The Art of Rational Thinking |
3121 (001) |
Luna Jaskowiak |
Monday through Friday
12:15 PM - 3:00 PM
In Person
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Description
What does it mean to think well? In this course we will explore classical logic from a modern formal point of view as a prerequisite for investigating this question. Topics covered will include propositional logic, truth tables, validity and soundness of arguments, inductive vs. deductive logical systems. There will be significant emphasis on natural deduction as a type of game that features its own particular set of permissible moves?much like chess or checkers. This is not a course focused on rhetoric or debate, but rather on the experimental creative process of constructing logically sound arguments and the way in which abstract information can be organized visually. In our exploration of these subjects, collaborative learning techniques will be utilized extensively. This will include in-class group work, regular homework assignments, a two-stage collaborative midterm. The final will be a self-directed project. A familiarity with any kind of mathematics, such as a high-school-level understanding of algebra, would be helpful, but it is not required.
Prerequisites
Prerequisite: First Year English requirement.
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Class Number
1030
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Credits
3
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Department
Liberal Arts
Location
MacLean 112
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America's Musical Roots |
3234 (001) |
Allie n Steve Mullen |
Monday through Friday
12:15 PM - 3:00 PM
All Online
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Description
This course examines the unique role that music has played in the cultural development of the United States, taking a critical look at the historical and geographical context for the development of American musical styles, including the role of slavery. We will critically engage the role that 19th Century blackface and minstrelsy played in providing the framework for both the foundations of the popular culture industry, and the conditions that resulted in the construction of cultural 'blackness.' We will examine the various regional styles of music that have developed in the United States, including the blues, ragtime, spirituals, country, jazz, bluegrass, and folk music, noting the manner in which style and gesture is traded back and forth. We will identify the musical characteristics of the primary styles of early American music, what distinguishes each, and trace their evolution to the music we listen to today. By spotting the way a note is bent or how the backbeat is played, we will map the route from the churches of the early frontier to the songs of Kendrick Lamar. Assignments may include weekly readings, approximately 3 short papers, one term paper, a final exam, and an in-class presentation, presented either alone or in a small group.
Prerequisites
Prerequisite: First Year English requirement.
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Class Number
1060
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Credits
3
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Department
Liberal Arts
Location
Online
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Physics of Motion |
3252 (001) |
Elizabeth Freeland |
Monday through Friday
12:15 PM - 3:00 PM
All Online
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Description
This class provides a basic introduction to the conceptual and quantitative framework necessary to understand the physics of the dynamical world around us. Some questions we address are: What do we need to know to describe motion? How do we model the movement of objects (kinematics)? What makes an object move (interactions, dynamics)? What different ways do we have to think about motion (forces, energy)?
Reviewing skills in algebra as we go, we cover Newton's laws of motion and the analysis of physical systems in terms of forces and energy. We study the motion of objects on surfaces and those moving through the air. We take an introductory look at the forces of gravity and surface forces like friction and the so-called normal force. Some time will be spent studying the lack of motion, or static equilibrium. Laboratory and problem solving explorations help us develop important physical concepts and scientific reasoning skills. Applications are drawn from everyday phenomena as well as topics in architecture and design.
Assignments include weekly homework, in-class problem solving and lab activities, two to three exams, and a short final project on a topic of the student's choosing.
Prerequisites
Prerequisite: First Year English requirement.
