A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Amanda Joy Calobrisi

Lecturer

Bio

Education: MFA, 2008, School of the Art Institute of Chicago, Post-Bac, 2005, School of the Museum of Fine Arts of Boston, BA, 2002, University of Massachusetts, Boston. Exhibitions: Western Exhibitions, Chicago, IL: The Loo, Chicago, IL; Serious Topics, Inglewood, CA; Roots and Culture, Chicago, IL; Field Projects, New York, NY; Night Light Studios, Chicago,IL; MiM Gallery, Los Angeles, CA, Co Prosperity Sphere, Chicago, Il, Whitdel Arts, Detroit, MI; Fundación del Centro Cultural del México Contemporáneo, Mexico City, Mexico; Onishi Civic Center Hall, Fujioka, Japan; Naomi Fine Arts, Chicago, IL; Unspeakable Projects, San Francisco, CA; and S & S project, Chicago.  Her work has been published in New American Paintings and Cheap and Plastique Magazine.

Personal Statement

Amanda Joy Calobrisi tells strange and sensuous tales of womanhood. The figures that inhabit her canvases ponder the theatrics of sex—and death—in worlds less dangerous and more revealing than our own. Rendered affectionately rather than objectively, the women fold, bend, lean, and stretch in painted spaces that hover between boudoir and landscape. Individualism and agency mold their realm where self-love and self-admiration are no longer private revolutions. ­­­

Courses

Title Department Catalog Term

Description

Students will focus on the proportional relationships of the human head and face to achieve naturalistic resemblance in their drawings. Instruction in the use of line, shape, light, and shadow will be explored to achieve believable volumetric form. Black and white as well as color materials will be investigated. A model will be present during each class session and a variety of drawing approaches will be demonstrated. Discussion and presentations on contemporary portraiture and group and individual reviews of work are also included.

Class Number

2342

Credits

1

Description

Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.

Class Number

1689

Credits

3

Description

Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.

Class Number

1593

Credits

3

Description

This studio drawing course explores how narrative operates in the history and traditions of figure painting. The class incorporates a range of methods; visits to the museum and galleries; introduce written material into drawn images; and analyze forms of narrative, including short film, graphic novels, abstraction, and sculpture. Sessions will focus on how mood, color, light and the passing of time influence how we read and produce a narrative image.

Class Number

1697

Credits

3