A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Molly Colleen O'Connell

Lecturer

she/they

Bio

MCO is an interdisciplinary artist, cartoonist, comics historian, writer, educator, amateur clown, and haunter. 

Awards

Maison des auteurs residency, Trailer Blaze Residency, Dash Grant

Publications

Who’s Afraid of a Florida Woman?, Colorama Books (Berlin); Peep Magazine, edited by Sammy Harkham, Braid Dead (LA); Difficult Loves, published by Domino Books; numerous self published works

Exhibitions

Exhibitions: No Role Models, Cleaner Gallery, Chicago, IL; NYABF Debut Book Trailers Screening, Hauser & Wirth, New York, NY; Marathon Art Show, Fantagraphics, Seattle, WA; Tree’s Company, Gridsport, Chicago, IL; Very Disco, Andrew Rafacz Gallery, Chicago, IL; Neo Tang, Co-Prosperity Sphere, Chicago, IL; Ballroom mural (extant); Color Club, Chicago, IL; Chicago Comics 1960 – Now, Museum of Contemporary Art, Chicago, IL; Why Do Spiders Drink From My Mouth While I’m Sleeping? (Solo), Julius Caesar

Collections: John M Flaxman library at the School of the Art Institute of Chicago, Thomas J. Watson Library at the Metropolitan Museum of Art, National College of Art and Design in Dublin, Ireland 

Portfolio

Courses

Title Department Catalog Term

Description

This course emphasizes the development of observational drawing skills and hand-eye coordination. The learning sequence progresses from simple forms and skill levels toward more complex compositions. Basic drawing elements such as line, proportion, perspective, composition, texture, and the study of light and shade are investigated through various perceptual and conceptual approaches. Open to beginning students and those who want to refresh their skills before moving on to more advanced studio courses.

Class Number

1003

Credits

1

Description

This course introduces students to a diverse range of textile materials, processes, histories, politics, traditions, and cultures of fiber and their relationships to contemporary art practice. Historical and contemporary approaches to process and materials are explored as students are introduced to a variety of fiber techniques in construction and surface application. Taught technique can include printing, tapestry weaving, immersion and resist dyeing, knitting, crochet, felting, coiling, hand embroidery, machine sewing, piecework, and embellishment. Textiles have rich and complex histories in all cultures. Examples from across time and place will be explored and discussed through visual presentations, assigned readings, in-class discussions, visiting artist lectures, and field trips.

By the end of this course, students will become familiar with the formal, conceptual, expressive, and political potential of fiber as an expressive medium with limitless possibilities.

Course work will vary but typically includes the creation of technical samples, critique projects, and reading responses.

Class Number

1399

Credits

3

Description

The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.

Class Number

1832

Credits

3