Undergraduate Overview

Art History is a central part of all students’ education at the School of the Art Institute of Chicago (SAIC). The Department of Art History, Theory, and Criticism offers courses that examine how current and future practices are informed by the histories and theories of art. 

From comprehensive surveys of modern and contemporary art at the introductory level to advanced undergraduate seminars, all courses prepare students to speak, write, and think about art and design. Classes address art of all media, design and architecture, visual and material cultures, and contemporary theories of art and culture. The international networks for contemporary art are an important part of the course offerings, and we offer a wide range of classes in Asian, African, Latin American, European, and North American Art.

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Contemporary Practices Requirements

All Contemporary Practices students and transfer students must complete: ARTHI 1001, World Cultures and Civilizations: Pre-History-Nineteenth Century, and one other 1000-level Introductory Survey of Modern and Contemporary Art History course before taking more advanced courses within the department.

Bachelor of Arts in Art History

The BA in Art History draws on the depth and diversity of offerings in the scholarly study of art practices that only a major art school connected with a world-class museum can offer. Substantial coursework in Art History, supported by additional coursework in Liberal Arts and in studio departments define the course of study. In their first year, students complete the studio-intensive Contemporary Practices program and introductory Art History surveys as a foundation for beginning their advanced Art History coursework in their second year. In addition to a sequence of research, theory, and methods courses, BA in Art History students choose two (out of three possible) geographic-area pathways on which to focus (with at least three courses in each area).

The degree culminates in the fourth year with a significant research project written in the two-semester senior research methods capstone seminar. In addition to external applicants and transfer students, interested SAIC students from other degree programs may apply for admittance to the BA in Art History program, usually before the beginning of their junior year. Please refer to the BAAH Credit Worksheet.

 

  • To apply to the School of the Art Institute of Chicago (SAIC), you will need to fill out an application and submit your transcripts and letters of recommendation. And most importantly, we require a portfolio of your best and most recent work—work that will give us a sense of you, your interests, and your willingness to explore, experiment, and think beyond technical art, design, and writing skills.

     In order to apply, we must have the following items:

    • Online application
    • Artist’s Statement
    • Transcripts
    • Letter of Recommendation
    • Portfolio
    • Test Scores

    The BA in Art History program has a special application procedure for both external and internal candidates. All applicants must supply a writing sample (see below) to be considered.

    Incoming First-Year Students

    The application for incoming first-year students requires a five- to seven-page (1,250–1,750 words) writing sample, TOEFL scores when required (min. 96), letter of recommendation, a high school transcript (min unweighted GPA 3.0), a portfolio of five to 10 pieces of visual work, and a personal statement.

    For their first year, BA in Art History students take primarily studio courses as part of the year-long Contemporary Practices program. These courses provide students with foundations in art practice and visual thinking that grounds advanced-level coursework in Art History, which begins in the sophomore year. 

    Transfer Students

    The application for incoming transfer students requires a five- to seven-page (1,250–1,750 words) writing sample, TOEFL scores when required (min. 96), letter of recommendation, transcript of courses taken at other institutions (min. unweighted GPA 3.0), a portfolio of five to 10 pieces of visual work, and a personal statement. Transfer applicants are considered individually with regard to the acceptance of previous credit and studio requirements.

    A minimum of 66 credit hours are required in residence at SAIC, so most transfer students will apply before their junior year. On admittance, transfer students may petition for Contemporary Practices studio courses to be substituted with other coursework. Most transfer students, however, will take at minimum the core and research studio courses designed for transfers by the Contemporary Practices department. 

    SAIC Students from Other Degree Programs

    Internal applicants are also required to submit a writing sample five- to seven-page (1,250–1,750 words) writing sample, a personal statement, and a transcript of courses at SAIC in order to be considered for a degree change to the BA in Art History. In some cases, an interview may be required.

    Because the BA in Art History is substantially different in its credit makeup than other programs at SAIC, most students will have applied for an internal transfer before the end of their sophomore year. Only in exceptional cases will junior-level students be considered for internal transfer.

    Internal transfer applicants must submit a single PDF document with contact information, student ID number, personal statement, transcript of courses transferred into and taken at SAIC, and writing sample with illustrations. Unofficial transcripts from the registrar or academic advising are acceptable and should include all courses taken at SAIC as well as those transferred from other institutions. Screen shots or other lists will not be accepted. The transcript should be incorporated into your single application PDF after your cover page with identification, personal statement, and writing sample. This should be sent to the Department of Art History, Theory, and Criticism’s Undergraduate Coordinator (jlee241@saic.edu).

