A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
A photo of SAIC faculty member Saumitra Chandratreya

Saumitra Shrikant Chandratreya

Full-Time Visiting Artist

Bio

Born and raised in Mumbai, Saumitra Chandratreya (he/him/they/them) is a fiber-installation artist who lives in St. Petersburg, FL and Chicago, IL. He graduated from the School of the Art Institute of Chicago in 2017 with a Master of Design in Fashion, Body and Garment. He has a BFA in Textile Design from the Srishti Institute of Art, Design and Technology in Bengaluru, India.

Chandratreya was awarded one of the Individual Artist Grants from St. Petersburg Arts Alliance in 2020, Emerging Artist Grants from Creative Pinellas in 2018, and he was one of the emerging artists at the 2019 Gasparilla Festival of Arts in Tampa, FL. Chandratreya was one of the selected artists for Inaugural Qinfolk Festival in Ithaca, NY in 2019. He was one of the finalists who exhibited at the Union League Club of Chicago for the Luminarts Cultural Foundation Visual Arts Fellowship Show. Chandratreya was awarded the Shapiro Graduate research fellowship at the School of the Art Institute of Chicago and was nominated by his department for the James Nelson Raymond fellowship while studying at the School of the Art Institute of Chicago. His works have been collected nationally and internationally in private and public collections. His art has been written about in the local media. Chandratreya has shown in group and solo shows in Canada, Germany, India, Ireland, Japan, and United states. Chandratreya’s work has been exhibited at the John and Mable Ringling Museum among other institutions. Chandratreya is an active member of 24-Hands Printmaking collective and Collate Printmaking Collective. He is a full-time visiting artist at SAIC for the 2024-2025 school year.

Courses

Title Department Catalog Term

Description

This is an introductory look into fashion. Students will explore basic design skills
and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.

Class Number

1353

Credits

3

Description

This is an introductory look into fashion. Students will explore basic design skills
and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.

Class Number

1494

Credits

3

Description

This course offers foundational methods of draping, pattern drafting, and construction techniques to build garments. The students learn how to develop a set of slopers, consisting of bodice, sleeve and skirt, combining and integrating draping and pattern drafting methods. Through these methods, the students develop and construct design concepts, first in muslin, then in fabric; stressing the importance of proper fit and craftsmanship. No pre-req.

Class Number

1386

Credits

3

Description

This course offers foundational methods of draping, pattern drafting, and construction techniques to build garments. The students learn how to develop a set of slopers, consisting of bodice, sleeve and skirt, combining and integrating draping and pattern drafting methods. Through these methods, the students develop and construct design concepts, first in muslin, then in fabric; stressing the importance of proper fit and craftsmanship. No pre-req.

Class Number

1530

Credits

3

Description

This course explores an unconventional view of garment construction and design by framing the process through the parameter of zero waste. Patterns are created using techniques designed to mitigate or eliminate waste. Both traditional and nontraditional materials are used, as well as digital printing technology. All final projects are fitted on a model in both muslin and fabric.

Class Number

1387

Credits

3

Description

Through studio visits, and visiting artists lectures students are examining venues through which artists and designers 'are getting the word out'. Students translate and expand their personal design vision by developing critical written materials to create a context for positioning their work. This analysis is directly related to, and in support of, their current studio practice; it references their journals, sources, and visuals, and will become an additional layer, and integral part of the final presentation.

Class Number

1507

Credits

3