Topics in Modern and Contemporary Art |
5002 (001) |
Daniel Ricardo Quiles |
Mon/Thurs
8:30 AM - 11:15 AM
In Person
|
Description
This classes introduces topics, themes, methods and theories of modern and contemporary art from the late 19th century to the present. The class is geared at incoming MFA students to engage in issues relevant to art historical methods to supplement their artistic practice. Individual instructors will adapt the content based on their individual areas of expertise.
Content will vary depending on instructors but include key texts in Modern and Contemporary art history.
The course will include reading by relevant scholars in the field of Modern and Contemporary Art. Students will turn in weekly responses, take quizzes and tests and possibly write a research paper at the end of the semester
Prerequisites
This course is primarily for incoming MFA students, and students should only take this survey once.
|
Class Number
1216
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
Lakeview - 202
|
Graduate Studio Seminar |
5600 (001) |
John D Neff |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This seminar consists of weekly lectures, colloquia, and studio visits. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1207
|
Credits
4.5
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 314
|
Graduate Studio Seminar |
5600 (002) |
Kelly F. Kaczynski |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This seminar consists of weekly lectures, colloquia, and studio visits. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1208
|
Credits
4.5
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 328
|
Graduate Studio Seminar |
5600 (003) |
Assaf Evron |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This seminar consists of weekly lectures, colloquia, and studio visits. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1209
|
Credits
4.5
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 315
|
Graduate Studio Seminar |
5600 (004) |
D. Denenge Duyst- Akpem |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This seminar consists of weekly lectures, colloquia, and studio visits. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1210
|
Credits
4.5
|
Department
Masters in Fine Arts Low Residency
Location
Lakeview - 1428
|
Graduate Studio Seminar |
5600 (005) |
Terri Kapsalis |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This seminar consists of weekly lectures, colloquia, and studio visits. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1211
|
Credits
4.5
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 329
|
Graduate Studio Seminar |
5600 (006) |
Irina Adina Bucan |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This seminar consists of weekly lectures, colloquia, and studio visits. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1212
|
Credits
4.5
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 326
|
Graduate Studio Seminar |
5600 (007) |
Asha Iman Veal |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This seminar consists of weekly lectures, colloquia, and studio visits. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1213
|
Credits
4.5
|
Department
Masters in Fine Arts Low Residency
Location
MacLean 920
|
Graduate Studio Seminar |
5600 (008) |
Dushko Petrovich |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This seminar consists of weekly lectures, colloquia, and studio visits. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1214
|
Credits
4.5
|
Department
Masters in Fine Arts Low Residency
Location
MacLean 501
|
Graduate Studio Seminar |
5600 (009) |
Julietta Cheung |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This seminar consists of weekly lectures, colloquia, and studio visits. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1404
|
Credits
4.5
|
Department
Masters in Fine Arts Low Residency
Location
MacLean 608
|
Graduate Studio Seminar |
5600 (010) |
John D Neff |
TBD - TBD
In Person
|
Description
This seminar consists of weekly lectures, colloquia, and studio visits. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1419
|
Credits
4.5
|
Department
Masters in Fine Arts Low Residency
Location
Online
|
Low-Residency Colloquium |
5610 (001) |
|
In Person
|
Description
This seminar consists of weekly lectures, colloquia, and studio visits. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
|
Class Number
1206
|
Credits
0
|
Department
Masters in Fine Arts Low Residency
Location
|
Professional Practices: Digital Interfaces |
5630 (001) |
Kelly Xi |
Mon
12:15 PM - 3:00 PM
In Person
|
Description
This is a specialized professional practice course designed to prepare students for active participation in the on-campus as well as online components of the Low-Residency MFA. Students will be trained on digital platforms including Canvas, SAIC's learning management system. Students will be introduced to online library resources and to all digital research, communication, and dissemination tools necessary for use during off-campus semesters. Students can be authorized on general as well as specialized equipment for use during the residency.
|
Class Number
1205
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
MacLean 714
|
Professional Practices: Digital Interfaces |
5630 (002) |
Christine Anne Shallenberg |
Mon
12:15 PM - 3:00 PM
In Person
|
Description
This is a specialized professional practice course designed to prepare students for active participation in the on-campus as well as online components of the Low-Residency MFA. Students will be trained on digital platforms including Canvas, SAIC's learning management system. Students will be introduced to online library resources and to all digital research, communication, and dissemination tools necessary for use during off-campus semesters. Students can be authorized on general as well as specialized equipment for use during the residency.
|
Class Number
1421
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 1108
|
Attention |
6510 (001) |
Dushko Petrovich |
Mon/Thurs
8:30 AM - 11:15 AM
In Person
|
Description
This seminar will look at the mental faculty of attention and the role it plays in the production and reception of art, specifically how attention mediates experience between artists and viewers. We will examine the attempt to direct attention as a basis for making meaning within artworks, particularly in moving-image, spatial, and place-related work. We will also ask how the issues of attention and attention span that have become so ubiquitous, may impact the art context. In short, we will take up attention as an attribute, tool, or condition for making work in relation to other subjects rather than as a subject in itself, treating attention as a register for looking at artworks. The seminar will consist of readings and screenings drawn from philosophy, psychology, art theory, film theory, fiction, and other disciplines.