    Writing Sample

    The writing sample is one of the most important parts of the application and should demonstrate applicants' ability to express their ideas and knowledge in written form. Successful writing samples will demonstrate clarity of argument, facility with written language and grammar, and an ability to incorporate and cite research materials. Any expository essay that incorporates research will be considered, and a writing sample in art history is not required (though it is encouraged, especially for transfer applicants). Writing samples should be five to seven pages in length (1,250–1,750 words) for incoming first-year applicants and transfers at the freshman or sophomore level. Any student who wishes to apply for transfer into the BA in Art History program at the level of junior should submit a writing sample of at least seven to 10 pages (1,750–2,500 words). Relevant illustrations and bibliography should be included with the text but are not considered when calculating page limits.

    Personal Statement

    The personal statement is a short statement (around a page) explaining your curiosities, interests, and plans (in intellectual and/or career terms) and why you think the BAAH program would be a good fit for you.

    Portfolio

    External students must include a visual portfolio as part of their application. In addition to the writing sample, five to 10 pieces of your best and most recent work must be submitted as part of the portfolio. This collection should reflect your interests, skills, and willingness to explore, experiment, and express yourself.

    The BA in Art History program incorporates studio practice as essential knowledge for work in art history, and all BA in Art History students take studio classes while at SAIC. Because the first-year studio foundations experience is shared with all SAIC BFA students, incoming applicants should expect to be immersed in visual and creative practices. While the writing sample and transcript are the most important parts of a BA in Art History application, applicants should use the portfolio to demonstrate their facility with visual making. In addition to conventional studio and design work, students may also submit alternative creative practices (for instance, video blogging, website design, or online curation). Transfer applicants with little experience in studio or design practices are encouraged to consider these alternatives. Questions about what can be part of the visual portfolio should be addressed to the Admissions office.

    The Admissions office at the School of the Art Institute of Chicago (SAIC) is dedicated to assisting you and your family through every step of the college selection process. We are interested in getting to know you—your work, your expectations for college, and your ambitions for the future. We seek students who wish to immerse themselves in an intense interdisciplinary environment, and we hope to challenge the very notion of what art means to you and to our society. SAIC provides a sophisticated education that hones your unique abilities as a contemporary thinker and maker in a global community.

  • Studio18
    • CP 1010 Core Studio Practice I (3)
    • CP 1011 Core Studio Practice II (3)
    • CP 1020 Research Studio I (3)
    • CP 1022 Research Studio II (3)
    • Studio electives (6)
    Art History, Theory, and Criticism51
    • Foundations
      • ARTHI 1001 Introduction to Art History: Ancient to Modern (3)
      • ARTHI 1002+ Any Introduction to Art History: Modern and Contemporary (3)
    • Research, Theory, and Methods
      • SOPHSEM 2900 Sophomore Seminar in Art History (3)
      • PROFPRAC 3900 Art History Junior Proseminar * (3)
      • ARTHI 4899 Art History Research Methods I: Thesis Methodology Seminar (3)
      • CAPSTONE 4900 Art History Research Methods II: Thesis Writing Seminar (3)
      • Completion of written thesis
    • Area Pathways *
      Two complete 9 credit hour (3 courses) sequences from three possible areas of focus:
                1. Asia
                2. Europe and America
                3. Southern Continents (Africa and Latin America)
      • Area Pathway I
        ARTHI 2000-level survey (3)
        ARTHI 3000-level intermediate course (3)
        ARTHI 4000-level advanced course (3)
      • Pathway II
        ARTHI 2000-level survey (3)
        ARTHI 3000-level intermediate course (3)
        ARTHI 4000-level advanced course (3)
    • Additional courses
      • Art History courses in pre-modern topics, ARTHI 2000-4000 level* (6)
      • Intermediate or Advanced Courses, ARTHI 3000-4000 level (9)

    PROFPRAC and CAPSTONE are now required for new incoming students beginning in the 2015-16 academic year.

    * A list of courses that fulfill this requirement is supplied by the Department. Each semester, the Department offers two smaller seminar-style courses focused on the application of research methods. These can be in any topic, but professors focus on the practice of research and writing with students in this smaller setting.

    BA in Art History students must take at least one of these courses in their Junior year, which will be designated on the course schedule as ARTHI 3900/PROFPRAC 3900. Courses fulfilling the Junior Proseminar requirement cannot also be used to fulfill the Area Pathways requirements. Students may, however, take more than one Junior Proseminar in their time at SAIC, and any additional proseminars may be used to fulfill other degree requirements.

    Liberal Arts39
    • ENGLISH 1001 First Year Seminar I (3)
    • ENGLISH 1005 First Year Seminar II (3)
    • Humanities (6)
    • World History (6)
    • Social Science (6)
    • Natural Science (6)
    • Foreign Language (6)
    • Liberal Arts Electives (3)
    General Electives12
    • Advanced elective courses (2000–4000 level), any department

    In addition to courses in studio, Liberal Arts, of Art History, other opportunities such as internships taken through SAIC's Cooperative Education may count as electives.

