Jaak Jurisson

This course explores contemporary thinking and making within architecture and its impact on public life. Students will develop skills in hand drawing, digital modeling, as well as physical modeling in 3D. Through collaborative work and one-on-one mentorship, students learn how architects develop design ideas, do research and represent proposals. Conceptual thinking is emphasized as students work to envision new approaches to the built environment through multiple design approaches. An active studio practice will feature drawing and hand-built models of proposed spaces, buildings, sculptures and/or future environments. In addition, students examine the works of artists, architects and writers for inspiration. Students can expect to gain knowledge of the contemporary architectural landscape and the appreciation of the impact other disciplines have on architecture and design. Students will be able to create a portfolio-quality collection of sketches, technical drawings, physical models and design presentation boards.

Introduces the meaning and making of architecture and interior architecture through individual and group design projects. Students learn design processes by experimenting with materials and exploring architectural and interior architecture representation, and measure the implications of their work on broader cultural contexts. Students work on design projects using the latest software and digital tools, and develop techniques for integrating analog and digital design and fabrication processes. Students research historic precedents and contemporary culture and design to inform their work. This course requires students to have a laptop that meets SAIC's minimum hardware specs and runs the AIADO template.

This course is a comprehensive introduction to two-dimensional architectural and interior architectural representation. Students learn hand-drawing and digital techniques to produce orthographic, axonometric, isometric, and perspectival projections in individual and group projects. Students move between two- and three-dimensional representation, developing robust skills for design drawing. Typically the course will review the work of architects and designers throughout the history of architecture representation. Readings will vary and focus will be concentrated on understanding and putting into practice the mechanisms of drawing. Course work consists of building techniques and practice of drawing. Classes will develop incremental skills through assignments and projects that culminate into complex drawings and representations. This course requires students to have a laptop that meets SAIC's minimum hardware specs and runs the AIADO template.

Visionary Drawing combines research and studio practice in the exploration at drawings and images that are uniquely compelling and have the power to advance visionary proposals in the realms or art, architecture, film, and spatial invention. Examination of historic and contemporary sources will be combined with active studio practice in making drawings of visions, worlds, speculations and proposals for spaces, buildings, sculptures and future monuments. We will study an extensive variety and number or artists and architects ranging tram Mies van der Rohe to Henry Darger, Zaha Hadid to Hieronymus Bosch, the Crystal Chain to Boullee. Walter Demarta to the Bechers to Coop Himmel B(l)au The diverse range is deliberate and intentional. Course work will vary but will typically include readings, assignments of research, and regular Intense assignments of drawing and imaging projects.

Visionary Drawing combines research and studio practice in the exploration at drawings and images that are uniquely compelling and have the power to advance visionary proposals in the realms or art, architecture, film, and spatial invention. Examination of historic and contemporary sources will be combined with active studio practice in making drawings of visions, worlds, speculations and proposals for spaces, buildings, sculptures and future monuments. We will study an extensive variety and number or artists and architects ranging tram Mies van der Rohe to Henry Darger, Zaha Hadid to Hieronymus Bosch, the Crystal Chain to Boullee. Walter Demarta to the Bechers to Coop Himmel B(l)au The diverse range is deliberate and intentional. Course work will vary but will typically include readings, assignments of research, and regular Intense assignments of drawing and imaging projects.

Integrated Technical Practice course introduces simple traditional and contemporary construction systems, basic understanding of building energy performance, and statics and strength of materials. Course Goals and Objectives 1) Learn about basic building assembly systems and the role that the environment plays in design decisions, through energy analysis studies of historic and contemporary buildings. 2) Communicate basic material performance of wall sections in freehand analytical drawings and drawings produced by simulation tools. 3) Understand tributary analysis, loads calculations, and component sizing, and how to investigate, effectively choose, and incorporate structural and assembly systems during pre-design. 4) Learn about the performance of building materials, including thermal performance, moisture performance, acoustic performance and embodied energy. 5) Understand load distribution, component spacing and system performance allowing the integration of structural concepts into subsequent studio projects.