A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Bio

Professor, Art Therapy (2008). PhD, 2010, University of Maryland; BA, 1986, Punjab University; MA, 1992, Southern Illinois University, Edwardsville; Certificate in Child and Family Therapy, 1995, St. Louis Psychoanalytic Institute. Credentials: Registered and Board Certified Art Therapist; Licensed Professional Counselor. Publications: Arts in Psychotherapy; Art Therapy: Journal of the American Art Therapy Association; Gender Issues in Art Therapy and the author of Art Therapy for Social Justice: Radical Intersection published by Routledge.

Personal Statement

Savneet Talwar, Professor is the Chair of the graduate art therapy and counseling program at the School of the Art Institute of Chicago. She is a member of the Critical Pedagogy in the Arts Therapies think tank. Her current research examines feminist politics, critical theories of difference, social justice and questions of resistance. Using an interdisciplinary approach, she is interested in community based art practices; cultural trauma; performance art and public cultures as they relate to art therapy theory, practice and pedagogy. She is the author of Art Therapy for Social Justice: Radical Intersection and has published in Arts in Psychotherapy, Art Therapy: Journal of the American Art Therapy Association, and Gender Issues in Art Therapy. She is also the founder of the CEW (Creatively Empowered Women) Design Studio, a craft, sewing, and fabrication enterprise for Bosnian and South Asian women at the Hamdard Center in Chicago. She is the past Associate Editor of Art Therapy: Journal of the American Art Therapy Association.

Refereed Journal Articles, Book Chapters and Commentaries

Talwar, S. (2019). Feminism as Practice: Craft, Labor, and Art Therapy. In S. Hogan’s (Eds) Inscribed on the Body: Gender and Difference in the Arts Therapies. New York, NY: Routledge.

Talwar, S. (2019). Art therapy for social justice: Radical intersections. New York, NY: Routledge.

Yi, S. & Talwar, S. (2018). Disability, art, and art therapy. In C. Sandahl, T. Heller, S.P. Harris, C. Gill, & R. Gould’s (Eds.) Disability in American life: An encyclopedia of concepts, policies, and controversies. Santa Barbara, CA: ABC-CLIO. 

Guest Editor: Talwar, S. (2017). Law, ethics, and cultural competence in art therapy. Art Therapy: Journal of the American Art Therapy Association, 34 (3), 102-105. 

Guest Editor: Talwar, S. (2016). Is there a need to redefine art therapy? Art Therapy: Journal of the American Art Therapy Association, 33(3), 116-118. 

Guest Editor: Talwar, S. (2015). Culture, diversity and identity: From margins to center. Art Therapy: Journal of the American Art Therapy Association, 32(3), 100-103. 

Talwar, S. (2015). Creating Alternative Public Spaces: Community-Based Art Practice, Critical Consciousness and Social Justice. In David Gussak and Marcia Rosal’s The Wiley-Blackwell Handbook of Art Therapy. Oxford, UK: Wiley Blackwell.

Talwar, S. (2013). Revisiting Feminist Approaches to Art Therapy, by Susan Hogan (Ed.), book review. Art Therapy: Journal of the American Art Therapy Association, 30 (3).

Talwar, S. (2010). Performance art and the politics of an archive: Mary Coble’s “Note to Self,” John Douglas Taylor Conference 2010: The Archive in Everyday Life Proceedings http://www.humanities.mcmaster.ca/~english/JDT/archiveandeverydaylife/panelc1.html 

Talwar, S. (2010). An intersectional framework for race, class, gender, and sexuality in art therapy. Art Therapy: Journal of the American Art Therapy Association, 27,(1) 11-17.

Talwar, S. (Winter, 2010). Electing our first president- elect of color: Mercedes ter Maat. American Art Therapy Association Newsletter, XLIII, (1) 25. 

Talwar, S. (2007). Accessing traumatic memory through art making: An art therapy trauma protocol (ATTP). Arts in Psychotherapy , 34 (1) 22-35.

Talwar, S. (2006). Neuropsychology of art: Neurological, cognitive and evolutionary perspectives, by Dahlia Ziadel. (2005), book review. Art Therapy: Journal of the American Art Therapy Association, 23 (2) 4.

Talwar, S. (2006). Commentaries, Art Therapy: Journal of the American Art Therapy Association, 23 (1) 4.

