (001) |
Eia Radosavljevic |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Giving woven fabrics and alternative flat materials three-dimensional form is key to many sculptural disciplines, most notably headwear design, and garment and fiber works. Beginning with headwear projects as a prime example of self-supported sculptural form, students proceed through a study of methodologies such as pattern drafting, blocking, draping, and carved-form patterning to develop headwear or other objects suiting their individual practice. Assembly is achieved through hand stitching, machine sewing, or innovative techniques appropriate to specific materials. Visual imagery and texts assist in the development of concepts, and the study of interior and exterior space.
|
Class Number
1415
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 727
|
| 3D Embellishment |
2015 (001) |
Eia Radosavljevic |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Designed to encourage 3-dimensional surface experimentation, this course begins with traditional embellishment methodologies primarily originating in couture millinery, as a means of altering or breaking away surfaces and dimensions. Students then explore alternative materials and methods to transform, mutate or redefine garments, accessories, etc., or to create textured objects in their entirety.
To provide related information of interest, selected texts concerning the sociological theories of craftsmanship may be included as well as works by authors like Thor Hanson, Laura Jacobs, Candace Kling, Howard Risatti and Erica Wilson. Field trips to local venues, videos such as the Craft in America series, plus the investigation of works by artists like Nick Cave, Tara Donovan, the Haas Brothers, and Kate MccGwire optionally augment the course content.
Projects may be based on up-cycled objects and materials, and will entail various techniques including ribbon manipulation, feather work, flower tooling, and embroidery. Fur/faux sewing and leather tooling are introduced, and other `thread arts? (macrame, tatting, etc.) may be individually investigated in support of conceptual and formal design.
|
Class Number
1409
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 727
|
| Footwear Design |
2016 (001) |
James Robert Sommerfeldt |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Various investigations are conducted regarding traditional and alternative shoe design and assembly. Assigned readings and discussions focus on history, materials, the designers, lifestyle, terminology and processes, and the involvement of feet and shoes in art. Emphasis is placed on interpreting the foot and shoe for visual presentations and experimenting with components for artistic and practical expression. Final critiques include presentations of one of half pairs of shoes and sandals, illustrations, weekly clipping files and a thematic selection of thematic original ideas. Group critiques are scheduled several times during the semester. Weekly slide lectures, field trips, guest lectures or demonstration enable students to develop their ideas in the studio with a focus on fit and originality.
|
Class Number
1403
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 723
|
| Footwear Design |
2016 (002) |
James Robert Sommerfeldt |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Various investigations are conducted regarding traditional and alternative shoe design and assembly. Assigned readings and discussions focus on history, materials, the designers, lifestyle, terminology and processes, and the involvement of feet and shoes in art. Emphasis is placed on interpreting the foot and shoe for visual presentations and experimenting with components for artistic and practical expression. Final critiques include presentations of one of half pairs of shoes and sandals, illustrations, weekly clipping files and a thematic selection of thematic original ideas. Group critiques are scheduled several times during the semester. Weekly slide lectures, field trips, guest lectures or demonstration enable students to develop their ideas in the studio with a focus on fit and originality.
|
Class Number
1438
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 723
|
| Manipulated Stitches |
2017 (001) |
Sharon Shoji |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This class is an explorative approach into traditional and non-traditional methods of creating and manipulating surface through texture. Techniques such as knitting, crocheting, stitching and embellishment will provide a language that speaks about shape and form through construction. Demonstrations will encourage students to create concepts that are three-dimensional in form. Using the body as a foundation in a space, garments and objects that are worn or used will be created as individual projects. Offered in the fall semester only.
|
Class Number
1408
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 701
|
| Interfacing with Draping and Pattern Making |
2022 (001) |
|
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This course is an introduction to draping for fashion design and construction. Our focus is on draping blocks, and the creation of slopers; the master patterns of the bodice, skirt, torso, and sleeve from which most designs are developed in flat pattern making.