    Other Requirements

    • BA in Art History students must complete at least 3 credit hours in a class designated as “off-campus study.” These credits can also fulfill any of the requirements listed above and be from any of the divisions (Art History, studio, Liberal Arts, or general electives).
    Total Credit Hours120

  • The minimum number of credits required in residence at SAIC is 66 of the total 120 credit hours. Of those 66 required residence credits, transfer students must take, at minimum, the following at SAIC.

    Art History
    • Two Area Pathways (18)
    • ARTHI Junior Proseminar (3)
    • Senior Thesis Course Sequence (ARTHI 4899 and CAPSTONE 4900) (6)
    • Intermediate or Advanced Courses, 3000-4000 level (12)
    Studio
    • Studio Electives (3)

Bachelor of Fine Arts with Art History Thesis

The Department of Art History, Theory, and Criticism newly offers SAIC BFA students the option to supplement their studio curriculum with an Art History Thesis. This BFA with Art History Thesis (BFAAHT) is not a distinct degree, but a variant of the BFA degree that students can opt into, enabling their immersion in the faculty and resources of the Art History Department's programs, including the well-known Master of Arts in Modern and Contemporary Art History (MAAH) and Dual-Degree Graduate Program in addition to our existing Bachelor of Arts in Art History (BAAH). BFAAHT students can expect to receive specialized, individual attention in intensive Art History seminars as they develop original thesis projects exploring questions and topics of their own devising. In their senior year, BFAAHT students will take the year-long Art History Senior Thesis seminar that culminates in the Undergraduate Art History Thesis Symposium.

  • Students who are interested in the BFA: Studio Art with Art History (AH) Thesis should complete the steps outlined below, ideally by the end of the spring semester of their freshman year or in fall semester of their sophomore year:

    Step 1: Student confirms with an Academic Advisor that they have at least 12 credits of Art History and/or General Electives remaining to use for the thesis sequence.

    Step 2: Student meets with the Art History, Theory, and Criticism Undergraduate Program Director by the end of their freshmen year or beginning of sophomore year.

    Step 3: Student applies to the BFA AH Thesis Program by submitting to the AH Undergrad Program Director: 1) their SAIC transcript showing at least 12 credits of Art History and/General Electives remaining; 2) a writing sample that shows the student’s research, writing, and citation ability; and 3) a brief description (1 page) of the student’s proposed thesis topic.

    Step 4: If the student is accepted into the program, they should enroll in:

    • ARTHI 2900 Sophomore Seminar in their sophomore year (3 credit hours)
    • ARTHI 3900 Junior Proseminar in their junior year (3 credit hours)
    • CAPSTONE 4899 AH Undergraduate Thesis Seminar I in fall of their senior year; as well as 4900 AH Undergraduate Thesis Seminar II in spring of their senior year (6 credit hours)    

    Step 5: Completion of thesis must be approved by both the Thesis II instructor and the AH Undergraduate Coordinator. Students are required to make a formal presentation and participate in the Undergraduate Art History Thesis Symposium in the senior year.

  • Research, Theory, and Methods: 12
    • SOPHSEM 2900 Sophomore Seminar in Art History (3)
    • PROFPRAC 3900 Art History Junior Proseminar* (3)
    • ARTHI 4899 Art History Research Methods 1: Thesis Methodology Seminar (3)
    • CAPSTONE 4900 Art History Research Methods II: Thesis Writing Seminar (3)
    • Completion of Written Thesis

Course Listing

Title Catalog Instructor Schedule

Description

Art has been many things to many people. This class introduces students to the history of art and art-like things on Earth from prehistory to ca. 1800 CE. It covers canonical examples from older scholarship alongside works and contexts emerging in recent art histories. Students will learn to perform basic art historical analysis and research, and the course will prepare them to form personal art histories, applying such art histories to their own work. The course surveys historical art in a global scope, from the beginnings of known culture to the dawn of the Industrial Revolution. It introduces students to a range of interdisciplinary frameworks for parsing the production, reception, and conceptualization of art. And it challenges students to think about the relationships between past and present, highlighting how later artists and cultures have engaged earlier art and history. There is a small amount of required reading each week-on average about 20 pages. Written work includes weekly reading responses, two in-class quizzes, an annotated bibliography project, and a take-home final exam.

