A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Jaak Jurisson

Associate Professor, Adjunct

Bio

Adjunct Associate Professor, Architecture, Interior Architecture, and Designed Objects (2001). BS, Architecture, 1972, and BFA, 1974, University of Wisconsin; MFA, 1977, School of the Art Institute of Chicago; Master of Architecture, 2008, Illinois Institute of Technology. Concurrent position: Registered architect. Co-led design team for Project Aerotecture, Institute of Design at IIT, Bronze Prize Japan Design Foundation International Design Competition. Exhibitions: Hyde Park Art Center, Chicago; Art Institute of Chicago; Beloit Art Museum; Kohler Art Museum, Sheboygen WI; Wustum Art Center, Racine, WI; Milwaukee Art Museum; Student work exhibited at International Invitational Drawing Exhibition, Central Academy of Fine Arts, Beijing, China, Conferences: DrawingOut, RMIT University Gallery Public Forum, Melbourne, Australia; International Biennial of Drawing Pilsen, Czech Republic.

 

Courses

Title Department Catalog Term

Description

This course explores contemporary thinking and making within architecture and its impact on public life. Students will develop skills in hand drawing, digital modeling, as well as physical modeling in 3D. Through collaborative work and one-on-one mentorship, students learn how architects develop design ideas, do research and represent proposals. Conceptual thinking is emphasized as students work to envision new approaches to the built environment through multiple design approaches. An active studio practice will feature drawing and hand-built models of proposed spaces, buildings, sculptures and/or future environments. In addition, students examine the works of artists, architects and writers for inspiration. Students can expect to gain knowledge of the contemporary architectural landscape and the appreciation of the impact other disciplines have on architecture and design. Students will be able to create a portfolio-quality collection of sketches, technical drawings, physical models and design presentation boards.

Class Number

1002

Credits

2

Description

This course explores contemporary thinking and making within architecture and its impact on public life. Students will develop skills in hand drawing, digital modeling, as well as physical modeling in 3D. Through collaborative work and one-on-one mentorship, students learn how architects develop design ideas, do research and represent proposals. Conceptual thinking is emphasized as students work to envision new approaches to the built environment through multiple design approaches. An active studio practice will feature drawing and hand-built models of proposed spaces, buildings, sculptures and/or future environments. In addition, students examine the works of artists, architects and writers for inspiration. Students can expect to gain knowledge of the contemporary architectural landscape and the appreciation of the impact other disciplines have on architecture and design. Students will be able to create a portfolio-quality collection of sketches, technical drawings, physical models and design presentation boards.

Class Number

1003

Credits

2

Description

This course explores contemporary thinking and making within architecture and its impact on public life. Students will develop skills in hand drawing, digital modeling, as well as physical modeling in 3D. Through collaborative work and one-on-one mentorship, students learn how architects develop design ideas, do research and represent proposals. Conceptual thinking is emphasized as students work to envision new approaches to the built environment through multiple design approaches. An active studio practice will feature drawing and hand-built models of proposed spaces, buildings, sculptures and/or future environments. In addition, students examine the works of artists, architects and writers for inspiration. Students can expect to gain knowledge of the contemporary architectural landscape and the appreciation of the impact other disciplines have on architecture and design. Students will be able to create a portfolio-quality collection of sketches, technical drawings, physical models and design presentation boards.

Class Number

1258

Credits

2

Description

This course is a comprehensive introduction to two-dimensional architectural and interior architectural representation. Students learn hand-drawing and digital techniques to produce orthographic, axonometric, isometric, and perspectival projections in individual and group projects. Students move between two- and three-dimensional representation, developing robust skills for design drawing.

Typically the course will review the work of architects and designers throughout the history of architecture representation. Readings will vary and focus will be concentrated on understanding and putting into practice the mechanisms of drawing.

Course work consists of building techniques and practice of drawing. Classes will develop incremental skills through assignments and projects that culminate into complex drawings and representations. This course requires students to have a laptop that meets SAIC's minimum hardware specs and runs the AIADO template.

Class Number

1011

Credits

3

Description

ARCH/INARC Studio 2 is a two-day core design studio that expands the architecture and interior architecture design skills and research capabilities explored in Studio 1. Design projects of increasing complexity and scale are generated, critiqued and refined.

Research includes contemporary architecture, site research, urban context, and critical design issues of theory and construction.

Students utilize hand sketching, digital visualization, photography, and physical modeling to present design project work with expanding sophistication. This course requires students to have a laptop that meets SAIC's minimum hardware specs and runs the AIADO software template.

Class Number

1013

Credits

6

Description

Visionary Drawing combines research and studio practice in the exploration at drawings and images that are uniquely compelling and have the power to advance visionary proposals in the realms or art, architecture, film, and spatial invention. Examination of historic and contemporary sources will be combined with active studio practice in making drawings of visions, worlds, speculations and proposals for spaces, buildings, sculptures and future monuments.

We will study an extensive variety and number or artists and architects ranging tram Mies van der Rohe to Henry Darger, Zaha Hadid to Hieronymus Bosch, the Crystal Chain to Boullee. Walter Demarta to the Bechers to Coop Himmel B(l)au The diverse range is deliberate and intentional.

Course work will vary but will typically include readings, assignments of research, and regular Intense assignments of drawing and imaging projects.

Class Number

1695

Credits

3

Description

Visionary Drawing combines research and studio practice in the exploration at drawings and images that are uniquely compelling and have the power to advance visionary proposals in the realms or art, architecture, film, and spatial invention. Examination of historic and contemporary sources will be combined with active studio practice in making drawings of visions, worlds, speculations and proposals for spaces, buildings, sculptures and future monuments.

We will study an extensive variety and number or artists and architects ranging tram Mies van der Rohe to Henry Darger, Zaha Hadid to Hieronymus Bosch, the Crystal Chain to Boullee. Walter Demarta to the Bechers to Coop Himmel B(l)au The diverse range is deliberate and intentional.

Course work will vary but will typically include readings, assignments of research, and regular Intense assignments of drawing and imaging projects.

Class Number

1020

Credits

3

Description

This integrated technical practice course introduces simple traditional and contemporary construction systems. It teaches students how construction techniques emerge from design concepts and criteria while providing an understanding of the fundamental physics that inform structural and environmental building performance. The course will also introduce students to the spatial, social, economic, historical, and ecological concerns surrounding construction systems and their use in the built environment. Lectures, readings, and projects will constitute the primary learning activities, providing students with an interactive and hands-on approach to learning about fundamental construction, wall, and structural types. Projects will explore how existing and new building envelopes and structures perform, allowing students to apply their knowledge practically.

Class Number

1959

Credits

3