A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

James TerMeer

Associate Professor

Bio

Associate Professor, Architecture, Interior Architecture, and Designed Objects, 2008. BFA, 1990, Kansas City Art Institute; MDES, 2002, Design Academy Eindhoven, The Netherlands. Concurrent Position: Partner, Giffin'TerMeer. Exhibitions: Design Nomade; BASE Milano, Milan; 2nd Istanbul Design Biennial; Bio 23, Ljubljana; Museum of Brands, London; International Craft Biennale, Cheongju, Korea; EDF Foundation, Paris; Scottsdale Museum of Contemporary Art; Seoul Design Olympiad; Dutch Design Center, Utrecht. Publications: Independent Design Guide: Innovative Products From the New Generation; Ceramics Monthly; Designboom; Dazed & Confused; Azure; Surface; De Volkskrant. Collections: Seoul Design Foundation; Designhuis, Eindhoven; The Netherlands; Institute for the Future, Copenhagen. Awards: Tokyo Designers Week 2011 Container Competition; Seoul Cycle Design Competition; Merit Award, Flip-a-Strip, Architecture Competition.

 

Courses

Title Department Catalog Term

Description

As the beginning course in the Designed Objects department, students will have an opportunity to explore different methods of working in order to begin establishing a practice that works best for them. Students will be building a strong foundation of skills and techniques needed to navigate an informed design process and successfully complete a design brief. In this hands-on class, students will learn how to find inspiration for an idea, develop that idea into a concept, and use that concept to design and fabricate a high-level, final prototype. Basic research theories and methods are introduced which are then applied towards studio projects. Fabrication and prototyping techniques are also incorporated in order to test out ideas and discover new ones. Students advance through definition, research, ideation, sketching, and modeling phases toward two? and three?dimensional representations (digital and physical) of their work that are orally defended during group critique. Readings and lecture content will vary and will focus on examples of historically relevant and contemporary designers, artists, studios, and design movements; as well as design practices that highlight different motivations of the designer. In addition to the two main projects that focus on different methods of approaching design? where students will be producing high-level prototypes, this workshop-style class consists of one-day projects and exercises designed to introduce techniques and skills such as technical drawing and sketching, form-finding, prototyping, and inspiration research, among others. This course requires students to have a laptop that meets SAIC's minimum hardware specs and runs the AIADO template.

Class Number

1397

Credits

3

Description

This course is designed to be a fast-paced first step into the field of 3D CAD modeling, an arena where designers give shape to our daily experience of the world. If this is your first exposure to virtual 3D form development, you will find a flexible interface that facilitates a rapid learning curve from simple to complex. For those with prior CAD experience desiring a more intuitive, less restrictive creative experience, this course will provide the means to turn what you see in your mind and your sketches into exciting visual and precise physically accurate representations of your vision. Throughout the semester we will discuss historical and current events in product, fashion and architectural design. Typically, these shared conversations lead to discoveries that participants dig into and apply to assignments. A list of influential artists, designers and architects is provided along with suggested books and online references that enrich and add diversity and range to our discourse. Initially, the class works through a series of exercises and tutorials designed to bring familiarity and confidence to their experience with Rhino. Students will investigate methods for surfacing, modifying, rendering, and presenting ideas and concepts they create. As each tool and process becomes more familiar, new methods and strategies are introduced, and students are taught how to apply them to create accurate representative models of objects they design. In addition to gaining hands-on skills, we will explore form creation and the physical, cognitive, emotional, social, and cultural factors that play into the development of a successful new product.

Class Number

1384

Credits

3

Description

The Whatnot Studio is a progressive educational platform in the Designed Objects department at SAIC that is focused on creative inquiry and iteration. This year-long course enables students to hone their voice as individual designers while working as a team to execute a thematic collection of highly refined and relevant work for public exhibition. The Whatnot Studio has exhibited work at the Salone del Mobile in Milan, Italy and at Wanted Design in New York City. Select mid- and upper level undergraduate and graduate students are admitted to this course via portfolio review. Readings, recordings, screenings, and field trips vary annually depending on the course theme. Students should expect to produce one exhibition quality object and should also expect to work as part of a team to develop exhibition design and promotional materials. Please apply through slideroom: https://saicscholarships.slideroom.com/#/permalink/program/77943

Class Number

1392

Credits

3