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Class Number
1217
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
MacLean 302
|
Perception |
6530 (001) |
Jennifer Dorothy Lee |
Mon/Thurs
8:30 AM - 11:15 AM
In Person
|
Description
Framed by the Low-Residency MFA theme of 'Poetics,' this course is an art historical investigation into perception in connection with aesthetics in four key areas: Black Arts Movement, Afro-Futurism, Ritual Art Performance in the African Diaspora, and African Art and Design. With an eye to the concept of ?sculpting space? and location in the liminal and the margins as defined by bell hooks, we will consider perceptions of Self and Other, identity expression as intentional resistance and creative expression, ?Africa? and notions of ?African art,? and performative modes of production. How does work become canonized and remembered? How do movements form a foundation for contemporary practices? This course understands the artist as a kind of divine sculptor, trickster-DJ-griot, considering methodologies such as oral history, indigenous systems, and community legacies to critique time as linear and interrogate perceptions of body, location, belonging, and what it means to center oneself via art.
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Class Number
1218
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
MacLean 301
|
Professional Practices: Curatorial Liaisons |
6630 (001) |
Judd Morrissey |
Mon
12:15 PM - 3:00 PM
In Person
|
Description
This course examines an artist?s professional practice tactically, within the context of a contemporary networked international art world in which online presence rivals real-world gallery and museums, and media documentation of works can be as significant as physical versions in their impact. In relation to these transformations, traditional museum curation has morphed into a hybrid practice - museumology - in which curators work in teams with education and media departments and museums consider ?community outreach? rather than archiving or connoisseurship their primary missions. The art world is, like most others, a shifting ground post ubiquitous media. Students will consider the Internet, the possibility of tactical virality and their own artistic identities in relation to such transformations through site visits and active discussion with members of the Chicago gallery and museum community. These will be augmented by online Skype meetings with organizers and art professionals outside of Chicago in both the national and international context.
|
Class Number
1204
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 329
|
Professional Practice: Expanded Networks |
6830 (001) |
Aliza Shvarts |
Mon
12:15 PM - 3:00 PM
In Person
|
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1203
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 326
|
Professional Practice: Expanded Networks |
6830 (002) |
John D Neff |
Mon
12:15 PM - 3:00 PM
In Person
|
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1413
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 328
|
Professional Practice: Expanded Networks |
6830 (003) |
John D Neff |
TBD - TBD
In Person
|
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1420
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
Online
|
Thesis Studio: Public Presentation |
6870 (001) |
Irina Adina Bucan |
Fri
8:30 AM - 11:15 AM
In Person
|
Description
Students in their final residency enroll in Thesis Studio: Public Presentation, a two-part course that guides students through their thesis presentation that will be given in the Sullivan Galleries during the MFA Thesis Exhibition. The first portion functions as a seminar, during which students learn about historical modes and forms of the Artist?s Talk and prepare for their own presentations. The second portion of the course consists of the thesis presentations themselves, a culminating statement in the form of a public talk delivered to the entire graduating cohort along with visiting artists and SAIC faculty.
|
Class Number
1215
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
MacLean 301
|
Thesis Studio: Public Presentation |
6870 (002) |
Aliza Shvarts |
TBD - TBD
All Online
|
Description
Students in their final residency enroll in Thesis Studio: Public Presentation, a two-part course that guides students through their thesis presentation that will be given in the Sullivan Galleries during the MFA Thesis Exhibition. The first portion functions as a seminar, during which students learn about historical modes and forms of the Artist?s Talk and prepare for their own presentations. The second portion of the course consists of the thesis presentations themselves, a culminating statement in the form of a public talk delivered to the entire graduating cohort along with visiting artists and SAIC faculty.
|
Class Number
1418
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
Online
|
Guided Study |
6907 (001) |
LuLu Sbardellati |
TBD - TBD
In Person
|
Description
Guided Studies are intensive, self-driven courses of study that have a clear rationale for their configuration and articulate an expressed need in terms of a student's scholarly, material, and theoretical research. As a 3 credit course, a Guided Study constitutes 135 hours of study and production on the part of the student, including four meetings (virtual or otherwise) with a supervising faculty who has expertise in the research areas. On the Guided Study syllabus co-produced by the LRMFA student and supervising faculty, expected research accomplishments must be formulated, alongside a course description, learning objectives, evaluation criteria, a proposed timeline, a communication plan, and a suggested reading list or bibliography. Open to Low Residency MFA students only.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1395
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
Guided Study |
6907 (002) |
Alex Karenina Kostiw |
TBD - TBD
In Person
|
Description
Guided Studies are intensive, self-driven courses of study that have a clear rationale for their configuration and articulate an expressed need in terms of a student's scholarly, material, and theoretical research. As a 3 credit course, a Guided Study constitutes 135 hours of study and production on the part of the student, including four meetings (virtual or otherwise) with a supervising faculty who has expertise in the research areas. On the Guided Study syllabus co-produced by the LRMFA student and supervising faculty, expected research accomplishments must be formulated, alongside a course description, learning objectives, evaluation criteria, a proposed timeline, a communication plan, and a suggested reading list or bibliography. Open to Low Residency MFA students only.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1414
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|