A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

James TerMeer

Associate Professor

Bio

Associate Professor, Architecture, Interior Architecture, and Designed Objects, 2008. BFA, 1990, Kansas City Art Institute; MDES, 2002, Design Academy Eindhoven, The Netherlands. Concurrent Position: Partner, Giffin'TerMeer. Exhibitions: Design Nomade; BASE Milano, Milan; 2nd Istanbul Design Biennial; Bio 23, Ljubljana; Museum of Brands, London; International Craft Biennale, Cheongju, Korea; EDF Foundation, Paris; Scottsdale Museum of Contemporary Art; Seoul Design Olympiad; Dutch Design Center, Utrecht. Publications: Independent Design Guide: Innovative Products From the New Generation; Ceramics Monthly; Designboom; Dazed & Confused; Azure; Surface; De Volkskrant. Collections: Seoul Design Foundation; Designhuis, Eindhoven; The Netherlands; Institute for the Future, Copenhagen. Awards: Tokyo Designers Week 2011 Container Competition; Seoul Cycle Design Competition; Merit Award, Flip-a-Strip, Architecture Competition.

 

Courses

Title Department Catalog Term

Description

We will work with the processes by which product designers develop compelling objects that communicate ideas, values, functions and purpose. Projects are designed to study the language of form through an analysis of user interaction, the implications of material choice, finishes, and craftsmanship on the success of a product concept, and how these choices support and promote function, desirability and perceived value. There is also an emphasis on expanding student material exploration and making techniques for optimal results, and the value of iterative prototyping in a successful design process.

The course will address universal product design issues and methods, starting with defining and understanding the project, considering form and function, appropriate material selection, construction techniques, finishes, iteration, and well-crafted final products. We will cover concepts such as semiotics, ergonomics, families of objects, multi-functional products, and emphasize clear communication of finished design ideas through schematics, and graphic representation using descriptive photography.

Relevant contemporary design examples are provided as reference for each project, and students will spend additional time researching contemporary designers such as Front Design, Raw Edges, Nendo and Ron Arad. Students will be introduced to high-end professional design sources in a business setting through a field trip to the Merchandise Mart.

The course is built around 3 main projects, each with instructional presentations, Design research assignments, ideation and sketching, group discussions, and iterative prototyping, resulting in the creation of a final product and printed graphic document, all presented and discussed in a group critique.

This course requires students to have a laptop that meets SAIC's minimum hardware specs and runs the AIADO template.

Class Number

1261

Credits

3

Description

We will work with the processes by which product designers develop compelling objects that communicate ideas, values, functions and purpose. Projects are designed to study the language of form through an analysis of user interaction, the implications of material choice, finishes, and craftsmanship on the success of a product concept, and how these choices support and promote function, desirability and perceived value. There is also an emphasis on expanding student material exploration and making techniques for optimal results, and the value of iterative prototyping in a successful design process.

The course will address universal product design issues and methods, starting with defining and understanding the project, considering form and function, appropriate material selection, construction techniques, finishes, iteration, and well-crafted final products. We will cover concepts such as semiotics, ergonomics, families of objects, multi-functional products, and emphasize clear communication of finished design ideas through schematics, and graphic representation using descriptive photography.

Relevant contemporary design examples are provided as reference for each project, and students will spend additional time researching contemporary designers such as Front Design, Raw Edges, Nendo and Ron Arad. Students will be introduced to high-end professional design sources in a business setting through a field trip to the Merchandise Mart.

The course is built around 3 main projects, each with instructional presentations, Design research assignments, ideation and sketching, group discussions, and iterative prototyping, resulting in the creation of a final product and printed graphic document, all presented and discussed in a group critique.

This course requires students to have a laptop that meets SAIC's minimum hardware specs and runs the AIADO template.

Class Number

1294

Credits

3

Description

The Whatnot Studio is a progressive educational platform in the Designed Objects department at SAIC that is focused on creative inquiry and iteration. This year-long course enables students to hone their voice as individual designers while working as a team to execute a thematic collection of highly refined and relevant work for public exhibition. The Whatnot Studio has exhibited work at the Salone del Mobile in Milan, Italy and at Wanted Design in New York City. Select mid- and upper level undergraduate and graduate students are admitted to this course via portfolio review.

Readings, recordings, screenings, and field trips vary annually depending on the course theme.

Students should expect to produce one exhibition quality object and should also expect to work as part of a team to develop exhibition design and promotional materials.

Class Number

1268

Credits

3

Description

The Whatnot Studio is a progressive educational platform in the Designed Objects department at SAIC that is focused on creative inquiry and iteration. This year-long course enables students to hone their voice as individual designers while working as a team to execute a thematic collection of highly refined and relevant work for public exhibition. The Whatnot Studio has exhibited work at the Salone del Mobile in Milan, Italy and at Wanted Design in New York City. Select mid- and upper level undergraduate and graduate students are admitted to this course via portfolio review.

Readings, recordings, screenings, and field trips vary annually depending on the course theme.

Students should expect to produce one exhibition quality object and should also expect to work as part of a team to develop exhibition design and promotional materials.

Class Number

1299

Credits

3