A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Brian Joseph Rush

Associate Professor, Adjunct

Contact

Bio

Instructor, Printmedia (2013). BFA, 2007, Art Center College of Design, Pasadena, CA; MFA, 2012, School of the Art Institute of Chicago. Exhibitions: Adult Contemporary, Chicago; Carousel Space, Chicago; Japanese American Museum, Los Angeles; GRNY, New York; Abacot Gallery, Los Angeles.

 

Courses

Title Department Catalog Term

Description

In this course students are introduced to stone lithography. Through this planographic printing process it is possible to translate hand-drawn and hand-painted images into multiples and/or multi-color pieces. Emphasis is placed on gaining a thorough understanding of the techniques and principles of lithography through class demonstrations, instruction, individual projects, discussion and critiques.

Class Number

2333

Credits

3

Description

This class introduces students to the concepts and production of distributable artists¿ projects. Working closely with faculty, students develop projects to be printed on the Heidelberg offset press and Risograph machines. Multiples such as prints, books, zines, posters, stickers, cards, and packaging are examples of potential projects that utilize these high-volume printing processes. Image creation methods include digital, photo, collage, and hand-drawing. Adobe Creative Suite and a variety of binding and packaging techniques will be demonstrated. Through hands-on examples, readings, and visits to special collections, such as the Joan Flasch Artist Book Collection, a wide range of printed work and distributable projects will be shared and discussed. Over the semester, students can expect to complete a number of multi-color offset and risograph projects and participate in two critiques.

Class Number

1225

Credits

3

Description

This class introduces students to the concepts and production of distributable artists¿ projects. Working closely with faculty, students develop projects to be printed on the Heidelberg offset press and Risograph machines. Multiples such as prints, books, zines, posters, stickers, cards, and packaging are examples of potential projects that utilize these high-volume printing processes. Image creation methods include digital, photo, collage, and hand-drawing. Adobe Creative Suite and a variety of binding and packaging techniques will be demonstrated. Through hands-on examples, readings, and visits to special collections, such as the Joan Flasch Artist Book Collection, a wide range of printed work and distributable projects will be shared and discussed. Over the semester, students can expect to complete a number of multi-color offset and risograph projects and participate in two critiques.

Class Number

1834

Credits

3

Description

This intermediate studio will explore Lithography as an expanded practice for creating fine art prints that are both innovative and experimental. The course will focus on both individual and collaborative projects to expand the notions and practice of traditional lithography by combining it with other artistic practices. Students will be introduced with advanced printing processes including multi-color printing using stone and aluminum plate, photo and wood lithography, and monotype/monoprints. Use of laser and vinyl cutters to combine with traditional lithography will also be explored.

Class Number

1847

Credits

3