A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
A silhouette of a person against a blue background.

Max Guy

Lecturer

Contact

Bio

Max Guy (b. McAllen TX) received his BFA in 2011 from Maryland Institute College of Art, Baltimore; and MFA in 2016 from Northwestern University, Evanston. He has exhibited at the MCA Chicago, Prairie Gallery, Produce Model, and Chicago Cultural Center, Chicago; Malmö Museum of Art, What Pipeline, Detroit; and Galeria Federico Vavassori, Milan. Publications include NewCity, the Chicago Reader, the Chicago Tribune, Hyperallergic, and Artforum. His bibliography includes 'Sustainable Societies for the Future,' on Motto Books. He works as Manager of Institutional Giving at Hyde Park Art Center.

Courses

Title Department Catalog Term

Description

What are the concerns that drive one's creative practice? How does one set the terms for its future development? Sophomore Seminar offers strategies for students to explore, reflect upon, and connect common themes and interests in the development of an emerging creative practice that will serve as the basis of their ongoing studies at SAIC and beyond. Students will examine historical and contemporary influences and contextualize their work in relation to the diverse art-worlds of the 21st Century. Readings, screenings, and field trips will vary each semester. Presentations by visiting artists and guest speakers will provide the opportunity for students to hear unique perspectives on sustaining a creative practice. One-on-one meetings with faculty will provide students with individualized mentorship throughout the semester. During interdisciplinary critiques, students will explore a variety of formats and tools to analyze work and provide peer feedback. The class mid-term project asks students to imagine a plan for their creative life and devise a self-directed course of study for their time at school. The course concludes with an assignment asking students to develop and document a project or body of work demonstrating how the interplay of ideas, technical skills, and formal concerns evolve through iteration, experimentation and revision.

Prerequisite: Must be a sophomore to enroll.

Class Number

2157

Credits

3

Description

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.

Class Number

1959

Credits

3 - 6