| Introduction to Fashion, Body, and Garment |
1010 (001) |
Kristin Mariani |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills
and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1491
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 702
|
| Introduction to Fashion, Body, and Garment |
1010 (002) |
Isaac Couch |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills
and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1492
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 727
|
| Introduction to Fashion, Body, and Garment |
1010 (003) |
Janet Kang |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills
and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1493
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 706
|
| Introduction to Fashion, Body, and Garment |
1010 (004) |
Saumitra Shrikant Chandratreya |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills
and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1494
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 727
|
| Introduction to Fashion, Body, and Garment |
1010 (005) |
Sharon Shoji |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills
and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1495
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 705
|
| Introduction to Fashion, Body, and Garment |
1010 (006) |
Pamela Vanderlinde |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills
and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1527
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 703
|
| Introduction to Fashion, Body, and Garment |
1010 (007) |
Isaac Couch |
Sat
10:00 AM - 4:00 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills
and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1538
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 704
|
| Fashion Construction I |
2001 (001) |
Jasper Alan Drummond |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This course offers foundational methods of draping, pattern drafting, and construction techniques to build garments. The students learn how to develop a set of slopers, consisting of bodice, sleeve and skirt, combining and integrating draping and pattern drafting methods. Through these methods, the students develop and construct design concepts, first in muslin, then in fabric; stressing the importance of proper fit and craftsmanship. No pre-req.
Prerequisites
Students must be a sophomore grade level or permission by instructor
|
Class Number
1528
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 702
|
| Fashion Construction I |
2001 (002) |
Abigail Maria Glaum-Lathbury |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This course offers foundational methods of draping, pattern drafting, and construction techniques to build garments. The students learn how to develop a set of slopers, consisting of bodice, sleeve and skirt, combining and integrating draping and pattern drafting methods. Through these methods, the students develop and construct design concepts, first in muslin, then in fabric; stressing the importance of proper fit and craftsmanship. No pre-req.
Prerequisites
Students must be a sophomore grade level or permission by instructor
|
Class Number
1529
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 703
|
| Fashion Construction I |
2001 (003) |
Saumitra Shrikant Chandratreya |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
This course offers foundational methods of draping, pattern drafting, and construction techniques to build garments. The students learn how to develop a set of slopers, consisting of bodice, sleeve and skirt, combining and integrating draping and pattern drafting methods. Through these methods, the students develop and construct design concepts, first in muslin, then in fabric; stressing the importance of proper fit and craftsmanship. No pre-req.
Prerequisites
Students must be a sophomore grade level or permission by instructor
|
Class Number
1530
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 706
|
| Fashion Construction I |
2001 (004) |
Jasper Alan Drummond |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This course offers foundational methods of draping, pattern drafting, and construction techniques to build garments. The students learn how to develop a set of slopers, consisting of bodice, sleeve and skirt, combining and integrating draping and pattern drafting methods. Through these methods, the students develop and construct design concepts, first in muslin, then in fabric; stressing the importance of proper fit and craftsmanship. No pre-req.
Prerequisites
Students must be a sophomore grade level or permission by instructor
|
Class Number
1531
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 704
|
| Fashion Construction I |
2001 (005) |
Agnes Hamerlik |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This course offers foundational methods of draping, pattern drafting, and construction techniques to build garments. The students learn how to develop a set of slopers, consisting of bodice, sleeve and skirt, combining and integrating draping and pattern drafting methods. Through these methods, the students develop and construct design concepts, first in muslin, then in fabric; stressing the importance of proper fit and craftsmanship. No pre-req.
Prerequisites
Students must be a sophomore grade level or permission by instructor
|
Class Number
1537
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 702
|
| Fashion Construction I |
2001 (006) |
Janet Kang |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
This course offers foundational methods of draping, pattern drafting, and construction techniques to build garments. The students learn how to develop a set of slopers, consisting of bodice, sleeve and skirt, combining and integrating draping and pattern drafting methods. Through these methods, the students develop and construct design concepts, first in muslin, then in fabric; stressing the importance of proper fit and craftsmanship. No pre-req.
