A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Jo Hormuth

Lecturer

Personal Statement

Jo Hormuth received her MFA from the School of the Art Institute of Chicago. She is a multi-disciplinary artist with a focus on site-specific responses to architectural situations. Hormuth also studied under Euan Uglow at the Slade School in London. She has exhibited internationally and has work in numerous museum and private collections. Public projects include Chicago Botanic Garden (in progress); O'Hare International Airport; CTA, 47th Street Station; Chicago Public Library, Rogers Park Branch; Michigan Alternative and Renewable Energy Center, Muskegon, MI and Shedd Aquarium, Chicago, IL. Hormuth is represented by Kusseneers Gallery in Brussels.

 

Courses

Title Department Catalog Term

Description

This studio course will provide a hands-on introduction to the fundamental understanding and use of color. Students will gain practical experience working with material color in order to improve their understanding of how color works. Assignments will be introduced in class to help students develop a working knowledge of the basic concepts of hue, value, and chroma, and the relationship between these concepts and those of color harmony and organization. By working with color in context students will gain a practical understanding of color interaction and develop strategies for approaching color with greater sophistication and specificity in their own practice. In addition to our investigations with color in the classroom, this course will examine the ways in which artists and scholars have worked with color art historically as a medium of expression, and thought about color scientifically as an index of an underlying natural order, as well as culturally as a system of signs reflecting our biases back to us to be interpreted. Reliable perceptual phenomena like simultaneous contrast and afterimages will be considered alongside more unstable notions like synesthesia and color music, as well as the complicated history of thinking about color as evidence of that which is ?other.? Course work will include exercises to help students develop their approach to color, and a final project in which they put their understanding to work.

Class Number

1943

Credits

3