Diane Worobec-Serratos

Artists continually grapple with space--how to represent it, construct it, and divide it--but what underlying messages and meanings do these spaces embody? What assumptions, prejudices, and proclivities inform our perceptions and understanding of said spaces? How are the spatial entities we describe and occupy informed and sometimes limited by social constructs? This course encourages students to assess our lived experiences in order to question how various forms of power work to structure both the real and imagined spaces we create, inhabit, and observe. Building on the philosopher Henri Lefebvre’s idea that “the lived space is a product of our social relations and interactions”, students will investigate how power structures embedded in our built and lived environments can function to define or confine us. As we reckon with our current global state, turning a critical eye to how space has been constructed by power is essential to understanding systemic injustice. Close reading of film excerpts, various artworks, and writings from Pierre Bourdieu, bell hooks, Rafia Zakaria, Mona Eltahawy, Mikki Kendall, Rebecca Solnit, Catherine McCormack, Clint Smith, and many others will serve to inspire students to pursue their own avenues of inquiry into the deconstruction of space. FYS I is an intensive writing course that prepares students for FYS II and other Liberal Arts courses. In class, we will engage deeply with course materials in productive discussions that will foster critical thinking and inform student writing. In addition to weekly homework assignments and in-class writing, students can expect to compose and revise 15-20 pages of formal writing through a process approach to hone their argumentative skills and build their confidence in expressing their ideas clearly and effectively.

How do different conceptions of nature and the environment affect how the planet is treated and sustained? What is the role of the human in nature? In turn, what can nature teach humans about equity, resilience, and reciprocity? Can adopting a decolonial mindset offer a pathway to both ecological and social healing? By exploring differing cultural conceptions of land and nature, students will investigate a variety of paths to sustainability led by ecologically conscious writers who have turned both to nature, Buddhist thought, and indigenous wisdom for balm and inspiration. Texts will include short selections from the naturalist Sy Montgomery, Margaret Rankl, Diane Ackerman, Edward Abbey, Robin Wall Kimmerer, Linda Hogan, Louise Erdrich, Simon Ortiz, Leslie Marman Silko, Yiwen Zhan, and Bing Song, as well as short films and artworks that address environmental issues. FYS I is a guided, college-level, intensive writing course that prepares students for FYS II and other Liberal Arts courses. In class, FYS students will learn to embrace the writing process and establish writerly habits, while developing guided critical reading, thinking, and writing skills necessary for their success in upper-level course work. Students learn to collaborate and to take their work, and the work of their peers seriously, thereby establishing best practices of critique. In addition to weekly homework assignments and in-class writing, students can expect to compose and revise 15-20 pages of reviseable, formal writing through a process approach to hone their argumentative skills and build their confidence in expressing their ideas clearly and effectively. Peer review and one-to-one conferences with the teacher should also be expected.

FYS (EIS) are theme-based writing courses designed for first-year international students who have successfully completed their English for International Students Fluency course, with an emphasis on teaching Academic English skills to English Language Learners. Students will improve their Academic English skills by learning to embrace the writing process and establish writerly habits, while developing guided critical reading, thinking, and writing skills necessary for their success in future course work at SAIC. FYS (EIS) sections offer different topics. For example, students may investigate modern and contemporary art movements or analyze popular visual culture or media. While faculty have autonomy in determining course theme, the theme is an accessory to the writing; the balance in these classes is weighed toward explicit writing instruction and workshopping of student writing, not content. This course provides guided experience in writing college-level essays of various kinds. Students investigate the class topic through close readings and class discussions. They explore and develop their ideas by writing short responses and longer multi-draft papers which may include analytical, argumentative, expository, and/or evaluative essays. A significant amount of time is devoted to the craft of writing. Grammatical and organizational strategies, argumentation, and skills in thesis/claim and idea development are explored. Students should expect to write 15-20 pages of formal, revisable writing across the course of the semester. A significant amount of time may be devoted to re-writing essays, so as to develop first drafts into final versions. In-class writing and short homework exercises may be included. Through peer review and workshops, students learn to collaborate and to take their work, and the work of their peers seriously, thereby establishing best practices of critique. Classes are capped at 12 students and individual meetings to discuss each student's papers should be expected.