Prerequisites
Students must be a sophomore grade level or permission by instructor
|
Class Number
1539
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 702
|
| Fashion Construction I |
2001 (007) |
Sharon Shoji |
Sat
10:00 AM - 4:00 PM
In Person
|
|
Description
This course offers foundational methods of draping, pattern drafting, and construction techniques to build garments. The students learn how to develop a set of slopers, consisting of bodice, sleeve and skirt, combining and integrating draping and pattern drafting methods. Through these methods, the students develop and construct design concepts, first in muslin, then in fabric; stressing the importance of proper fit and craftsmanship. No pre-req.
Prerequisites
Students must be a sophomore grade level or permission by instructor
|
Class Number
1543
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 702
|
| Fashion Design I |
2002 (001) |
Kristin Mariani |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Fashion Design I builds the skills and talents required to achieve creative fashion. This class teaches the design fundamentals of the integrated core fashion design curriculum. Students will engage multiple skills to create individual, visionary, unconventional garments, and later, collections. Through a series of projects, students explore form, silhouette, volume, and research in design to arrive at a personal point-of-view in fashion. This course will specifically ask students to work conceptually and to develop research methodologies in their design work. Based on this inquiry, students generate sketches and surface treatments to refine their unique silhouettes and material manipulations. No prerequisite.
Prerequisites
Students must be a sophomore grade level or permission by instructor
|
Class Number
1532
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 704
|
| Fashion Design I |
2002 (002) |
Kylee Marisa Alexander |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Fashion Design I builds the skills and talents required to achieve creative fashion. This class teaches the design fundamentals of the integrated core fashion design curriculum. Students will engage multiple skills to create individual, visionary, unconventional garments, and later, collections. Through a series of projects, students explore form, silhouette, volume, and research in design to arrive at a personal point-of-view in fashion. This course will specifically ask students to work conceptually and to develop research methodologies in their design work. Based on this inquiry, students generate sketches and surface treatments to refine their unique silhouettes and material manipulations. No prerequisite.
Prerequisites
Students must be a sophomore grade level or permission by instructor
|
Class Number
1533
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 705
|
| Fashion Design I |
2002 (003) |
Kristin Mariani |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Fashion Design I builds the skills and talents required to achieve creative fashion. This class teaches the design fundamentals of the integrated core fashion design curriculum. Students will engage multiple skills to create individual, visionary, unconventional garments, and later, collections. Through a series of projects, students explore form, silhouette, volume, and research in design to arrive at a personal point-of-view in fashion. This course will specifically ask students to work conceptually and to develop research methodologies in their design work. Based on this inquiry, students generate sketches and surface treatments to refine their unique silhouettes and material manipulations. No prerequisite.
Prerequisites
Students must be a sophomore grade level or permission by instructor
|
Class Number
1534
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 703
|
| Fashion Design I |
2002 (004) |
Kylee Marisa Alexander |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Fashion Design I builds the skills and talents required to achieve creative fashion. This class teaches the design fundamentals of the integrated core fashion design curriculum. Students will engage multiple skills to create individual, visionary, unconventional garments, and later, collections. Through a series of projects, students explore form, silhouette, volume, and research in design to arrive at a personal point-of-view in fashion. This course will specifically ask students to work conceptually and to develop research methodologies in their design work. Based on this inquiry, students generate sketches and surface treatments to refine their unique silhouettes and material manipulations. No prerequisite.
Prerequisites
Students must be a sophomore grade level or permission by instructor
|
Class Number
1535
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 705
|
| Shape And Theory In Garments |
2005 (001) |
Bambi Deidre Breakstone |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Explorations in the design of 'experimental' garments using the basic elements of mass, volume, form and motion. Rather than concerning themselves with current design trends or regular fashion problems, students emphasize bodies as forms in motion or as moving sculpture.
|
Class Number
1515
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design, Community & Social Engagement
Location
Sullivan Center 723
|
| Shape And Theory In Garments |
2005 (002) |
Benjamin Larose |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
Explorations in the design of 'experimental' garments using the basic elements of mass, volume, form and motion. Rather than concerning themselves with current design trends or regular fashion problems, students emphasize bodies as forms in motion or as moving sculpture.
