Jason Nebergall

In this course, students will learn the basics of film language, cover the evolution of various stylistic and ideological trends throughout the medium, and gain a core understanding of how to critically analyze film and other media forms from formal, historical, and cultural theoretical perspectives.

While the specific films screened may vary, course screenings and readings generally cover the development of Hollywood and studio-based filmmaking practices, diasporic and exilic models of filmmaking, European New Waves, televisual practices of media making, and topics in new media.

Students will complete quizzes and a comprehensive final exam to demonstrate their understanding of course terminology, concepts, and themes, as well as a number of short written analyses to exhibit their competency and skill in constructing original scholarly argumentation.

This course is designed to serve as an introduction to film analysis, in which students learn the basic concepts and vocabulary of film aesthetics and criticism. We examine different trajectories of film, studying mainstream film practices next to alternative ones. By studying the basics of film form and film style, through examples from different national cinemas, genres, and directorial oeuvres, students learn to analyze and write about films as both formal and cultural constructs. Along with questions of film technique and style, we study cinema's relationship to popular culture and fine art. The films discussed include works by Griffith, Eisenstein, Welles, Hitchcock, and Godard. This course does not assume any prior exposure to film studies.

This course is designed to provide a comprehensive introduction to the history of video art from its emergence in the late 1960s through our present moment. Students will examine key works and the major historical, cultural, and aesthetic influences on the form.