|
Class Number
2243
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 702
|
| The Shaping Of The Female Form |
2024 (001) |
Liat Smestad |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This course will trace the use of structured undergarments worn by women from the eighteenth century to the present day as a basis for the design and construction of garments. Both traditional and nontraditional fabrics and materials are explored while conceptual and historic issues are discussed using references within the department's Fashion Resource Center. All final projects are fitted on a model in both muslin and fabric.
|
Class Number
1410
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design, Gender and Sexuality
Location
Sullivan Center 704
|
| Masks and Mantles |
2035 (001) |
James Paul |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
In this course the students will study and construct theater masks, corresponding headpieces and mantles or capes. Masks and mantles are based on Commedia dell'arte and baroque silhouettes. Students will also illustrate a fairy tale or morality play, using Commedia dell'arte and baroque stylistic elements (costume, architectural and interior backgrounds).
|
Class Number
1418
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 723
|
| Virtual Flat to Form - Digital Patternmaking |
2060 (001) |
Aubrie J. Meyer |
Fri, Fri
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM
In Person
|
|
Description
This course introduces students to digital pattern-making for fashion. Students learn to use the CAD hardware and software, designing and modifying patterns virtually. This includes digitizing/converting hard patterns to digital files, modifying existing stock patterns, textile printing, 3-D visualization, and plotting sample patterns. Students receive a hands-on approach to developing virtual patterns through fabric testing, using body measurements, and assembling prototypes for final design approval. Other industry skills are developed, such as creating pattern cards, cutter's musts, grading, and marker making.
Prerequisites
FASH 2001/2014/2016/2020/2022/2024/2901
|
Class Number
1413
|
Credits
3
|
Department
Fashion Design
Area of Study
Digital Imaging, Gender and Sexuality, Art and Science
Location
Sullivan Center 705, MacLean 917
|
| Fashion Construction III |
3001 (001) |
Aubrie J. Meyer |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
As a project-based course, Fashion Construction III introduces the intermediate construction principles for pants and jackets. Tailoring, cut-and-sew knitwear, and creative draping techniques used on a variety of body types, and gender expressions are explored. The principles of proportion, balance, and fit as required for the achievement of well-made garments will also be studied. Pre req: minimum two Fashion construction classes: FASH 2001, FASH 2003, FASH 2020, FASH2022 or FASH2024
Prerequisites
Student must have completed either FASH 2900 or FASH 2003
|
Class Number
1419
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 704
|
| Fashion Construction III |
3001 (002) |
Aubrie J. Meyer |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
As a project-based course, Fashion Construction III introduces the intermediate construction principles for pants and jackets. Tailoring, cut-and-sew knitwear, and creative draping techniques used on a variety of body types, and gender expressions are explored. The principles of proportion, balance, and fit as required for the achievement of well-made garments will also be studied. Pre req: minimum two Fashion construction classes: FASH 2001, FASH 2003, FASH 2020, FASH2022 or FASH2024
Prerequisites
Student must have completed either FASH 2900 or FASH 2003
|
Class Number
1420
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 703
|
| Fashion Construction III |
3001 (003) |
|
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
As a project-based course, Fashion Construction III introduces the intermediate construction principles for pants and jackets. Tailoring, cut-and-sew knitwear, and creative draping techniques used on a variety of body types, and gender expressions are explored. The principles of proportion, balance, and fit as required for the achievement of well-made garments will also be studied. Pre req: minimum two Fashion construction classes: FASH 2001, FASH 2003, FASH 2020, FASH2022 or FASH2024
Prerequisites
Student must have completed either FASH 2900 or FASH 2003
|
Class Number
1422
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 705
|
| Fashion Design III |
3002 (001) |
Caroline Marie Bellios |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
As a project-based course, Fashion Design III teaches primary and secondary topical research, and in the context of a historical and cultural framework, students establish their personal point-of-view in fashion. Students will create in-depth research journals and develop a personal visualization style. Students will learn expansive fabric manipulations that lead to distinct styling and collection development to support capsule collection (three looks) development in intermediate studio. Particular attention is given to the use of color, texture, patterns, and design refinement.
Pre req: Student must have completed FASH 2900 or receive instructor permission. Instructor permission will be granted with the completion of any 2 of the following Fashion Design classes: FASH 2002, 2005, 2006, 2010, 2016, 2018, 2023, 3005, 3016, 3033. For Summer 2024, this includes a portfolio review as well.
