A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Adam J Greteman

Associate Professor

Bio

Education: BA, 2006, Creighton University, Omaha, NE; PhD, 2011, Michigan State University, East Lansing, MI. Publications: The Pedagogies and Politics of Liking (Routledge, 2017), Genders and Sexualities in Education: Toward Queer Thriving (Palgrave MacMillan, 2018), On Liking the Other: Queer Subjects and Religious Discourses (Myers Education Press, 2022). Awards: Spencer Foundation Large Research Grant on Education, Hunt-Simes Junior Visiting Chair of Sexuality Studies at Sydney Social Sciences and Humanities Advanced Research Centre at the University of Sydney, University of Illinois Chicago Award for Creative Activity, Innovation 80 CoGen Grant, Outstanding Book Award from Society of Professors of Education (2020; 2022).

Personal Statement

As a queer scholar, I am sensitive to the importance of including diverse voices and experiences in teaching, writing, and making. I create courses that allow my students to engage written texts through experiences grounded in our diverse communities. My goal in teaching is to develop our critical thinking, writing, and making skills, along with our ability to debate issues in a constructive and agonistic manner. This is so we can speak to and about the lived realities of one another while developing our understanding of the histories, politics, and ethics involved in education. Throughout my teaching, I seek to provide students with encounters outside the classroom that take advantage of the rich cultural resources in Chicago.

I work at the intersections of philosophy of education, feminist, queer, and trans studies, teacher education, curriculum theory, and art education. I have an active writing practice that engages questions of queerness, education, and contemporary culture. Across my research, I have a concern for overlooked or under investigated subjects that educate in under-recognized and under-theorized ways.

In Fall 2019 I co-founded the LGBTQ+ Intergenerational Dialogue Project which connects two populations – LGBTQ+ youth and LGBTQ+ elders – who rarely have the chance to interact. A partnership between The School of the Art Institute of Chicago, Center on Addison at Center on Halsted, and the University of Illinois at Chicago, we bring together racially, socioeconomically, and gender diverse cohorts of LGBTQ+ college students and older adults (60+) for year-long series of bi-weekly themed dialogues, creative work, and shared dinners.

My recent co-authored book project - On Liking the Other: Queer Subjects and Religious Discourses - studies the intersection of religious and queer discourses in teacher education. It looks at the sometimes difficult topics rooted in these two particular discourses, which are often seen as unwelcome in both public and private educational spaces. In engaging in such a conversation, the authors seek to think about the ways that these discourses, while steeped in discontent, dilemma, and difficulty, might also offer ways to reorient ourselves amidst twenty-first century educational realities. This book was awarded an Outstanding Book award in 2022 from the Society of Professors of Education.

My first solo-authored book - Sexualities and Genders in Education: Toward Queer Thriving - contemplated the work of what happens upon and after queer survival. If queer has survived into various threats, my work explored the next steps for cultivating queer lives, practices, and aesthetics. Utilizing a range of sources and arguments—popular and obscure— I speculated into the 21st century as a time to further generate new forms and modes of queerness. This book was awarded an Outstanding Book award in 2020 from the Society of Professors of Education.

My first book project - The Pedagogies and Politics of Liking - was a co-authored investigation of the four-letter word "like." While ubiquitous in 21st century conversation and actions, we argued that like has far more potential in illuminating both the possibilities and pitfalls of like's ubiquity. The 21st century, we argued, has thus far turned out to be a century of liking demanding a critical assessment for what like, liking, and likability do for us in our daily lives.

Courses

Title Department Catalog Term

Description

This studio seminar is centered around intergenerational queer art-making within the context of The LGBTQ+ Intergenerational Dialogue Project, which is a partnership between The Senior Services Program at The Center on Halsted and faculty members Adam Greteman and Karen Morris of SAIC. This spring course is run as a workshop in which students focus on intergenerational creative production with LGBTQ+ elders. Classes will be held at both SAIC and Center on Halsted. Students and elders will share a meal together after class meetings at Center on Halsted, and take at least one field trip together. A range of artists, works, scholars, and activist groups will be introduced during the first third of the course as students get to know one another and the purpose of the course. This will potentially include the following: Marlon Riggs, Lesbian Avengers, Chase Joynt, ACT-UP, Ron Athey, S.T.A.R., Paul Preciado, E. Patrick Johnson, Mickalene Thomas, and others. Over the course of the latter 2/3rd of the semester, students collaborate with LGBTQ+ elders in small groups to conceive and produce work related to LGBTQ+ experiences, histories, and issues. Each small group decides on topic(s) and medium(s) while working with the instructors to create a list of relevant readings, films, and/or podcasts they will engage as part of the research and production process. Over the course of the semester, students collaborate with LGBTQ+ elders in small groups to conceive and produce work related to LGBTQ+ experiences, histories, and issues. Final projects might take the form of visual art, video, oral history, photography, writing, a podcast, or something else. This work will be showcased on the project’s website (generationliberation.com) and have the potential to be expanded into a range of other educational resources.