|
Class Number
1519
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design, Community & Social Engagement
Location
Sullivan Center 723
|
| Accessory Design |
2006 (001) |
William Walton |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
In this workshop, students create various accessories from original ideas. This program is divided into projects such as the design and construction of embellished evening bags, summer totes, gloves, costume jewelry, and millinery. Emphasis is placed on references to history of individual accessories and developing collections of illustrations in color.
|
Class Number
1496
|
Credits
3
|
Department
Fashion Design
Area of Study
Product Design
Location
Sullivan Center 727
|
| Beginning Fashion Illustration |
2007 (001) |
Laura Mae Noble |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This course develops drawing skills with an emphasis on figure gesture and proportion along with a wide range of media. Students are taught to sketch from a live model while communicating design concepts in clothing with style and expression.
|
Class Number
1497
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design, Illustration
Location
Sullivan Center 734
|
| Beginning Fashion Illustration |
2007 (002) |
Dijana Granov |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This course develops drawing skills with an emphasis on figure gesture and proportion along with a wide range of media. Students are taught to sketch from a live model while communicating design concepts in clothing with style and expression.
|
Class Number
1498
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design, Illustration
Location
Sullivan Center 734
|
| Beginning Fashion Illustration |
2007 (003) |
Dijana Granov |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This course develops drawing skills with an emphasis on figure gesture and proportion along with a wide range of media. Students are taught to sketch from a live model while communicating design concepts in clothing with style and expression.
|
Class Number
1541
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design, Illustration
Location
Sullivan Center 734
|
| Sculptural Headwear |
2013 (001) |
Eia Radosavljevic |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
The human head as a moving and turning pedestal presents continually changing views of sculptural headwear and millinery. Students reconsider the relationship of hat to head, and the potential of traditional and alternative materials. Straw sculpting, block carving, felt blocking, and couture sewing are used in exploration of 'the hat' as a sculptural form.
|
Class Number
1511
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 727
|
| Form in Fabric |
2014 (001) |
Eia Radosavljevic |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Giving woven fabrics and alternative flat materials three-dimensional form is key to many sculptural disciplines, most notably headwear design, and garment and fiber works. Beginning with headwear projects as a prime example of self-supported sculptural form, students proceed through a study of methodologies such as pattern drafting, blocking, draping, and carved-form patterning to develop headwear or other objects suiting their individual practice. Assembly is achieved through hand stitching, machine sewing, or innovative techniques appropriate to specific materials. Visual imagery and texts assist in the development of concepts, and the study of interior and exterior space.
|
Class Number
1517
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 727
|
| 3D Embellishment |
2015 (001) |
Eia Radosavljevic |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Designed to encourage 3-dimensional surface experimentation, this course begins with traditional embellishment methodologies primarily originating in couture millinery, as a means of altering or breaking away surfaces and dimensions. Students then explore alternative materials and methods to transform, mutate or redefine garments, accessories, etc., or to create textured objects in their entirety.
To provide related information of interest, selected texts concerning the sociological theories of craftsmanship may be included as well as works by authors like Thor Hanson, Laura Jacobs, Candace Kling, Howard Risatti and Erica Wilson. Field trips to local venues, videos such as the Craft in America series, plus the investigation of works by artists like Nick Cave, Tara Donovan, the Haas Brothers, and Kate MccGwire optionally augment the course content.
Projects may be based on up-cycled objects and materials, and will entail various techniques including ribbon manipulation, feather work, flower tooling, and embroidery. Fur/faux sewing and leather tooling are introduced, and other `thread arts? (macrame, tatting, etc.) may be individually investigated in support of conceptual and formal design.
|
Class Number
1508
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 727
|
| Footwear Design |
2016 (001) |
James Robert Sommerfeldt |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Various investigations are conducted regarding traditional and alternative shoe design and assembly. Assigned readings and discussions focus on history, materials, the designers, lifestyle, terminology and processes, and the involvement of feet and shoes in art. Emphasis is placed on interpreting the foot and shoe for visual presentations and experimenting with components for artistic and practical expression. Final critiques include presentations of one of half pairs of shoes and sandals, illustrations, weekly clipping files and a thematic selection of thematic original ideas. Group critiques are scheduled several times during the semester. Weekly slide lectures, field trips, guest lectures or demonstration enable students to develop their ideas in the studio with a focus on fit and originality.