Talwar, S. (2005). Studio 360, National Public Radio – Born in brothels, interviewed for the Oscar winning documentary film about children born in the Calcutta brothels. 

Talwar, S. (2004). A framework for immigration: Asians in the United States, by Uma Segal (2002), book review. American Studies International: The Journal of Internationalist Americanist

Talwar, S., Iyer, J. & Doby-Copeland, C. (2004). The invisible veil: Changing paradigms in the art therapy professionArt Therapy: Journal of the American Art Therapy Association, 21(1) 44-48.

Iyer, J., Talwar, S. & Doby-Copeland, C. (2003). Deconstructing Kaplan’s views on multiculturalism. Art Therapy: Journal of the American Art Therapy Association, 20(2) 65-66.

Talwar, S. (2002). Decolonisation: Third world women and conflicts in feminist perspectives and art therapy. In Susan Hogan's Gender Issues in Art Therapy (pp. 185-193). London, England: Gender Issues in Art Therapy.

 

Courses

Title Department Catalog Term

Description

This class considers the 'social fabric' as a type of material that can be used by artists and activists to create connections and community. Through collaborative and individual explorations, we will examine the possibilities of fibers/textiles to foster and strengthen community, create social bonds, educate, raise awareness about social and political issues and advocate for change. We will explore banner making, piecework and quilting, using hand sewing techniques and a range of materials. The first half of the class will focus on banner, flag making, and quilting techniques, exploring their histories of collective making and their use in political organizing and activism. The second half of the term will focus on sewing, piecing, appliqué and will consider the digital realm to further objectives of connectivity and communication. We will realize or propose projects that are accessible and can engage the public. Throughout the class, we'll look at historical and contemporary examples of fiber and textiles used to protest, unite, educate, and agitate for change in the USA and beyond. We'll pay particular attention to the ways in which people and communities came together to create these works, and explore connections between art making, community building, and social change. Students are encouraged to articulate and explore their individual interests and draw on their experiences and lives outside the art world and SAIC.

Class Number

1569

Credits

3

Description

This course is focused on the development of cultural competency in the art therapist. Aspects of culture including gender, race, ethnicity, class, religion, sexual orientation, and disability are addressed as they relate to the socio-cultural context of the therapy relationship.

Class Number

1890

Credits

3

Description

This course focuses on the development of a culminating creative project that demonstrates the skills, knowledge, and experience gained through the MAATC program. Students will demonstrate their learning through an in-depth arts-based project to explore the field of art therapy and counseling, and participate in the MAATC exhibition.

Class Number

1244

Credits

3

Description

This course provides group supervision to support the internship component of the Master of Arts in Art Therapy and a Counseling program. Internship students participate in a minimum of one hour of weekly individual supervision with a qualified fieldwork site supervisor in addition to 3 hours of weekly group supervision with a faculty supervisor per the MAATC fieldwork supervision agreement. Over the course of the semester, students complete 250 service hours which must include approximately 100 hours of direct service with clients and contribute to the development of basic to intermediate skills for a specialized area of art therapy and counseling practice. This professional practice course builds on the skills acquired in the practicum experience. Students must demonstrate an applied understanding of assessment, treatment approaches, and the therapeutic relationship in art therapy and counseling. Students also become familiar with a variety of professional activities including referral sources, case review, record keeping, preparation, staff meetings, and other administrative functions. Prerequisite: ARTTHER 6001 ¿ Art Therapy Fieldwork II

Class Number

1248

Credits

3

Description

This course provides group supervision to support the internship component of the Master of Arts in Art Therapy and a Counseling program. Internship students participate in a minimum of one hour of weekly individual supervision with a qualified fieldwork site supervisor in addition to 3 hours of weekly group supervision with a faculty supervisor per the MAATC fieldwork supervision agreement. Over the course of the semester, students complete 250 service hours which must include approximately 100 hours of direct service with clients and contribute to the development of basic to intermediate skills for a specialized area of art therapy and counseling practice. This professional practice course builds on the skills acquired in the practicum experience. Students must demonstrate an applied understanding of assessment, treatment approaches, and the therapeutic relationship in art therapy and counseling. Students also become familiar with a variety of professional activities including referral sources, case review, record keeping, preparation, staff meetings, and other administrative functions. Prerequisite: ARTTHER 6001 ¿ Art Therapy Fieldwork II

Class Number

1900

Credits

3