| Modern and Contemporary Latin American Art |
Art History, Theory, and Criticism |
2206 (001) |
Fall 2024 |
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Description
This is an undergraduate survey of modernism and postmodernism in Latin America from the 1920s through the present. Topics will include national identity and 'anthropophagy' in the first wave of modernism in the region, debates over Surrealism and realism in the 1930s, the transition from 'concrete to 'neo-concrete' form and the link between architecture and developmentalism in the 1940s, 1950s and 1960s, conceptual art and politics in the 1960s and 1970s, and more recent sculptural, photographic, performance, and relational practices.
Specific topics include the cosmopolitan avant-garde that appeared in Mexico at the start of the 1920s, the theorization of anthropofagia in Brazil and indigenismo in Peru, Cuba?s Grupo Minorista, Mexican muralism and surrealism, Joaquin Torres-Garcia?s introduction of abstraction to Uruguay and Argentina, links between art and architecture in Venezuelan and Brazilian developmentalism, the rise of kinetic and participatory approaches in the 1950s and 1960s, conceptual art as a response to the dictatorships of the 1960s and 1970s, Latinx and Chicanx actions and performance in the United States, the politics of memory in post-dictatorship/violence art in Chile and Colombia, persistent questions of borders and internationalism in contemporary approaches to ?relational aesthetics? in Central America and the Caribbean, and many other examples.
This course requires weekly reading responses, two papers, and a final exam.
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Class Number
1134
Credits
3
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| Top: Latinx Life Writing |
Liberal Arts |
3174 (001) |
Summer 2024 |
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Description
How have Latinx authors addressed the representation of Latinidad in literature and other cultural forms? How does the study of these representations change or revitalize our understanding of literature more broadly? These classes offer students with the opportunity to undertake a detailed study of thematic material related to Latinx literature, including its connections to Latinx culture more broadly. Depending on the instructor, the period and works may vary.
Artists/Works/Screening/Reading/Content Area examples to be determined, based on the specific course being offered under this topic, but will include key texts and other cultural forms (i.e.films, television, and comics) by Latinx authors and artists.
This 3000-level Humanities course, including readings, reading responses, essays, mid-terms, and finals.
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Class Number
1234
Credits
3
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| Latinxs Studies |
Liberal Arts |
3301 (001) |
Spring 2025 |
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Description
The Latinx population currently consists of approximately 61 million people or about 18.5% of the U.S. population; by 2050, the U.S. Census estimates that the Latinx population will make up 30 percent of the total U.S. population. This course examines the diverse social, economic, political, and cultural histories of those commonly identified as Latinas/os/xs in the United States. Course work will vary but typically includes reading responses, short papers, and a final project and presentation..
This course combines the close reading of required texts with detailed classroom discussions, providing students with the tools needed to question, discuss, and examine topics, such as, the social construction of race and ethnicity, immigration, colonialism, forms of resistance and social movement activity, colorism, poverty and education.
Students should expect to produce a body of work consisting of three essays during the semester, and a final presentation of a project that is shared with the class.
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Class Number
2255
Credits
3
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| Identities |
Art History, Theory, and Criticism |
5002 (006) |
Fall 2024 |
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Description
This interdisciplinary course focuses on issues of identity and artistic production in modern and contemporary art from the nineteenth century to the present. Situated in the context of the United States, the class examines how individual and collective identities shape the production, categorization, and reception of art. While the terms ¿modern¿ and ¿contemporary¿ remain largely undisputed, categories of identification adopted by and placed upon artists are neither universally accepted nor applied. Even as more nuanced understandings of intersecting identities (including race, ethnicity, gender, class, sexuality, nationality, and religion) develop, simplistic and reductive ideas concerning the correlation between identity and aesthetic persist. In our investigation, we will study how histories of migration, settler colonialism, activism, and the emergence of political identities intersect the art worlds and visual culture.
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Class Number
1127
Credits
3
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