Class Number

1269

Credits

3

Department

Art History, Theory, and Criticism

Location

Online

Description

This course surveys developments in nineteenth and twentieth century art and architecture. Particular emphasis is placed on theoretical and critical issues, as well as the historical, intellectual, and socioeconomic changes that are reflected or addressed in the works of artists and architects. Note: ARTHI 1001 (or its equivalent) is recommended as a prerequisite for ARTHI 1002.

Class Number

1271

Credits

3

Department

Art History, Theory, and Criticism

Location

Online

Description

This course surveys developments in nineteenth and twentieth century art and architecture. Particular emphasis is placed on theoretical and critical issues, as well as the historical, intellectual, and socioeconomic changes that are reflected or addressed in the works of artists and architects. Note: ARTHI 1001 (or its equivalent) is recommended as a prerequisite for ARTHI 1002.

Class Number

1272

Credits

3

Department

Art History, Theory, and Criticism

Location

Online

Description

This course is a comprehensive survey of the history of furniture, including relevant information on residential architecture, the decorative arts and interior design, from the Neolithic Era until the Twenty-First Century. Special attention is given to the developments that have remained most influential within furniture design today, with particular emphasis on the ancient Egyptians, Greeks and Romans, the Middle Ages and the Renaissance, the Baroque, Rococo and Neoclassical eras, revivalism in the Nineteenth Century, early Modernism in the Arts & Crafts and Art Nouveau movements, Art Deco, the Bauhaus and the International Style, Mid-Century Modernism, Late Modernism and Postmodernism. Through extensive lectures and readings, special focus in this class is devoted to the relationships between furniture and societal customs throughout history, the rise of furniture?s status as a fine art during the Baroque, Rococo and Neoclassical periods, the influence of industrialization, mass production and new technologies and materials on furniture manufacturing in the nineteenth and twentieth centuries, furniture?s role in helping to create and define architectural space within interiors of the twentieth and twenty-first centuries, and the role of individual narratives in developing unique identities and meanings for furniture throughout history. Students will complete a series of in-class exams along with a final research assignment analyzing a single object chosen from the Art Institute?s furniture collection.

Prerequisites

Prerequisite: Art History Survey Requirement

Class Number

1273

Credits

3

Department

Art History, Theory, and Criticism

Location

Online

Description

This course offers an historical survey of music as a sonic art form from the Futurists to the present day. Emphasis is placed on works that tune the performance environment, explore sound as sculpture, interact with the listener/viewer, and employ intermedia. Class discussions include topics such as basic psycho-acoustics, sound manipulation, conceptual art, installation techniques, and constructivist aesthetics.

Prerequisites

Prerequisite: Art History Survey Requirement

Class Number

1096

Credits

3

Department

Art History, Theory, and Criticism

Location

Online

Description

This course takes a hemispheric approach that unites the Ancient Americas by following the trade routes that moved materials and goods including corn, turquoise, and gold, from the Arctic to Patagonia and connected this vast expanse of land. We start in 12000 BC with the migration of people to different parts of North, South, and Central America and end in 1492 with the arrival of Europeans. Along the way, we consider a diverse range of media, including architecture, basketry, ceramics, textiles, jewelry, painting, sculpture, architecture, and earthworks from across the ancient Americas. Underscoring modes of both continuity and change, we will also survey responses from contemporary artists whose work continues through lines to ancient art made before Conquest.

Prerequisites

Prerequisite: Art History Survey Requirement

Class Number

1098

Credits

3

Department

Art History, Theory, and Criticism

Location

Online

Description

This course will begin with examples of Expressionist Cinema in the masterpieces of 1920s Germany, through to reiterations in the classic Hollywood Film Noirs of the 1940s and 1950s, followed by the reinventions of Neo-Noir and finally, the influence of these works on films throughout Europe and Asia. The class will focus on the aesthetics of Expressionism, one of the dominant art movements of the 20th century, as it appears in film, with special attention to lighting, composition and editing. Likewise, lectures and discussions will also focus on recurrent themes such as urbanization, human psychology, the impact of modernity and gender relations. Screenings and readings may vary, but typical works to be studied include: Nosferatu, Metropolis, Double Indemnity, Kiss Me Deadly, The Long Goodbye, Elevator to the Gallows and Infernal Affairs. Readings will help elucidate these screenings. Through close observation and discussion, students will develop basic skills for analyzing film. The legacy of Film Noir, tends to reappear whenever there is social chaos. Given our present world situation, these films remain as relevant today as ever. Students can expect to write two essay exams covering the assigned screenings and readings and a final research paper.