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Class Number
1061
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Credits
3
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Department
Liberal Arts
Location
Online
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Top: Philosophy through Cinema |
3330 (001) |
David B. Johnson |
Monday through Friday
12:15 PM - 3:00 PM
In Person
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Description
A film is a composition of moving images and (usually) sounds that constructs a world, a world typically pervaded by some sort of tension or problem. A film can be said to imagine this tense or problematic world, to think through it, and to offer it to us, its spectators, to imagine and to think through as well. Often, the worlds and problems imagined in cinema are philosophically rich: they present metaphysical paradoxes, ethical dilemmas, existential conundrums, socio-political impasses, and aesthetic provocations. In such cases, to imagine and think through a cinematic world entails a kind of cross-pollination of philosophy and film, in which we approach film philosophically and philosophy cinematically. In this course we pursue this bi-directional approach to cinema and philosophy, exploring the ways in which philosophical concepts and arguments clarify and deepen our understanding of films and the ways in which films think through and give a kind of sensuous flesh to philosophical problems. We will read excerpts from several philosophical texts covering topics in film aesthetics, metaphysics, ethics, and political philosophy, including Susanne Langer¿s ¿A Note on the Film,¿ Bertrand Russell¿s The Problems of Philosophy, Friedrich Nietzsche¿s ¿On Truth and Lie in an Extra-Moral Sense,¿ Robert Nozick¿s Philosophical Explanations, Simone Weil¿s ¿The Iliad, or the Poem of Force,¿ and Erich Fromm¿s On Disobedience. We will watch ten films drawn from across film history and around the world, including Agnès Varda¿s Cléo from 5 to 7, Duncan Jones¿s Moon, Akira Kurosawa¿s Rashomon, Steve McQueen¿s Lovers Rock, Lucrecia Martel¿s Zama, Mathieu Kassovitz¿s Hate, Abbas Kiarostami¿s Where Is the Friend¿s House?, the Coen brothers¿ No Country for Old Men, Spike Lee¿s Do the Right Thing, and Michel Gondry¿s Eternal Sunshine of the Spotless Mind. You will be required to watch most of these movies outside of class, but in two or three instances we will have in-class screenings. Coursework will include short Canvas Discussion Board posts, one in-class presentation, and a final paper.
Prerequisites
Prerequisite: First Year English requirement.
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Class Number
1020
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Credits
3
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Department
Liberal Arts
Location
MacLean 920
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NATURAL HISTORY |
3520 (001) |
Dianne Jedlicka |
Monday through Friday
8:30 AM - 11:15 AM
All Online
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Description
This course is an introduction to the principles of ecology, emphasizing detailed field investigations of natural communities. Natural History studies allow for many aspects of knowledge to be applied to the understanding of a Biological concept. Among the topics explored are the dynamics of lake ecosystems, forest succession, trophic structure in streams, dune ecology, and territorial behavior in breeding birds and mammals. Lecture/Discussions examine major themes in modern ecology, including energy flow, nutrient cycling, and species diversity. Selections from nineteenth- and twentieth-century American naturalists (Thoreau, Muir, Burroughs, and Leopold) provide perspective on the relationship of humanity to nature. Global warming and pollution dynamics are explored. Lab activities at the Field Museum of Natural History, Lincoln Park Zoo, and the Shedd Aquarium strengthen the understanding of these concepts.
Prerequisites
Prerequisite: First Year English requirement.
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Class Number
1031
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Credits
3
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Department
Liberal Arts
Location
Online
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HS:History of Radio |
3520 (001) |
Emily C. Hoyler |
Monday through Friday
12:15 PM - 3:00 PM
All Online
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Description
Since the early twentieth century, radio technology has shaped innovations in communication, news, and entertainment. This powerful medium has driven political influences, established cultural trends, generated communal listenership, and diminished spatial boundaries for the dissemination of information. Radio served as a precursor for later forms of mass media such as television, the Internet, and podcasts. This course will address the history, theory, and aesthetics of radio transmission in Europe and North America. Through lectures, discussion, listening, reading, and writing, students will explore radio?s influence on social habits, political dynamics, and artistic expression.
Prerequisites
Prerequisite: First Year English requirement.
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Class Number
1033
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Credits
3
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Department
Liberal Arts
Location
Online
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Psychology Of Art And The Artist |
3715 (001) |
James Driscoll |
Monday through Friday
8:30 AM - 11:15 AM
In Person
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Description
An exploration of historical and contemporary psychological approaches to understanding art, artists, and the art world.
Prerequisites
Prerequisite: First Year English requirement.
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Class Number
1063
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Credits
3
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Department
Liberal Arts
Location
Lakeview - 202
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