A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
A white silhouette of a person against a light blue background.

Alexander W Jochaniewicz

Assistant Professor, Adjunct

Bio

Adjunct Assistant Professor, Liberal Arts (2002). BA, 1997, Winona State University, MN; MA, 1999, DePaul University. Publications: Issue; Threshold; X: Out of bounds.

Courses

Title Department Catalog Term

Description

In this writing course, students will consider different perspectives of art and of the artist—including the process of artistic creation, artistic standards and criteria, interpreting art, and the life of the artist—and students will also express their own perspective in discussions, written assignments, and informal presentations, too. The reading list will consist (mostly) of personal essays from a wide range of writers, including (among others) W.E.B. Dubois, T.S. Eliot, bell hooks, Jeannette Winterson, and Susan Sontag—all of whom, along with each other, will help challenge, strengthen, and refine our own perspectives about art and our artistic identities. Students will write about what it means to be an artist as well as develop their perspective about the power and purpose of art. The process of writing will be practiced throughout this course, from brainstorming, to drafting, to peer review and revising. FYS I develops college-level writing skills, prepares one for FYS II and upper level Liberal Arts courses, and allows one to improve expressing their ideas in writing.

Class Number

1474

Credits

3

Description

This class will examine the American short story and survey its origins and development over the past two hundred years. Our study of the American short story will begin with formal elements of fiction, including how writers use and innovate within traditional storytelling practices, and then we will widen our scope and consider historical and cultural contexts. This literature is challenging and controversial--and studying it will help refine our own thoughts and modes of expression, too. The reading list includes (among others) Nathaniel Hawthorne, Kate Chopin, Sarah Perkins Gilman, William Faulkner, Ernest Hemingway, James Baldwin, Alice Walker, Raymond Carver, Juhumpa Lahiri, Amy Tan, Sherman Alexie, and Z.Z. Packer. Individual interpretations will be emphasized, and a slow-and-close reading of both the literature and our own writing will be practiced. This class will also engage in the process of writing, including prewriting (inquiry and brainstorming), drafting, peer review, and revising. Written assignments will include personal reflection, analysis, and synthesis. FYS I develops college-level writing skills, prepares one for FYS II and upper level Liberal Arts courses, and allows one to improve expressing their ideas in writing.

Class Number

1438

Credits

3

Description

In this writing course, students will read and write about different forms and movements of contemporary poetry, ranging from 1951 to the present, including sonnets, prose poems, Black Arts Movement, confessional poetry, and free verse. Not only will students be introduced to a wide range of poets–like Gwnedolyn Brooks, Cathy Song, Li-Young Lee, Garret Hongo, Jericho Brown, Ada Limon, Layli Long Soldier, Franny Choi, and Billy Collins–but students will also add to the curriculum by presenting poets of their own choosing. Individual interpretations will be practiced through a slow-and-close reading, and written assignments will include a sequence of shorter papers and end with a longer project where students will compose and share their own anthology–all of which will add up to at least fifteen pages of revised writing. The process of writing will be practiced throughout this course, from brainstorming, to drafting, to peer review and revising. FYS I develops college-level writing skills, prepares one for FYS II and upper level Liberal Arts courses, and allows one to improve expressing their ideas in writing.

Class Number

1446

Credits

3

Description

The Foundations Writing Workshop is a process-based writing course that serves as students' initiation to the foundations of academic writing in a school of art and design. Students engage in the writing process, learn strategies for exploring topics, and develop their knowledge of the concepts and terminology of art and design through the practice of various kinds of written compositions. Analysis of essays and active participation in writing-critiques are integral components of the Workshop.

Class Number

2548

Credits

3

Description

The Foundations Writing Workshop is a process-based writing course that serves as students' initiation to the foundations of academic writing in a school of art and design. Students engage in the writing process, learn strategies for exploring topics, and develop their knowledge of the concepts and terminology of art and design through the practice of various kinds of written compositions. Analysis of essays and active participation in writing-critiques are integral components of the Workshop.

Class Number

1069

Credits

3

Description

The Foundations Writing Workshop is a process-based writing course that serves as students' initiation to the foundations of academic writing in a school of art and design. Students engage in the writing process, learn strategies for exploring topics, and develop their knowledge of the concepts and terminology of art and design through the practice of various kinds of written compositions. Analysis of essays and active participation in writing-critiques are integral components of the Workshop.

Class Number

2450

Credits

3