Prerequisites

Prerequisite: Art History Survey Requirement

Class Number

1284

Credits

3

Department

Art History, Theory, and Criticism

Area of Study

Art/Design and Politics, Gender and Sexuality, Economic Inequality & Class

Location

MacLean 1307

Description

Greek chitons, Elizabethan farthingales, Regency bum rolls, Victorian crinolines, Art Deco bias: the fashionable European body shape has changed era by era, the lines of the body accentuated and distorted through constrictions and protrusions. In this course, you will research those changing ideals of beauty through paintings, drawings, fashion plates, periodicals, literature, satire, and extant garments and organize your research into foundational tools to support future learning and making. Through the research you will also engage with traditional methods and techniques for creating these silhouettes; techniques and skills as essential to the student interested in historical costume design as those creating worlds of science fiction and fantasy. These investigations into changing the shape of the human body will also spark discussion around new ideas in sculpture, object design, creative motion, and the mutability of body identity. Readings from noted fashion historians and theorists Caroline Evans, Linda Baumgarten, Valerie Steele and the Fashioning the Body exhibition catalogue will be read in parallel with essays from feminist theorists and texts exploring ideas of embodiment and performativity. Remote visits with historians, reenactors, and archives such as the Newberry Library’s special collection and the Art Institute’s Textile collection will offer a rare opportunity to examine the qualities and materials of objects and garments made in a time distinct from our own. Projects throughout the course will include reference journals, illustrated glossaries, annotated bibliographies, historical sewing technique samplers, and half-scale structural garments. For final projects students will produce a research paper and a costume for a historical figure or fantastical character replicating the forms of beauty past.

Prerequisites

Co Req Forms of Beauty Past: Students must enroll in ARTHI 3098 and FASH 3098

Class Number

1099

Credits

3

Department

Art History, Theory, and Criticism

Area of Study

Gender and Sexuality, Costume Design, Economic Inequality & Class

Location

Sullivan Center 705, Sullivan Center 706

Description

This course offers a survey of the history of manga (Japanese comics) from its premodern predecessors to the present. Beginning with narrative picture scrolls in the medieval period, it will touch on forms of humor and political cartooning in the 19th and early 20th centuries, before moving onto multi-page stories, serials, and standalone books within the serially paneled comics medium. Related developments in non-Japanese comics and media like film, animation, illustration, and painting will also be considered. Among the major artists to be considered in this course are: Hokusai, Tagawa Suiho, Tezuka Osamu, Tatsumi Yoshihiro, Shirato Sanpei, Tsuge Yoshiharu, Hagio Moto, Otomo Katsuhiro, Takahashi Rumiko, and Tagame Gengoro. Students will be required to complete weekly readings, including translated manga and historical/interpretive essays, in addition to occasional reading responses, a research paper, and a final exam.

Prerequisites

Prerequisite: Art History Survey Requirement

Class Number

1274

Credits

3

Department

Art History, Theory, and Criticism

Area of Study

Books and Publishing, Comics and Graphic Novels, Illustration

Location

Online

Description

This class examines Buddhist art in India and Southeast Asia historically and conceptually from its early iconic representations to more recent works by contemporary artists who call themselves Buddhist or use Buddhist ideas in their work. We also question the use of the term 'Art' when used in a religious context.

Prerequisites

Prerequisite: Art History Survey Requirement

Class Number

1275

Credits

3

Department

Art History, Theory, and Criticism

Location

MacLean 301

Description

This course explores the expression of social imagination in modern China, from the early 20th century to the present day, through the cinematic medium. Taking a selection of representative films and film criticism particular to the mainland, the course will survey constructions of social space throughout distinct historical periods. These include the mise-en-scene of the 1930s silver screen (Wu Yonggang?' The Goddess), Maoist revolutionary representation (Jiang Qing's model opera-ballets), as well as critical portrayals of globalization in the 21st century (Jia Zhangke's The World).

Prerequisites

Prerequisite: Art History Survey Requirement

Class Number

1283

Credits

3

Department

Art History, Theory, and Criticism

Location

MacLean 608

Description

Since the early 1960s, artists have increasingly experimented with alternative methods of disseminating their ideas, using books or records, occasionally collaborating in periodicals, and other uncategorized projects. Students investigate the increasing acceptability of such activities and discuss a broad variety of publishing, from guerrilla fly-posting through mail-art magazines to the exhibition-in-a-book, including the unconventional artists' bookwork. Examining both well-known examples and obscure occurrences, the course attempts to place alternative art publishing in a contemporary context.

Prerequisites

Prerequisite: Art History Survey Requirement

Class Number

1276

Credits

3

Department

Art History, Theory, and Criticism

Location

MacLean 620

Description

Science fiction is cinema's most colorful genre, and is as old as cinema itself. This screening-and-lecture course will consider a range of classic science fiction features, from the campy to the hyper violent, the preposterous to the mystical. Frequently dismissed as formulaic, the science fiction film is in fact remarkably supple, allowing inventive directors to tweak its conventions for their own creative ends - to create existential drama, biting social satire, or simple psychological terror. Films will include Alien, The Incredible Shrinking Man, Invasion of the Body Snatchers, The Fly, and Westworld.