Class Number

1451

Credits

3

Description

This collaborative, community-based course is centered around The LGBTQ+ Intergenerational Dialogue Project, an ongoing partnership between Center on Halsted and SAIC. Classes will be held both at SAIC and Center on Halsted. Bringing together LGBTQ+-identified students and elders, this project provides a rare opportunity for dialogue across queer generations. Participants discuss, from their various perspectives and experiences, topics central to LGBTQ+ lives and histories such as Gender, Sex, Spirituality, Art, LGBTQ+ History, Family, Race, Class, Coming Out, Aging and Ageism, and Activism and Social Movements. Readings, audio recordings, and screenings will explore LGBTQ+ histories through their representation in various forms. Over the course of the semester, students work collaboratively with elders in small groups to create “objects'' in various forms (such as an animated video, comics zine, oral history, reflective or critical essay, personal narrative, visual art piece, or photographic essay) that bring to life the stories, histories, and lived experiences of LGBTQ+ folks. These “objects'' will be featured on our website (generationliberation.com).

Class Number

1093

Credits

3

Description

This collaborative, community-based course is centered around The LGBTQ+ Intergenerational Dialogue Project, an ongoing partnership between Center on Halsted and SAIC. Classes will be held both at SAIC and Center on Halsted. Bringing together LGBTQ+-identified students and elders, this project provides a rare opportunity for dialogue across queer generations. Participants discuss, from their various perspectives and experiences, topics central to LGBTQ+ lives and histories such as Gender, Sex, Spirituality, Art, LGBTQ+ History, Family, Race, Class, Coming Out, Aging and Ageism, and Activism and Social Movements. Readings, audio recordings, and screenings will explore LGBTQ+ histories through their representation in various forms. Over the course of the semester, students work collaboratively with elders in small groups to create “objects'' in various forms (such as an animated video, comics zine, oral history, reflective or critical essay, personal narrative, visual art piece, or photographic essay) that bring to life the stories, histories, and lived experiences of LGBTQ+ folks. These “objects'' will be featured on our website (generationliberation.com).

Class Number

1035

Credits

3

Description

This studio seminar is centered around intergenerational queer art-making within the context of The LGBTQ+ Intergenerational Dialogue Project, which is a partnership between The Senior Services Program at The Center on Halsted and faculty members Adam Greteman and Karen Morris of SAIC. This spring course is run as a workshop in which students focus on intergenerational creative production with LGBTQ+ elders. Classes will be held at both SAIC and Center on Halsted. Students and elders will share a meal together after class meetings at Center on Halsted, and take at least one field trip together. A range of artists, works, scholars, and activist groups will be introduced during the first third of the course as students get to know one another and the purpose of the course. This will potentially include the following: Marlon Riggs, Lesbian Avengers, Chase Joynt, ACT-UP, Ron Athey, S.T.A.R., Paul Preciado, E. Patrick Johnson, Mickalene Thomas, and others. Over the course of the latter 2/3rd of the semester, students collaborate with LGBTQ+ elders in small groups to conceive and produce work related to LGBTQ+ experiences, histories, and issues. Each small group decides on topic(s) and medium(s) while working with the instructors to create a list of relevant readings, films, and/or podcasts they will engage as part of the research and production process. Over the course of the semester, students collaborate with LGBTQ+ elders in small groups to conceive and produce work related to LGBTQ+ experiences, histories, and issues. Final projects might take the form of visual art, video, oral history, photography, writing, a podcast, or something else. This work will be showcased on the project’s website (generationliberation.com) and have the potential to be expanded into a range of other educational resources.

