A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
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Anahita Ghazvinizadeh

Assistant Professor

Contact

Bio

Education: BFA, 2011, Tehran University of Art; MFA, 2013, School of the Art Institute of Chicago. Exhibitions/Screenings: Cannes Film Festival; Torino Film Festival; BFI Flare, London; Busan International Film Festival; Berlin Feminist Film Week; Chicago International Film Festival; Melbourne International Film Festival; Anthology Film Archive, New York; Museum of Contemporary Arts, Busan. Publications: SAAN, Iranian Literary Quarterly; MAJALEH FILM, Iranian Film Review Monthly; Awards: Cinéfondation First Prize, Cannes Film Festival; Silver Hugo, Chicago International Film Festival; Filmmaker Magazine’s 25 New Faces of Independent Film; Doha Film Institute Grant; Cinereach Fellowship; IWC Filmmaker Award, Honorable Mention, Tribeca Film Institute.

Courses

Title Department Catalog Term

Description

This course is designed to introduce students to the language and histories of the moving image arts and the diverse ways in which artists have contributed to them. Throughout the semester we will examine a range of approaches to creating moving image work. We will compare and contrast established ?norms? with radical and experimental approaches to these various media, leading to an understanding of the rich, complex, and evolving landscape upon which individuals have been making, and continue to make, moving image art. Students will engage with this expanded field through lectures, readings, screenings, meetings with visiting artists as well as becoming active in discussions and practitioners in the field via group projects. Working in small groups, students will complete a series of short projects to introduce them to the various pathways of the department. By the end of the semester, students should have gain basic production and postproduction skills as well a good understanding of the key concepts relevant to contemporary film, video, new media, installation and animation.

Class Number

1572

Credits

3

Description

An interdisciplinary studio that develops skills specific to the challenges of writing for time-based projects, especially works in film, video, installation, and performance. The primary focus is in-class writing, a range of textual experiments, and workshop /critique of students' writing in relation to their own works-in-progress. We pay attention to 'invisible' texts--the writing before the script, free-writing, conceptual issues--as well as overt ones. Special emphasis is placed on developing the ear in work on monologue, dialogue, and voice-over. The class reads and discusses selected scripts and writings by artists, screens films and videos, attends exhibitions and performances, and performs close analyses (another form of 'reading') of texts.

Class Number

1597

Credits

3

Description

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.

Class Number

1691

Credits

3