Painting Practice |
2001 (001) |
Peter Jorge Fagundo |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1877
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
Painting Practice |
2001 (002) |
Andrew Falkowski |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1878
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
Painting Practice |
2001 (004) |
|
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1880
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
Painting Practice |
2001 (005) |
|
Tues
9:00 AM - 3:00 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1881
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
Painting Practice |
2001 (007) |
Sheridan Gustin |
Tues
3:30 PM - 9:15 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1883
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
Painting Practice |
2001 (009) |
Dan Devening |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
2035
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
Painting Practice |
2001 (010) |
Robert Burnier |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
2036
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
Painting Practice |
2001 (011) |
Alexis de Chaunac |
Thurs
3:30 PM - 9:15 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
2156
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
Painting Practice |
2001 (012) |
Josiah Ellner, Sebastian Thomas |
Thurs
3:30 PM - 9:15 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
2157
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
Painting Practice |
2001 (012) |
Josiah Ellner, Sebastian Thomas |
Thurs
3:30 PM - 9:15 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
2157
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
Painting Practice |
2001 (013) |
|
Fri
9:00 AM - 3:00 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
2158
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
Comics |
2002 (001) |
Sara Varon |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1890
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 306
|
Comics |
2002 (002) |
Johnny Sampson |
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1891
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 306
|
Comics |
2002 (003) |
MJ Lounsberry |
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1892
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 308
|
Comics:Drawing Outside The Boxes |
2002 (004) |
Jeffrey David Brown |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
It can be easy for students to become so focused on the final product of art making that they lose sight of the importance of process. To that end, this studio class aims to encourage students to play and experiment within the medium of comics, creating projects with methods they wouldn?t normally use, and avoiding the urge to fall back on their usual or expected ways of working. Students will not need to worry about making a great piece of art, and instead can learn more about their own art practice and what does or doesn?t work for them. This class will look at a variety of artists, genres, and forms in the comics medium. The types of comics investigated may include everything from traditional superhero genre comics, to handmade art comics, graphic novels, abstract comics, newspaper gag comics, and even content that may or may not be considered comics, depending on how one defines ?comics.? Students will also be encouraged to share their favorite comics or whatever they?re currently reading, and to look into books and comics they aren?t familiar with. After casual critiquing of the previous week?s work, each class begins a new project or exercise that starts with a prompt or general parameters, which students use as starting points to follow in whatever direction interests them.
|
Class Number
1893
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 306
|
Comics |
2002 (005) |
Cecilia Beaven |
Tues
3:30 PM - 9:15 PM
In Person
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1894
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 306
|
Comics |
2002 (006) |
Bianca Xunise |
Tues
3:30 PM - 9:15 PM
In Person
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1895
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 308
|
Comics: Remote |
2002 (007) |
Aaron Renier |
Tues
6:45 PM - 9:30 PM
All Online
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1896
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
Online
|
Comics: Autobiography |
2002 (008) |
Anya Pauline Davidson |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
This course explores nonfiction narratives told in the first person. Students will read and discuss examples of memoir, personal essay, journalism, and diary comics, as well as more experimental formats. Truth, point of view, and ethics will be examined, particularly in how they work along with storytelling, tone, style, and other formal aspects of comics. The work created by the students will vary broadly based on their interests and personalities, with the general goal of self-examination. Readings and guest artists will vary each semester. Selected readings include graphic novels and mini-comics that have been published recently by both large publishers and self-published by individual cartoonists. Skype visits allow students to ask questions of comics artists, critics, publishers, and distributors. Past guests have included artists Julia Wertz, Carta Monir, Summer Pierre, and John Porcellino, Lauren Weinstein, critic Rob Clough, and publisher Raighne of 2dcloud. Some additional artists that I often introduce are Gabrielle Bell, Vanessa Davis, Lisa Hanawalt, Sarah Gliddens, Karl Stevens, Kevin Budnik, Roz Chast, Cara Bean, and Liana Finck. Students will reproduce 16 copies of a 24 or more page comic, which will be distributed to the class during the final critique. They will complete one or more pages each week, which will be critiqued and discussed throughout the whole semester. Students will read several books and online comics, which will be discussed in class.
|
Class Number
2028
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 306
|
Comics |
2002 (009) |
Marnie Galloway |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
2043
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 308
|
Comics of the Fantastic |
2002 (010) |
Anya Pauline Davidson |
Thurs
3:30 PM - 9:15 PM
In Person
|
Description
Horror, Science Fiction and Fantasy comics began as popular entertainment, intended to sell units on newsstands with lurid cover art and shocking story titles, but artists have always used the genres to investigate such complex topics as identity, illness and the body, and to lay bare the structural forces behind racism, sexism and political oppression. Students will read some classic works as well as a handful of contemporary pieces that use genre as a jumping-off point. Throughout the class, they will make a number of short comics that investigate contemporary life through the lens of the fantastic, to be collected and presented in the form of a printed zine.