Class Number

1544

Credits

3

Description

This studio seminar is centered around intergenerational queer art-making within the context of The LGBTQ+ Intergenerational Dialogue Project, which is a partnership between The Senior Services Program at The Center on Halsted and faculty members Adam Greteman and Karen Morris of SAIC. This spring course is run as a workshop in which students focus on intergenerational creative production with LGBTQ+ elders. Classes will be held at both SAIC and Center on Halsted. Students and elders will share a meal together after class meetings at Center on Halsted, and take at least one field trip together. A range of artists, works, scholars, and activist groups will be introduced during the first third of the course as students get to know one another and the purpose of the course. This will potentially include the following: Marlon Riggs, Lesbian Avengers, Chase Joynt, ACT-UP, Ron Athey, S.T.A.R., Paul Preciado, E. Patrick Johnson, Mickalene Thomas, and others. Over the course of the latter 2/3rd of the semester, students collaborate with LGBTQ+ elders in small groups to conceive and produce work related to LGBTQ+ experiences, histories, and issues. Each small group decides on topic(s) and medium(s) while working with the instructors to create a list of relevant readings, films, and/or podcasts they will engage as part of the research and production process. Over the course of the semester, students collaborate with LGBTQ+ elders in small groups to conceive and produce work related to LGBTQ+ experiences, histories, and issues. Final projects might take the form of visual art, video, oral history, photography, writing, a podcast, or something else. This work will be showcased on the project’s website (generationliberation.com) and have the potential to be expanded into a range of other educational resources.

Class Number

2309

Credits

3

Description

This course provides an overview of curriculum theory by exploring curricula as historical, cultural, social, and political texts and practices. Students will interrogate the ways in which curriculum often reifies and propagates knowledge, values and beliefs that benefit the dominant culture and reinforce the normalcy of competitive capitalistic ideals, racial hierarchies, oppressive gender binaries, and the exploitation of nature. Critical approaches to curriculum that defy and challenge these hegemonic conceptions of curriculum will be examined. Through the process of these explorations, students will develop an understanding of how curriculum shapes the social, political, emotional, psychological, and physical structures in which teaching and learning occur. Students will learn how to develop multilayered art curriculum that critically addresses urgent and crucial topics and themes that are marginalized by or neglected within much contemporary K-12 curriculum. Students will read a variety of historically significant and vital contemporary curricular theorists who represent a broad diversity of educational philosophies: educational essentialism; child/student centered curriculum; critical pedagogy; feminist pedagogy; critical race pedagogy; queer pedagogy; culturally sustaining pedagogy. Students will also read texts representative of art education curricular philosophies that evolved congruently with these general educational theories: discipline-based art education; visual culture art education; teaching for artistic behavior; social justice art education. Students will participate in class in a variety of ways – small and large group discussion, active listening, and in-class writing assignments. Students will create speculative art curriculum projects that creatively and critically explore contemporary issues of import in society that are particularly germane to young people in grades K -12. Students will give presentations that demonstrate their fluency in curriculum theory and development as well as growing mastery of engaging presentation styles and formats.

Class Number

1015

Credits

3

Description

In the work of becoming and being an educator, it is necessary and important to comprehend the evolving ways human development is understood, engaged, and implicated in the teaching of children, adolescents and adults. Humans are, to put it simply, different. And it is these differences that present opportunities and challenges in teaching and learning. This course offers an interdisciplinary investigation into evolving conceptions of human development, including, but not limited to, psychological, legal, historical, and sociological frameworks. Additionally, students will explore the histories of childhood as they impact and have impacted the material culture of schools and school design. Investigating evolving conceptions of human development will provide teacher candidates with interdisciplinary perspectives to build their own understanding of students as subjects in formation. This includes gaining theoretical, historical, and pedagogical knowledge on a range of developmental issues in education. Readings include works by John Dewey, W.E.B. DuBois, Tom Shakespeare, Cris Mayo, Deborah Britzman, Stephen Vassallo, Alexandra Lange, Erik Erikson, Jean Piaget, and Maria Montessori as well as overviews of Disability, Race Conscious, and Queer Theories in education. Course work includes an essay questioning & responding to human development, an analysis of childhood development as illustrated in children's literature, an interpretation of adolescence as represented through short films, along with a midterm and final project documenting the work of learning throughout the semester.

Class Number

1087

Credits

3

Description

This independent study requirement for candidates for the MAAE (Master of Arts in Art Education) or for the MAT (Master of Arts in Teaching) follows either the MAAE course ARTED 6109--Art Education: Thesis I: Research Methodology or the MAT course ARTED 5290--Graduate Art Education Thesis: Research as Social Inquiry. Students produce a thesis that demonstrates a student?s ability to design, justify, execute, and present the results of original research or of a substantial action research project. Students work closely with an assigned thesis advisor, in addition to participating in supporting workshops, presenting at the annual symposium, and defending the work at a final defense panel.

Class Number

2476

Credits

3