|
Class Number
1499
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 723
|
| Footwear Design |
2016 (002) |
James Robert Sommerfeldt |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Various investigations are conducted regarding traditional and alternative shoe design and assembly. Assigned readings and discussions focus on history, materials, the designers, lifestyle, terminology and processes, and the involvement of feet and shoes in art. Emphasis is placed on interpreting the foot and shoe for visual presentations and experimenting with components for artistic and practical expression. Final critiques include presentations of one of half pairs of shoes and sandals, illustrations, weekly clipping files and a thematic selection of thematic original ideas. Group critiques are scheduled several times during the semester. Weekly slide lectures, field trips, guest lectures or demonstration enable students to develop their ideas in the studio with a focus on fit and originality.
|
Class Number
1540
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 723
|
| Manipulated Stitches |
2017 (001) |
Sharon Shoji |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This class is an explorative approach into traditional and non-traditional methods of creating and manipulating surface through texture. Techniques such as knitting, crocheting, stitching and embellishment will provide a language that speaks about shape and form through construction. Demonstrations will encourage students to create concepts that are three-dimensional in form. Using the body as a foundation in a space, garments and objects that are worn or used will be created as individual projects. Offered in the fall semester only.
|
Class Number
1506
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 701
|
| The Shaping Of The Female Form |
2024 (001) |
Liat Smestad |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This course will trace the use of structured undergarments worn by women from the eighteenth century to the present day as a basis for the design and construction of garments. Both traditional and nontraditional fabrics and materials are explored while conceptual and historic issues are discussed using references within the department's Fashion Resource Center. All final projects are fitted on a model in both muslin and fabric.
|
Class Number
1509
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design, Gender and Sexuality
Location
Sullivan Center 706
|
| Costume Design in Film and TV |
2032 (001) |
Bambi Deidre Breakstone |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
In this workshop students develop a practical understanding of the procedures used by costume designers and their assistants and crew in film and television production. Weekly lectures and hands-on demonstrations focus on projects including breaking down a script based on character and scene, doing research towards developing characters through costume choices, and techniques used to present those choices to the director and producer. Students break down a script from a show in current production. Final critiques include presentation of the breakdown with clip file photos and drawings of their costume choices for the entire script.
|
Class Number
1518
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design, Playwriting/Screenwriting
Location
MacLean 1307
|
| Masks and Mantles |
2035 (001) |
James Paul |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
In this course the students will study and construct theater masks, corresponding headpieces and mantles or capes. Masks and mantles are based on Commedia dell'arte and baroque silhouettes. Students will also illustrate a fairy tale or morality play, using Commedia dell'arte and baroque stylistic elements (costume, architectural and interior backgrounds).
|
Class Number
1520
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 723
|
| Virtual Flat to Form - Digital Patternmaking |
2060 (001) |
Aubrie J. Meyer |
Fri, Fri
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM
In Person
|
|
Description
This course introduces students to digital pattern-making for fashion. Students learn to use the CAD hardware and software, designing and modifying patterns virtually. This includes digitizing/converting hard patterns to digital files, modifying existing stock patterns, textile printing, 3-D visualization, and plotting sample patterns. Students receive a hands-on approach to developing virtual patterns through fabric testing, using body measurements, and assembling prototypes for final design approval. Other industry skills are developed, such as creating pattern cards, cutter's musts, grading, and marker making.