|
Class Number
2148
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 306
|
Comics |
2002 (011) |
Sara Varon |
Sat
10:00 AM - 4:00 PM
In Person
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
2149
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 308
|
Comics:Advanced |
2002 (012) |
Jeremy R Tinder |
Sat
10:00 AM - 4:00 PM
In Person
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
2150
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 306
|
Comics |
2002 (013) |
Sam Sharpe |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
2151
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 306
|
Color |
2003 (001) |
Steven Husby |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
This studio course will provide a hands-on introduction to the fundamental understanding and use of color. Students will gain practical experience working with material color in order to improve their understanding of how color works. Assignments will be introduced in class to help students develop a working knowledge of the basic concepts of hue, value, and chroma, and the relationship between these concepts and those of color harmony and organization. By working with color in context students will gain a practical understanding of color interaction and develop strategies for approaching color with greater sophistication and specificity in their own practice. In addition to our investigations with color in the classroom, this course will examine the ways in which artists and scholars have worked with color art historically as a medium of expression, and thought about color scientifically as an index of an underlying natural order, as well as culturally as a system of signs reflecting our biases back to us to be interpreted. Reliable perceptual phenomena like simultaneous contrast and afterimages will be considered alongside more unstable notions like synesthesia and color music, as well as the complicated history of thinking about color as evidence of that which is ?other.? Course work will include exercises to help students develop their approach to color, and a final project in which they put their understanding to work.
|
Class Number
1897
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Graphic Design, Illustration
Location
280 Building Rm 308
|
Color |
2003 (002) |
Sam Jaffe |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This studio course will provide a hands-on introduction to the fundamental understanding and use of color. Students will gain practical experience working with material color in order to improve their understanding of how color works. Assignments will be introduced in class to help students develop a working knowledge of the basic concepts of hue, value, and chroma, and the relationship between these concepts and those of color harmony and organization. By working with color in context students will gain a practical understanding of color interaction and develop strategies for approaching color with greater sophistication and specificity in their own practice. In addition to our investigations with color in the classroom, this course will examine the ways in which artists and scholars have worked with color art historically as a medium of expression, and thought about color scientifically as an index of an underlying natural order, as well as culturally as a system of signs reflecting our biases back to us to be interpreted. Reliable perceptual phenomena like simultaneous contrast and afterimages will be considered alongside more unstable notions like synesthesia and color music, as well as the complicated history of thinking about color as evidence of that which is ?other.? Course work will include exercises to help students develop their approach to color, and a final project in which they put their understanding to work.
|
Class Number
1898
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Graphic Design, Illustration
Location
280 Building Rm 308
|
Watercolor |
2010 (001) |
George Liebert |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
This course explores the materials and methods used in watercolor painting. Included are dry and wet paper techniques, resist processes, and experimental techniques.
|
Class Number
1836
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 308
|
Figure Drawing: Multi-Level |
2030 (001) |
|
Mon
9:00 AM - 3:00 PM
In Person
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1837
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 124
|
Figure Drawing: Multi-Level |
2030 (002) |
Don Southard |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1838
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 315
|
Figure Drawing: Multi-Level |
2030 (003) |
Sheridan Gustin |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1839
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 320
|
Figure Drawing: Multi-Level |
2030 (004) |
Lindsey Kircher |
Tues
3:30 PM - 9:15 PM
In Person
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1840
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 124
|
Figure Drawing: Multi-Level |
2030 (005) |
Larissa Setareh Borteh |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1841
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 315
|
Figure Drawing: Multi-Level |
2030 (006) |
George Liebert |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1842
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 124
|
Figure Drawing: Multi-Level |
2030 (007) |
Dylan Rabe |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1843
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 320
|
Figure Drawing: Multi-Level |
2030 (008) |
Amanda Joy Calobrisi |
Thurs
3:30 PM - 9:15 PM
In Person
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1844
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 124
|
Figure Drawing: Multi-Level |
2030 (009) |
|
Thurs
3:30 PM - 9:15 PM
In Person
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1845
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 315
|
Figure Drawing: Multi-Level |
2030 (010) |
MJ Lounsberry |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1846
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 315
|
Figure Drawing: Large Format |
2030 (011) |
MaryLou Zelazny |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
Are you curious about creating figure drawings life size or larger? This multi-level studio will introduce you to the exciting challenge of drawing the human form from observation on large supports while learning about drawing techniques spanning the pre-modern era into the present day. Students working with figurative subjects will be able to experiment with scale changes on 3? x 6? paper. Students who want to work even larger are encouraged. Formal points of departure are presented clearly through daily morning lectures and demonstrations, using a full array of examples from art history, contemporary art as well as frequent museum visits. The class exercises begin with quick monochromatic sketches and progress to full color extended studies. There is one final project assignment. The majority of the required work is completed during class time. The large format allows students of all abilities to make significant improvements quickly.
|
Class Number
2153
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 315
|
Fig Draw:Anatomy |
2030 (012) |
Melinda Whitmore |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
This course is designed to enlighten and empower the student?s knowledge of basic anatomy in skeletal and superficial musculature forms and to apply it in a drawing context with confidence and fidelity. Not only will the student become better familiarized with anatomical structures through class lectures and life drawing sessions, but a greater understanding of the dynamics of form and movement in space will be achieved through practice and repetition of procedures learned throughout the course.
|
Class Number
2154
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 124
|
Fig Draw:Adv:Anatomical Ecorche |
2031 (001) |
Melinda Whitmore |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
Ecorche (ay-kor-shay) is a French word meanining 'flayed' or 'skinned', but to figurative artists it also refers to any representation of the figure that describes what lies under the skin. In this course, we will be exploring anatomy through the production of a three-dimensional ecorche - where students will use additive and subtractive sculptural practices to create a 1/3 life-sized sculpture representing half skeletal structure and half musculature form. Lectures and materials will focus on specific areas of the body.
Prerequisites
Prerequisite: PTDW 2030.
|
Class Number
1885
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 124
|