Prerequisites

Prerequisite: Art History Survey Requirement

Class Number

1278

Credits

3

Department

Art History, Theory, and Criticism

Location

MacLean 1307

Description

The issues of modern philosophy have been inseparable from critical aspects of social modernity, such as the issue of 'capitalism.' From the 18th Century Enlightenment and 1789 French Revolution to the social revolutions of the 19th and 20th centuries, philosophers have radically interrogated problems of consciousness and subjectivity in terms of modern society, and have been concerned with possibilities for social transformation and emancipation. This course begins with the trajectory from Rousseau and Adam Smith to Kant and Hegel, proceeding to Marx and his followers Lukacs, Korsch and Althusser, and opposing accounts of revolutionary possibilities by Heidegger, Foucault and Adorno.

Prerequisites

Prerequisite: Art History Survey Requirement

Class Number

1399

Credits

3

Department

Art History, Theory, and Criticism

Location

Online

Description

In this course we will examine the ecstasy, transgressions, and transformations that occurred largely around queer networks of artistic activity in the United States ca. 1970-99. Focusing on larger cities, New York, Los Angeles, Chicago, Detroit, and Minneapolis, we will look at an intermedial roster of often undersung or understudied painters, photographers, dancers, performers, conceptualists, fashion designers, and DJs who honed an aesthetic of excess that critiqued and opened up possibilities both within social conventions and the art world. While this class is not a history of disco, It is nonetheless rooted in the politics of the dancefloor, where friendship, movement, inclusion, and joy can become political expressions of freedom. Topics explored include glamour and celebrity as a mode of critique and celebration (Les Petit Bon Bons, the Miss General Idea Pageants, File Megazine), conceptual and performance gestures that trafficked in vernacular forms (Diana Ross translated through Julius Eastman, Arthur Russell), the voices of other voices in Lipysnka and Pinkietessa, alternative actions and spaces via performances and exhibitions in the storefront windows of Fiorucci and Mayfield Bleu, public performances by The Cockettes and The Whizz Kidz, space making with David Mancuso, Larry Levan, Frankie Knuckles, and Adrian Piper's Funk Lessons, and the politics of partying and friendship around the dance-floor. We will read excerpts and texts by and from Micah Salkind, Peter Shapiro, Deforrest Brown Jr., Giorgio Agamben, madison moore, Albert Goldman, Tim Lawrence, A.A. Bronson, Jose Esteban Munoz. Students will present on one reading or screening, do a midterm creative research project, and a final presentation with a 10 page paper.

Prerequisites

Prerequisite: Art History Survey Requirement OR Graduate Student

Class Number

1285

Credits

3

Department

Art History, Theory, and Criticism

Area of Study

Art/Design and Politics, Gender and Sexuality, Economic Inequality & Class

Location

MacLean 816

Description

This course examines images of women and the work of women artists in India, engaging with broader topics in feminist and postcolonial theory. We will investigate indigenous responses to colonial and to contemporary critiques of the female form in Indian art, discuss the agency of women artists in the twentieth century, and examine how women artists interpreted the female form. This is an advanced undergraduate course that emphasizes research and writing. Artists discussed in this class include Amrita Sher-Gil, Nilima Sheik, Shazia Sikander, Mithu Sen and Pushpamala Students will submit two 3-5page papers and one final studio project. Students will also lead discussion on one of the readings assigned in class.

Prerequisites

Prerequisite: Art History Survey Requirement OR Graduate Student

Class Number

1279

Credits

3

Department

Art History, Theory, and Criticism

Location

Online

Description

Between its incorporation in 1833 and the world's fair of 1933, Chicago was internationally the most important site for development of modern architecture. From the commercial buildings of Burnham and Root or Adler and Sullivan to the domestic architecture of Frank Lloyd Wright and the Prairie School, Chicago was on the 'cutting edge.' This architectural 'century of progress' is explored through field trips and on-site lectures. Chicago and its suburbs are the class's 'museum.'

Prerequisites

Prerequisite: Art History Survey Requirement OR Graduate Student

Class Number

1289

Credits

3

Department

Art History, Theory, and Criticism

Location

Lakeview - 205

Description

This team taught 3 week summer intensive course examines the unique lives, art and garments which have contributed to fashion theory and practices of the past 200 years. Topics introduce style innovators and creators of dress and menswear, relating fashion to cultural influences, subcultures, sculpture, performance art, dance, textiles, interior design, merchandising, journalism and creative writing. Roundtable readings will generate daily discussion while weekly collaborative research projects will lead to group presentations and individually-written essays. Visits to museum exhibitions and studios will inspire responses. For 3 hours daily M-F for 3 weeks, students with diverse interests can gain knowledge of fashion arts history and contemporary fashion practices while strengthening skills in research, speaking and writing.

