Summer Institute: Alternative Comics and Graphic Novels |
Early College Program Summer Institute |
413 (001) |
Summer 2025 |
Description
Investigate visual storytelling strategies through the contemporary art forms of alternative comics and graphic novels. This course introduces a variety of illustrative approaches, such as writing, storyboarding, penciling, inking/coloring, and prepress preparations with a diverse exploration of materials including pencil, pen, ink, and collage. Building on this foundation, students learn research methods to develop ideas and produce conceptually-driven, portfolio-quality works through projects that examine narrative structures, material choices, and the integration of text and image. Students are introduced to contemporary artists, illustrators, and designers that transcend the traditional approaches of comics and graphic novels to generate their own audiences. Regular critiques and field trips to the Art Institute of Chicago, Museum of Contemporary Art, and/or local galleries and comic shops supplement the studio experience.
*NOTE* Previous drawing experience required. SAIC provides basic equipment, but students are encouraged to bring their own digital camera, tablet, and/or laptop for homework and after-studio hours projects.
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Class Number
1027
Credits
2
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Summer Institute: Alternative Comics and Graphic Novels |
Early College Program Summer Institute |
413 (002) |
Summer 2025 |
Description
Investigate visual storytelling strategies through the contemporary art forms of alternative comics and graphic novels. This course introduces a variety of illustrative approaches, such as writing, storyboarding, penciling, inking/coloring, and prepress preparations with a diverse exploration of materials including pencil, pen, ink, and collage. Building on this foundation, students learn research methods to develop ideas and produce conceptually-driven, portfolio-quality works through projects that examine narrative structures, material choices, and the integration of text and image. Students are introduced to contemporary artists, illustrators, and designers that transcend the traditional approaches of comics and graphic novels to generate their own audiences. Regular critiques and field trips to the Art Institute of Chicago, Museum of Contemporary Art, and/or local galleries and comic shops supplement the studio experience.
*NOTE* Previous drawing experience required. SAIC provides basic equipment, but students are encouraged to bring their own digital camera, tablet, and/or laptop for homework and after-studio hours projects.
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Class Number
1030
Credits
2
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Comics: The Mechanics of Visual Storytelling |
Painting and Drawing |
2002 (009) |
Fall 2025 |
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
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Class Number
1709
Credits
3
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Comics |
Painting and Drawing |
2002 (011) |
Fall 2025 |
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
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Class Number
1728
Credits
3
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Comics |
Painting and Drawing |
2002 (013) |
Spring 2025 |
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
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Class Number
1662
Credits
3
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