Prerequisites
FASH 2001/2014/2016/2020/2022/2024/2901
|
Class Number
1514
|
Credits
3
|
Department
Fashion Design
Area of Study
Digital Imaging, Gender and Sexuality, Art and Science
Location
Sullivan Center 705, MacLean 917
|
| Fashion Construction III |
3001 (001) |
Aubrie J. Meyer |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
As a project-based course, Fashion Construction III introduces the intermediate construction principles for pants and jackets. Tailoring, cut-and-sew knitwear, and creative draping techniques used on a variety of body types, and gender expressions are explored. The principles of proportion, balance, and fit as required for the achievement of well-made garments will also be studied. Pre req: minimum two Fashion construction classes: FASH 2001, FASH 2003, FASH 2020, FASH2022 or FASH2024
Prerequisites
Student must have completed either FASH 2900 or FASH 2003
|
Class Number
1521
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 705
|
| Fashion Construction III |
3001 (002) |
|
Tues, Tues
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM
In Person
|
|
Description
As a project-based course, Fashion Construction III introduces the intermediate construction principles for pants and jackets. Tailoring, cut-and-sew knitwear, and creative draping techniques used on a variety of body types, and gender expressions are explored. The principles of proportion, balance, and fit as required for the achievement of well-made garments will also be studied. Pre req: minimum two Fashion construction classes: FASH 2001, FASH 2003, FASH 2020, FASH2022 or FASH2024
Prerequisites
Student must have completed either FASH 2900 or FASH 2003
|
Class Number
1522
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 706, Sullivan Center 703
|
| Fashion Construction III |
3001 (003) |
Aubrie J. Meyer |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
As a project-based course, Fashion Construction III introduces the intermediate construction principles for pants and jackets. Tailoring, cut-and-sew knitwear, and creative draping techniques used on a variety of body types, and gender expressions are explored. The principles of proportion, balance, and fit as required for the achievement of well-made garments will also be studied. Pre req: minimum two Fashion construction classes: FASH 2001, FASH 2003, FASH 2020, FASH2022 or FASH2024
Prerequisites
Student must have completed either FASH 2900 or FASH 2003
|
Class Number
1524
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 704
|
| Fashion Design III |
3002 (001) |
|
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
As a project-based course, Fashion Design III teaches primary and secondary topical research, and in the context of a historical and cultural framework, students establish their personal point-of-view in fashion. Students will create in-depth research journals and develop a personal visualization style. Students will learn expansive fabric manipulations that lead to distinct styling and collection development to support capsule collection (three looks) development in intermediate studio. Particular attention is given to the use of color, texture, patterns, and design refinement.
Pre req: Student must have completed FASH 2900 or receive instructor permission. Instructor permission will be granted with the completion of any 2 of the following Fashion Design classes: FASH 2002, 2005, 2006, 2010, 2016, 2018, 2023, 3005, 3016, 3033. For Summer 2024, this includes a portfolio review as well.
Prerequisites
FASH 2900 or Instructor Permission
|
Class Number
1526
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 704
|
| Fashion Design III |
3002 (002) |
Caroline Marie Bellios |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
As a project-based course, Fashion Design III teaches primary and secondary topical research, and in the context of a historical and cultural framework, students establish their personal point-of-view in fashion. Students will create in-depth research journals and develop a personal visualization style. Students will learn expansive fabric manipulations that lead to distinct styling and collection development to support capsule collection (three looks) development in intermediate studio. Particular attention is given to the use of color, texture, patterns, and design refinement.
Pre req: Student must have completed FASH 2900 or receive instructor permission. Instructor permission will be granted with the completion of any 2 of the following Fashion Design classes: FASH 2002, 2005, 2006, 2010, 2016, 2018, 2023, 3005, 3016, 3033. For Summer 2024, this includes a portfolio review as well.
Prerequisites
FASH 2900 or Instructor Permission
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Class Number
1523
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Credits
3
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Department
Fashion Design
Location
Sullivan Center 705
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| Fashion Design III |
3002 (003) |
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Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM
In Person
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Description
As a project-based course, Fashion Design III teaches primary and secondary topical research, and in the context of a historical and cultural framework, students establish their personal point-of-view in fashion. Students will create in-depth research journals and develop a personal visualization style. Students will learn expansive fabric manipulations that lead to distinct styling and collection development to support capsule collection (three looks) development in intermediate studio. Particular attention is given to the use of color, texture, patterns, and design refinement.
Pre req: Student must have completed FASH 2900 or receive instructor permission. Instructor permission will be granted with the completion of any 2 of the following Fashion Design classes: FASH 2002, 2005, 2006, 2010, 2016, 2018, 2023, 3005, 3016, 3033. For Summer 2024, this includes a portfolio review as well.
Prerequisites
FASH 2900 or Instructor Permission
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Class Number
1525
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Credits
3
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Department
Fashion Design
Area of Study
Sustainable Design
Location
Sullivan Center 706, Sullivan Center 703
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