A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
A silhouette of a person against a blue background.

Max Guy

Lecturer

Contact

Bio

Max Guy (b. McAllen TX) received his BFA in 2011 from Maryland Institute College of Art, Baltimore; and MFA in 2016 from Northwestern University, Evanston. He has exhibited at the MCA Chicago, Prairie Gallery, Produce Model, and Chicago Cultural Center, Chicago; Malmö Museum of Art, What Pipeline, Detroit; and Galeria Federico Vavassori, Milan. Publications include NewCity, the Chicago Reader, the Chicago Tribune, Hyperallergic, and Artforum. His bibliography includes 'Sustainable Societies for the Future,' on Motto Books. He works as Manager of Institutional Giving at Hyde Park Art Center.

Courses

Title Department Catalog Term

Description

This studio course focuses on themes, practices, contexts, and questions undertaken by contemporary artists and designers. Research Studio I is a course that asks students to begin to develop and connect their own work and ideas with a diverse range of artists, designers, and communities. This course engages with cultural institutions including: museums, galleries, libraries and archives as resources of critical engagement. Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems. Assignments in this course are faculty directed, open-media, interdisciplinary and idea based. The projects are designed to help students recognize their work habits, biases, strengths, and weaknesses. Students will experience a wide range of research methods and making strategies. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others.

Class Number

1318

Credits

3

Description

Artists have interacted privately and publicly in a variety of performative forms with 'stuff' such as food, sculptures, costumes, found objects, natural materials and mass-produced objects. This course investigates the ways in which material can be at the center of performance works. Through a series of assignments, students research materials from scientific, historical, phenomenological, metaphoric, symbolic, sociological and political perspectives; and produce personal and collaborative pieces in a variety of sites and settings.

Class Number

2192

Credits

3

Description

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.

Class Number

1766

Credits

3