How do different conceptions of nature and the environment affect how the planet is treated and sustained? What is the role of the human in nature? In turn, what can nature teach humans about equity, resilience, and reciprocity? Can adopting a decolonial mindset offer a pathway to both ecological and social healing? By exploring differing cultural conceptions of land and nature, students will investigate a variety of paths to sustainability led by ecologically conscious writers who have turned both to nature, Buddhist thought, and indigenous wisdom for balm and inspiration. Texts will include short selections from the naturalist Sy Montgomery, Margaret Rankl, Diane Ackerman, Edward Abbey, Robin Wall Kimmerer, Linda Hogan, Louise Erdrich, Simon Ortiz, Leslie Marman Silko, Yiwen Zhan, and Bing Song, as well as short films and artworks that address environmental issues.

FYS (EIS) are theme-based writing courses designed for first-year international students who have successfully completed their English for International Students Fluency course, with an emphasis on teaching Academic English skills to English Language Learners. Students will improve their Academic English skills by learning to embrace the writing process and establish writerly habits, while developing guided critical reading, thinking, and writing skills necessary for their success in future course work at SAIC. FYS (EIS) sections offer different topics. For example, students may investigate modern and contemporary art movements or analyze popular visual culture or media. While faculty have autonomy in determining course theme, the theme is an accessory to the writing; the balance in these classes is weighed toward explicit writing instruction and workshopping of student writing, not content. This course provides guided experience in writing college-level essays of various kinds. Students investigate the class topic through close readings and class discussions. They explore and develop their ideas by writing short responses and longer multi-draft papers which may include analytical, argumentative, expository, and/or evaluative essays. A significant amount of time is devoted to the craft of writing. Grammatical and organizational strategies, argumentation, and skills in thesis/claim and idea development are explored. Students should expect to write 15-20 pages of formal, revisable writing across the course of the semester. A significant amount of time may be devoted to re-writing essays, so as to develop first drafts into final versions. In-class writing and short homework exercises may be included. Through peer review and workshops, students learn to collaborate and to take their work, and the work of their peers seriously, thereby establishing best practices of critique. Classes are capped at 12 students and individual meetings to discuss each student's papers should be expected.

FYS II builds upon the foundational writing skills developed in FYS I, with the introduction of more rigorous argumentation and research. Students will hone their skills and work toward greater independence in writing tasks while critically examining the act of curation. From personal wardrobes and social media accounts to the sometimes-violent legacy of museum collections, curation is all around us. If curation means to care for items in a collection, what does that care entail? As a form of cultural production, whose needs are being cared for? Whose are being neglected? Which voices are amplified, and which are silenced? In a broader context, can curation be an emancipatory practice in the struggle for social justice? As artists, what is our responsibility in selecting, grouping, and caring for our work? To investigate these questions, in the first part of the course, students will explore a variety of curatorial geographies, looking critically at how commodification, patriarchal racism, and colonial capitalism have informed and disrupted curatorial practices over time. Later, students will apply the reflections and insights from course readings and activities to research a curatorial endeavor of their choosing. Students will write 20 to 25 pages of formal, revisable writing (i.e., one essay and one research project, both with multiple drafts) as well as homework exercises and in-class writing. Writing and class activities will emphasize the development of responding critically to a variety of texts and sources to prepare students for the challenges in their coursework at SAIC. To that end, peer review, class workshopping of student papers, and individual meetings to discuss each student's writing will be required.

This critique course is offered for students who do not speak English as their first language. Students build competence in giving critiques, participating in class discussions, and giving presentations. Students make artwork to present to the class. They learn and practice the vocabulary of visual and design elements and use these to analyze and critique their own and their classmates' works. Students practice a variety of critique formats by using formal, social-cultural, and expressive theories of art criticism. They discuss and critique works both verbally and in writing.