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Anneliese Hardman
Lecturer
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Bio
Awards: SEASSI/SEALC Scholarships, August 2024: $4,500 awarded to pursue Khmer language through the University of Wisconsin-Madison; Award for Graduate Research, August 2024: $2,500 awarded for summer travel to Cambodia, Indonesia, Laos, Singapore, Thailand, and Taiwan; Edman Fellowship, 2022: $12,500 awarded to pursue doctoral studies, act as a Chicago research assistant and teacher assistant at University of Illinois; nomination to join executive board of the International Network of Peace Museums 2021–2022; Fulbright Malaysia ETA Alternate, 2019; Peace Corps Cambodia finalist, 2019; De Jager Scholar, 2018: Award given to 3 of 50 Oxford’s Wycliffe Hall study abroad students per semester for research; scholarships and endowments from Palm Beach Atlantic University, 2015–2019: $108,500 awarded in the form of 9 scholarships awarded over four years including the Presidential Scholar Award, Frederick M. Supper Honors Trustee Award, Leadership Scholarships, and Instrumental Music Scholarships, Parent’s Council Award, Addison Hines Endowment, and Beulah Kahler Scholarship. Publications: Hardman, Anneliese, “Examining Memory Found in Cambodian Graphic Narratives,” Athanor, 2023; Hardman, Anneliese, “Examining the Best Practices of Curating in a Nontraditional Botanical Garden Setting: A Case Study at Marie Selby Botanical Gardens.” AMPS Extended Proceedings: Representing Pasts—Visioning Futures, University of Singapore, 2023; Boda, Jay, Charlie Farrell, Madison Grigsby, and Anneliese Hardman, “One Museum, Three Dimensions of Curation: A Script,” Dimensions of Curation: Considering Competing Values for International Exhibition Practices, edited by Ann Rowson Love and Pat Villeneuve, American Alliance of Museums/Rowman & Littlefield, 2023; Hardman, Anneliese. “Cambodian Artistic Resilience: Outlets of Khmer Cultural Survival since the Khmer Rouge.” The Coalition of Master’s Scholars on Material Culture, 2021. Exhibition Reviews: Hardman, Anneliese. “Review “Marie Selby Botanical Garden’s Exhibition, Seeing the Invisible,” University of Illinois Chicago: Redacted, 2023; Hardman, Anneliese. “Review of Rania Matar's 'Other Side of the Window:' Portraits During COVID-19," Simon Fraser University: The Comparative Media Arts Journal: Heterotopia, 2022.; Hardman, Anneliese. "Photographic Meditations Between Nature and Built Environment." Review of Spanish Point’s Clyde Butcher: Nature through the Lens, Orange Blossom Ordinary, 2024. Exhibitions: Chen, Shuxuan, Taila Shabtay, Anneliese Hardman, Maia Jin, Susan Okrah, Jessy Ren, Quinn Rodriguez, Belen Sanchez, Art, Science, and the Environment, 2024, Smart Museum, Chicago, IL, online exhibition; Hardman, Anneliese, Barn Quilts [Nature] Trail, 2023, Wellesley Island State Park Minna Anthony Common Nature Center, Wellesley Island, NY; Hardman, Anneliese and Gabriela Montesdeoca, The Christmas Cards of the Ringling, 2021–2022, The John and Mable Ringling Art Museum. Sarasota, FL; Hardman, Anneliese and Preston McLane, Napoleon in the Movies, 2021, FSU Museum of Fine Art, Tallahassee, FL; Bealyer, Ivy, Josie Boyer, Madison Grisby, Anneliese Hardman, Sara Kuba, Gabriela Motesdeoca, Danielle Ponzio, and Niall Whalen, Collective Identities: Exploring Dualities in Rania Matar’s Work, 2021, FSU Museum of Fine Art, Tallahassee, FL, online exhibition; Hardman, Anneliese, Zerbe Zele-bration, 2021, FSU Museum of Fine Art, Tallahassee, FL, online exhibition; Hardman, Anneliese, Reconciliation Through the Arts; 2020–present, Cambodia Peace Museum, Battambang, Cambodia.
Personal Statement
My studies focus on Southeast Asian art and museum practices with select research on contemporary Cambodian artists and the revitalization of traditional Cambodian art following the Khmer Rouge genocide. Current dissertation endeavors analyze how contemporary Cambodian artists portray land and landscape in their art as both sites of healing and trauma. I hope to underscore the nuanced efforts of resilience artists of Southeast Asia strive for by linking historic art making with modern issues of change.