A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
A silhouette of a person against a blue background.

Catherine Ruggie-Saunders

Professor, Adjunct

Bio

Adjunct Associate Professor, Visual Communication Design (1984). BA, 1973,  Northwestern University; MA, 1975 and MFA, 1976, University of Wisconsin-Madison. Exhibitions: San Francisco Museum of Modern Art; Temari Center for Asian & Pacific Fibers, Honolulu, Hawaii;  American Cultural Center, New Delhi, India. Awards: First Annual Tampa Book Arts Studio Letterpress Excellence Award in Contemporary Ephemera 2012 (with Martha Chiplis); Illinois Arts Council Artists Fellowship; Teaching Excellence Award, Saint Xavier University. Publications: For the Love of Letterpress, a Printing Handbook for Instructors and Students, written and designed with Martha Chiplis, forthcoming in October 2013 from Bloomsbury LLC, a division of A & C Black Publishers, London.

 

Courses

Title Department Catalog Term

Description

Students in this course will design and produce visual communication via the letterpress method, with emphasis upon the integration of materials, structure, and content. Instruction encourages an interdisciplinary approach with a thrust toward expanding the medium?s boundaries. Lectures and video documentaries provide an historical and cultural context for type design and the printing revolution. A field trip will provide exposure to the expanding applicability of letterpress in contemporary design, as well as exemplars from the past six centuries. Demonstrations will acquaint students with both classical and current approaches to using the tactile voice of letterpress. Students should expect to work with single sheet formats, traditional books, artist's books, and 3-D sculptural multiples, to be presented in group critiques. This course may be repeated for credit, with students creating letterpress bookworks through self-initiated projects.

Class Number

2086

Credits

3

Description

Students in this course will design and produce visual communication via the letterpress method, with emphasis upon the integration of materials, structure, and content. Instruction encourages an interdisciplinary approach with a thrust toward expanding the medium?s boundaries. Lectures and video documentaries provide an historical and cultural context for type design and the printing revolution. A field trip will provide exposure to the expanding applicability of letterpress in contemporary design, as well as exemplars from the past six centuries. Demonstrations will acquaint students with both classical and current approaches to using the tactile voice of letterpress. Students should expect to work with single sheet formats, traditional books, artist's books, and 3-D sculptural multiples, to be presented in group critiques. This course may be repeated for credit, with students creating letterpress bookworks through self-initiated projects.

Class Number

1405

Credits

3

Description

Students in this course will design and produce visual communication via the letterpress method, with emphasis upon the integration of materials, structure, and content. Instruction encourages an interdisciplinary approach with a thrust toward expanding the medium?s boundaries. Lectures and video documentaries provide an historical and cultural context for type design and the printing revolution. A field trip will provide exposure to the expanding applicability of letterpress in contemporary design, as well as exemplars from the past six centuries. Demonstrations will acquaint students with both classical and current approaches to using the tactile voice of letterpress. Students should expect to work with single sheet formats, traditional books, artist's books, and 3-D sculptural multiples, to be presented in group critiques. This course may be repeated for credit, with students creating letterpress bookworks through self-initiated projects.

Class Number

2087

Credits

3