Emily Winter

This course is an introduction to floor loom hand weaving through the study of basic weave structures, woven image techniques and fiber types. Traditional and experimental use of material and technique will be used to explore double weaves, painted warps and a variety of hand-manipulated techniques including tapestry, brocade and inlay. Students will study the global histories of woven cloth through a variety of readings, presentations, and class discussions. Works by artists such as Diedrick Brackens, Lenore Tawney, and Gunta Stolzl will be discussed as well as writings by thinkers such as Anni Albers, T'ai Smith, Dieter Hoffman-Axthelm as primary points of departure. Students will study basic weaving draft patterns and will complete independent research into artists and techniques of interest. The conceptual and material considerations of contemporary craft-based art will be a major component of this course. Students will produce 2-6 finished weavings over the course of the semester through their exploration and research of a variety of techniques on 4-harness floor looms.

Combining computer-assisted and digital technologies with analog hand weaving processes, this class is grounded in the contemporary use of the jacquard loom as a new media tool. The computer-driven TC (thread controller) digital jacquard looms interface with a computer to allow for direct control of individual threads, allowing for innovations in woven structure, composition, forms, and imagery. Utilizing Photoshop and Jacquard weaving software, students will realize projects that begin with digital source material and result in hand woven constructions. This graduate studio course emphasizes rigorous conceptual development and material explorations. Studio work will blend work at the computer, weaving on the loom, visual presentations, individual and group discussions of students' projects and works in process, readings, research and critical discussion. Contemporary artists working with weaving including Lia Cook, Kate Nartker, Noel Andreson, Josh Faught, Janie Lourie, Sonya Rapoport, Christy Matson, Siena Smith, Percy Lam, and Jovencio de la Paz, Global and historical examples of weaving practices will also be presented and discussed. Readings can include texts by Rosalind Krauss, Walter Benjamin, Jean Baudrillard, Hito Steyerl, Sarat Maharaj, T'ai Smith, Lisa Nakamura. Students will engage in sampling and experimentation, and also demonstrate an ongoing commitment to independent studio practice and projects. This graduate level class will importantly include in-depth discussion about students' work, concepts, material and technical choices, and thematic interests. Students are expected to work independently on relevant works of their choosing.

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.