A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Ayanah Moor

Associate Professor

Bio

Education: BFA, 1995, Virginia Commonwealth University, Richmond; MFA, 1998, Tyler School of Art, Philadelphia. Exhibitions: Cleve Carney Museum of Art, Glen Ellyn, IL; Museum of Contemporary Art Chicago, IL; The Studio Museum Harlem, NY; ONE Archives, University of Southern California Libraries, CA; Andy Warhol Museum, Pittsburgh; Te Tuhi Centre for the Arts, New Zealand; Proyecto ‘ace, Argentina. Publications: Mike Henderson: Before The Fire, 1965-1985; Incite: Journal of Experimental Media; Meridians: Feminism, Race, Transnationalism. Bibliography: LA Weekly; Chicago Reader; The Brooklyn Rail; Carnegie International; ArtsATL; Afterimage; ARTFORUM.com; Art Papers Magazine; Troubling Vision: Performance, Visuality and Blackness; What Is Contemporary Art?, University of Chicago Press. Collections: Capital Group, Irvine, CA; Marjorie Barrick Museum of Art, University of Nevada, Las Vegas; DePaul Art Museum, Chicago; Proyecto 'ace, Buenos Aires, Argentina; Agency of Unrealized Projects e-flux and Serpentine Gallery, London. Awards: Rogers Art Loft Residency, Las Vegas; Hyde Park Art Center Residency, Chicago; Advancing Black Arts in Pittsburgh Award; Welch Artist in Residence, Atlanta. Vermont Studio Center Residency.

 

Courses

Title Department Catalog Term

Description

What are the concerns that drive one's creative practice? How does one set the terms for its future development? Sophomore Seminar offers strategies for students to explore, reflect upon, and connect common themes and interests in the development of an emerging creative practice that will serve as the basis of their ongoing studies at SAIC and beyond. Students will examine historical and contemporary influences and contextualize their work in relation to the diverse art-worlds of the 21st Century. Readings, screenings, and field trips will vary each semester. Presentations by visiting artists and guest speakers will provide the opportunity for students to hear unique perspectives on sustaining a creative practice. One-on-one meetings with faculty will provide students with individualized mentorship throughout the semester. During interdisciplinary critiques, students will explore a variety of formats and tools to analyze work and provide peer feedback. The class mid-term project asks students to imagine a plan for their creative life and devise a self-directed course of study for their time at school. The course concludes with an assignment asking students to develop and document a project or body of work demonstrating how the interplay of ideas, technical skills, and formal concerns evolve through iteration, experimentation and revision. Prerequisite: Must be a sophomore to enroll.

Class Number

2186

Credits

3

Description

The purpose of this course is to provide an informal critique situation where students from various disciplines meet once a week to present and discuss their work. The faculty leader facilitates the discussion, which is designed to help students articulate a critique of their own work as well as the work of other students.

Class Number

2307

Credits

3

Description

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.

Class Number

1768

Credits

3

Description

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.

Class Number

2325

Credits

3 - 6