Prerequisites
FASH 2900 or Instructor Permission
|
Class Number
1424
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 701
|
| Fashion Design III |
3002 (002) |
Caroline Marie Bellios |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
As a project-based course, Fashion Design III teaches primary and secondary topical research, and in the context of a historical and cultural framework, students establish their personal point-of-view in fashion. Students will create in-depth research journals and develop a personal visualization style. Students will learn expansive fabric manipulations that lead to distinct styling and collection development to support capsule collection (three looks) development in intermediate studio. Particular attention is given to the use of color, texture, patterns, and design refinement.
Pre req: Student must have completed FASH 2900 or receive instructor permission. Instructor permission will be granted with the completion of any 2 of the following Fashion Design classes: FASH 2002, 2005, 2006, 2010, 2016, 2018, 2023, 3005, 3016, 3033. For Summer 2024, this includes a portfolio review as well.
Prerequisites
FASH 2900 or Instructor Permission
|
Class Number
1421
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 701
|
| Fashion Design III |
3002 (003) |
|
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
As a project-based course, Fashion Design III teaches primary and secondary topical research, and in the context of a historical and cultural framework, students establish their personal point-of-view in fashion. Students will create in-depth research journals and develop a personal visualization style. Students will learn expansive fabric manipulations that lead to distinct styling and collection development to support capsule collection (three looks) development in intermediate studio. Particular attention is given to the use of color, texture, patterns, and design refinement.
Pre req: Student must have completed FASH 2900 or receive instructor permission. Instructor permission will be granted with the completion of any 2 of the following Fashion Design classes: FASH 2002, 2005, 2006, 2010, 2016, 2018, 2023, 3005, 3016, 3033. For Summer 2024, this includes a portfolio review as well.
Prerequisites
FASH 2900 or Instructor Permission
|
Class Number
1423
|
Credits
3
|
Department
Fashion Design
Area of Study
Sustainable Design
Location
Sullivan Center 701
|
| Advanced Shape and Theory in Garments |
3005 (001) |
Benjamin Larose |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This advanced level course examines the transformation of form and identity with the body. Particular emphasis will be placed on challenging the literal definition of garment through various processes such as draping, deconstruction and reuse. Students will explore scale and materials from hard to soft, flexible and rigid. Projects using found objects and alternative resources will also be introduced. Through various assignments, students will be encouraged to expand outside the common solution, using unfamiliar territories, placing them in new context. Several projects are assigned involving individual and group critiques with development of personal direction related to contemporary issues. Parallel development in sculptural practices and design will also be examined to see the emerging context of garment as art.
Prerequisites
Student must have completed any 2000 Level FASH course
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Class Number
2244
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Credits
3
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Department
Fashion Design
Location
Sullivan Center 723
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| Multi-Level Illustration |
3010 (001) |
Dijana Granov |
Fri
9:00 AM - 3:00 PM
In Person
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Description
This course is designed for students who have completed beginning fashion illustration. Emphasis is placed on personal style and media development. Students explore a variety of texture rendering and illustration problem solving.
Prerequisites
Prerequisite: FASH 2007
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Class Number
1412
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Credits
3
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Department
Fashion Design
Area of Study
Illustration
Location
Sullivan Center 734
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| Multi-Level Knitwear: Machine Structures |
3018 (001) |
Jennifer Michelle Plumridge |
Thurs
3:30 PM - 9:15 PM
In Person
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Description
This course enables students who hand knit to pursue the challenge of creating garments and/or objects with knitting machines. Through demonstration and discussion of traditional basic methods and structured exercises will give the students a foundation in various stitch patterns and techniques. Shape and fit along with texture manipulation are explored. Historical reference as well as current contemporary design concepts will be researched enabling students to focus on individual design to produce a garment or an object. Students will design, sample and explore possibilities in a traditional and non-traditional manner using various materials.
Prerequisites
Student must have completed any 2000 Level FASH course
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Class Number
1407
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Credits
3
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Department
Fashion Design
Location
Sullivan Center 701
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