Prerequisites

Prerequisite: Art History Survey Requirement OR Graduate Student

Class Number

1280

Credits

3

Department

Art History, Theory, and Criticism

Location

Lakeview - 202

Description

This team taught 3 week summer intensive course examines the unique lives, art and garments which have contributed to fashion theory and practices of the past 200 years. Topics introduce style innovators and creators of dress and menswear, relating fashion to cultural influences, subcultures, sculpture, performance art, dance, textiles, interior design, merchandising, journalism and creative writing. Roundtable readings will generate daily discussion while weekly collaborative research projects will lead to group presentations and individually-written essays. Visits to museum exhibitions and studios will inspire responses. For 3 hours daily M-F for 3 weeks, students with diverse interests can gain knowledge of fashion arts history and contemporary fashion practices while strengthening skills in research, speaking and writing.

Prerequisites

Prerequisite: Art History Survey Requirement OR Graduate Student

Class Number

1280

Credits

3

Department

Art History, Theory, and Criticism

Location

Lakeview - 202

Description

Incorporating daily visits to the Art Institute of Chicago, this seminar will examine the history of European and American art from the 1870s to the twentieth century through the focused engagement with objects in the museum collections. Class time will be divided between classroom lectures, discussions of daily reading assignments, and museum visits. In all of these, students will be expected to take an active participatory role. Course topics will be determined in relation to the collections on view, but recurring questions will focus on materiality and display.

Prerequisites

Prerequisite: Art History Survey Requirement OR Graduate Student

Class Number

1281

Credits

3

Department

Art History, Theory, and Criticism

Location

MacLean 920

FAQs

  • Students only begin taking advanced Art History courses in their second year at SAIC. For the first year, BA in Art History students share the campus-wide, first-year student curriculum, which includes intensive foundational training in studio and in visual thinking, composition-based writing courses, and two introductory surveys in art history. The SAIC BA in Art History is unlike conventional majors at liberal arts colleges in its extensive art history requirements (at least 18 courses) and in its solid grounding in knowledge of studio practices. An understanding in how art is made is an essential part of its historical study. While BA in Art History students’ coursework is identical to BFA students in their first year, they will also be included in events organized for all BA in Art History students. All BA in Art History students are advised by a faculty member from the Department of Art History, Theory, and Criticism.

  • The BA in Art History program has significantly different degree requirements than SAIC’s other, studio- and design-based degrees. Because of this, there are no automatic degree transfers, and every case must be weighed individually with regard to applicable credits and research and writing skills. There are two deadlines for internal transfers every year: October 15 and March 15. Applications are only considered at these times.

  • No. SAIC does not have majors. The BA in Art History is a full-fledged degree in Art History, and it is the first nonstudio undergraduate degree at SAIC. It requires a minimum of 41 percent of credits (18 courses) to be taken in the Department of Art History, Theory, and Criticism—far more than a conventional major within a liberal arts degree (usually around 10 courses). Beyond that, the degree is made up of a minimum of 16 percent studio courses, which we believe to be an integral part of study of histories and theories of art.

  • The BA in Art History is designed to provide students with training in research and writing skills, and at least one class per year will focus on this area of study. A Sophomore Seminar, a Junior Proseminar, and the Senior Thesis Sequence are all required of BA in Art History students.

  • Sophomore Seminars are required courses for all SAIC undergraduates. They focus on preparing students to embrace a specific direction in their scholarship or in their studio practice. The seminars offer intensive faculty mentoring sessions that help students design a curricular pathway for the final two years of study at SAIC. Most departments at the institution offer Sophomore Seminars. BA in Art History students take the Sophomore Seminar designed by the Department of Art History, Theory, and Criticism to provide research skills in Art History and to train students to examine the role of art’s histories in light of current practices. Students from programs other than the BA in Art History may also take the Art History Sophomore Seminar.

  • Each semester, the department offers at least two smaller seminar-style courses focused on the application of research methods. These can be in any topic, but professors focus on the practice of research and writing with students in this smaller setting. BA in Art History students must take at least one of these courses in their junior year. Courses fulfilling the Junior Proseminar requirement cannot also be used to fulfill the Area Pathways requirements.

    Students may, however, take more than one Junior Proseminar in their time at SAIC, and any additional Proseminars may be used to fulfill other degree requirements. The Department of Art History, Theory, and Criticism distributes a list of Junior Proseminars each semester.

  • The Department of Art History, Theory, and Criticism offers more than 200 courses a year, from introductory surveys to graduate seminars. Most of the course offerings are generally divided into three major geographic areas, which correspond to three area pathways in the curriculum: 
    •  Asia
    •  Europe and America
    •  Southern Continents (Africa and Latin America)

    BA in Art History students choose two of these areas on which to focus. In both of these two area pathways, students must complete a three-course sequence of 2000-, 3000-, and 4000-level courses. Students develop their thesis topic as the culmination of one of these two area pathways of study and pursue it during the Senior Thesis Sequence in their final year. Each pathway requires three courses (9 credit hours).

    For instance, a student who chooses a pathway in Asian art might fulfill its requirements by taking Survey of Asian Art (ARTHI 2450), Buddhist Ideas in South and Southeast Asian Art (ARTHI 3473), and Asian Art Now (ARTHI 4496). Once a pathway is completed, students may continue to take courses in that area with their art history elective credits. A list of courses in each pathway is distributed by the Department of Art History, Theory, and Criticism to BA in Art History students.

  • The Department of Art History, Theory, and Criticism focuses on modern and contemporary art in a global framework. While the majority of its offerings focus on art of the last 150 years, it also has a significant number of courses that address the longer histories of art. BA in Art History students are required to take at least six credit hours of courses that focus on topics before the mid-19th century in addition to ARTHI 1001: Introduction to Art History: Ancient to Modern. The Department of Art History, Theory, and Criticism distributes a list of premodern courses each semester.

  • In order to graduate with a BA in Art History, all students must complete a written thesis developed over the course of the fall-spring Senior Thesis Sequence. In the fall of their senior year, students take ARTHI 4011: Senior Thesis Methodology Seminar that focuses on advanced writing and research skills as well as topic development. In the spring, BA in Art History students work closely with a faculty member in ARTHI 4012: Senior Thesis Writing Seminar to complete and submit the written document. These classes cannot be taken out of sequence or substituted. They are only offered each once a year.

  • Any student who anticipates graduating mid-year should plan to take the Senior Thesis Sequence in preceding academic year. In other words, two of the three of a BA in Art History student’s last three semesters must be taken over a full academic year at SAIC.

  • Theses are generally 35 to 50 pages in length and should demonstrate the student’s deep knowledge on a topic in art history of their choosing. They should include all relevant images and be formatted according to established guidelines. All theses are due by the last day of the spring semester in order for the student to graduate.

  • Once admitted, all BA in Art History students will be advised by the Director of Undergraduate Programs in Art History or another faculty member from the department. BA in Art History students should meet each semester with their Art History adviser to determine course selections and discuss the development of their research interests. In addition, BA in Art History students are also encouraged to take advantage of SAIC’s Office of Academic Advising for any assistance with school-wide curricular requirements and credit audits. There will also be possibilities for graduate student mentors for advanced BA in Art History students.

  • Courses designated in the SAIC curriculum as “off-campus study” can be found in studio, Liberal Arts, and Art History. These credits can be taken in one of the many study abroad trips organized by SAIC each winter and summer term, in a designated class during the regular semesters that has a substantial off-campus component or be fulfilled through internships coordinated by SAIC’s Cooperative Education Program. BA in Art History students are required to take three of their credit hours in off-campus courses. These credits may come from any division and may also be used to meet other degree requirements.

  • SAIC is a non-grading institution, and students in the BA in Art History program will not receive traditional grades for coursework. Students may request written evaluations for each class, but this is the responsibility of the student to solicit and maintain these records. Any students applying for graduate school, internships, or other opportunities may request from the Department of Art History, Theory, and Criticism a statement of principle about its non-grading philosophy. Students who intend to make such applications are encouraged to keep copies of their research papers and exams for further information about their success at SAIC.

  • Existing students who are pursuing an exchange semester or summer courses abroad may petition Academic Advising to have foreign language courses transferred to SAIC to meet the 9-credit-hour language requirement. Final approval to take language classes off-campus is determined by the Department of Liberal Arts. During the semesters, students may also petition to take advanced foreign languages and foreign languages not offered by SAIC at nearby Roosevelt University. (Those students should contact the Study Abroad Office.)

  • No. The foreign language requirement is in place to insure that students have basic ability to engage with research materials in other languages. Consequently, only study in written languages fulfills this requirement.

Take the Next Step

For questions about applications for first-year and transfer students, visit the undergraduate admissions web page or contact SAIC's Office of Admissions at admiss@saic.edu or 800.232.7242. Current SAIC students should contact arthistoryba@saic.edu.

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Freshman and Transfer Deadline: June 1